Cinquecento Sculpture: Renaissance Art and Michelangelo
Cinquecento Sculpture: General Features
Cinquecento sculpture sought grandeur and found inspiration in classical works. The direct contemplation of the artistic capital of Rome helped the new style's configuration. The discovery of the Hellenistic Laocoon group in 1506, along with many pieces of Greek and Roman sculpture esteemed by nobles and high priests, led to their allocation in the Vatican collections. The study focused on the naked human form with greater rigor.
Transition from the Quattrocento
In the Quattrocento, an idealized vision highlighting the heroic and the giant did not always suit religious themes. Key sculptors of this transition included:
- Andrea Sansovino: Performed works on religious and burial subjects.
- Jacopo Tatti (Sansovino)