Caravaggio's Masterpieces: Light, Realism, and Spirituality
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The Crucifixion of Saint Peter (Second Version)
Caravaggio's increasingly realistic style is evident in his rejection of the first version of The Crucifixion of Saint Peter. In the second version, we see a gloomy scene with Peter crucified upside down, as he requested not to be crucified in the same manner as Christ. Caravaggio uses light to emphasize and focus our attention on Peter, whose body forms a diagonal line. A distinctive red detail, in this case, Peter's feet, draws our gaze. Peter looks at his left hand, while the other figures are turned away from the light, creating a diagonal cross composition.
The painting depicts an infinite space, an absence of light, the purest dark, with figures forming a diagonal cross that connects Peter... Continue reading "Caravaggio's Masterpieces: Light, Realism, and Spirituality" »