T.S. ELIOT:
Modernism (poetry) → The Waste Land: The Burial of the Dead (1922).
VIRGINIA WOOLF:
Modernism (fiction) → A Room of One's Own (1929), Lappin & Lapinova (1944), Kew Gardens (1919).
PHILIP LARKIN:
Fiction from the 1950s onwards (The Movement) → The Explosion (1974), This Be the Verse (1971).
SAMUEL BECKETT:
Modernism (Theatre of the Absurd) → Waiting for Godot (1955).
GEORGE ORWELL:
Fiction in the 1940s → Nineteen Eighty Four (1949).
TED HUGHES:
Contemporary Poetry → Pike (1960), There Came a Day.
SEAMUS HEANEY:
Contemporary Poetry → Punishment (1966).
SALMAN RUSHDIE:
Postcolonialism (fiction) → The Prophet's Hair (1994).
NADIME GORDIMER:
Postcolonialism (fiction) → The Moment Before the Gun Went Off (1991).
V.S. NAIPAUL:
Postcolonialism... Continue reading "Modernist Literature and Poetry: Key Figures and Movements" »