Renaissance Motets and Masses: Evolution of Polyphony
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Renaissance Motets and Masses
Evolution of Polyphony
Early Motets
Motet styles varied depending on the season. Isorhythmic motets, less common in later years, were prominent in the early period. In homophonic motets, all voices are equal. The imitative motet became the most important and innovative style.
Masses
Masses shared similarities with motets. Several masses, like the L'homme armé Mass and the L'homme armé Mass with isorhythm in the upper voice, were based on the popular tune "L'homme armé." Another example is the Missa Hercules dux Ferrariae, where the cantus firmus is derived from an acronym of the title.
Secular Music
Secular music production flourished in France and Italy. In Italy, works were sometimes attributed to the pseudonym... Continue reading "Renaissance Motets and Masses: Evolution of Polyphony" »