Notes, summaries, assignments, exams, and problems for Religion

Maison Carrée

Located in Nîmes, France, the Maison Carrée (16 BC) is a hexastyle temple, measuring 14 x 28 meters. Elevated on a podium with stairs, it features Corinthian columns embedded within the cell walls, creating a pseudoperipteral design. The temple is constructed of marble.

Pantheon

The Pantheon in Rome, constructed of concrete and brick, boasts a diameter of 43.50 meters at its base. A columned portico leads into the grand, coffered rotunda, capped by a massive dome.

Colosseum (Flavian Amphitheater)

Built between 72-80 AD, the Colosseum in Rome is the world's largest Roman amphitheater, measuring 188 x 156 meters and accommodating up to 50,000 spectators. Constructed from concrete, stone, brick, and marble, it features four tiers.... Continue reading "Iconic Roman Architecture and Sculptures" »

Ramon Llull's Literary Works

Evast & Blanquerna

The protagonist of the novel Evast & Blanquerna, written in Montpellier in 1283, is a hero without stain who has the gift of always choosing the best option. He lives life from the Lullian perspective. At eighteen, he leaves his parents, Evast and Aloma, and the proposed marriage to Natana, in search of the spiritual perfection of the hermit. This, however, is the end of a long journey during which he has been a monk, an abbot, a bishop, and the Pope. Throughout the book, there are abundant small instructive moral stories, known in medieval times as eximplis. These examples, used by preachers to embellish sermons on doctrine, served to provide a picture that was plastic, entertaining, and... Continue reading "Ramon Llull's Literary Works: An In-Depth Analysis" »

San Carlo alle Quattro Fontane: Key Information

• Location: Rome, Italy
• Architect: Francesco Borromini
• Style: Baroque
• Construction Dates: 1638-1667
• Materials: Brick and stucco
• Distinctive Feature: Dynamic use of architectural elements, including a 'flipped' architrave.

The Baroque Period: Context and Characteristics

Historical Context

The 17th century was a period marked by a complex interplay between crisis and progress. Europe faced numerous challenges, including social conflict, economic stagnation in agriculture and industry, widespread pestilence, and devastating wars. Simultaneously, this era saw the emergence of colonial empires, which sought to alleviate these domestic crises through expansion and resource acquisition.

Cultural and Artistic Developments

Rome... Continue reading "San Carlo alle Quattro Fontane: Baroque Masterpiece" »

The truth of myths is as follows:

• Myths aim to provide a horizon of meaning for building a valid existence. They may offer scientific or historically verifiable truths. For example, the vocation of Mohammed is not only meaningful but also a verifiable historical narrative.
• In the history of religions, myths express sacred truths. Their value depends on how this truth affects those who proclaim or hear it. From this perspective, myths are not formally different from legends or stories. The differences lie in their structure and influence.

Differences Between Myths, Legends, and Stories

Most Important Rituals

• Spells: Their purpose is to avert dangers.
• Rites of Passage: These ensure the future success of important life moments.
• Sacrifice: Individuals

Religious and Philosophical Theology

Theology (Faith and Reason)

St. Thomas Aquinas established a distinction between religious truths of the Bible's revelation, which are the subject of faith, and philosophical truths that are the subject of reason. Claims like Jesus' death and resurrection cannot be known or proven by reason; they can only be believed and are the object of faith.

Aquinas, following Aristotle, holds that truths like God's existence and other aspects regarding the essence and attributes of God are capable of proof or rational demonstration. Hence, the possibility of a purely rational theology that serves as an introduction to the revealed or religious. The difference between them lies not in the object, which is the same for both... Continue reading "Theology: Faith, Reason, and Existential Perspectives" »

La Celestina de Fernando de Rojas

La Celestina fue escrita a finales del siglo XV por Fernando de Rojas. Es una historia de amor que transcurre en una ciudad cuyo nombre se desconoce.

Argumento de la Obra

• Enamoramiento de Calisto: Tras un rechazo inicial de Melibea, Calisto se enamora perdidamente.
• Intervención de la alcahueta: Aconsejado por su sirviente Sempronio y con la oposición de su otro sirviente, Pármeno, Calisto recurre a la vieja alcahueta Celestina para que medie en la relación.
• Hechizo de Melibea: Celestina consigue entrar en la casa de Melibea y logra dejarle un ovillo empapado con una poción mágica. Cuando menciona a Calisto, Melibea lo rechaza.
• Desenlace trágico: Melibea llama a Celestina para planear el encuentro con Calisto.

Medieval Prose Fiction in Portugal

Prose fiction encompasses two narrative cycles: the Matter of Britain and the Matter of Troy, as well as several hagiographic texts (lives of saints).

Matter of Britain

The Matter of Britain (Breton cycle) consists of texts based on the story of Brittany that circulated throughout Europe from the 12th to the 18th centuries. The stories revolve around King Arthur and the Knights of the Round Table. Three main parts are preserved:

• Joseph of Arimathea: Tells the story of the Jew who collected the blood of Christ in the chalice used at the Last Supper (the Holy Grail), and God's mandate to take it to Britain.
• Merlin: Presents the prophecies of this magician, announcing the arrival of new times and a knight who will

Biography of St. Teresa of Ávila

Her life spans from her childhood to the founding of the first convent of St. Joseph of Ávila in 1562. It is known that during her childhood, she had a fondness for chivalric romances and the lives of saints. In 1531, her father interned her as a pupil in the Augustinian convent of Santa María de Gracia, but the following year she had to return home due to a serious illness. Determined to take the Carmelite habit against her father's will, in 1535, she left home to go to the Convent of the Incarnation. She received the habit the following year and made her profession in 1537.

Around that time, she entered a period of distress and illness, which lasted until 1542. During these years, she confessed that she learned... Continue reading "Religious Transformation and Conflict in 16th Century Europe" »

Anselm of Canterbury and the Ontological Argument

The importance of Anselm of Canterbury lies primarily in his role as the first Christian theologian who attempted to provide a proof of the existence of God without recourse to faith or the Scriptures. This test subsequently became known as the Ontological Argument.

Anselm's argument intends not to rely on data derived from faith, but it utilizes the notion of God—understood as “a being than which nothing greater can be conceived”—a notion that is already present in the mind.

We think of God as that than which nothing greater can be conceived. The atheist denies that God exists, but even the atheist must admit that the concept of God, as a mere idea, is already in the mind (in intellectu)... Continue reading "Anselm's Ontological Proof and Aquinas's Five Ways" »

• Daughters Magdalena, Amelia, and Martirio resignedly accepted their fate.
• Adela's rebellion is evident from the outset; her desire for freedom overcomes the fear of maternal authority. Ultimately, freedom proves to be a mirage. With her suicide, the path to freedom is forever closed for her sisters.
• María Josefa shows her liberation through madness. Her confinement is even harder than that of the daughters, so her only escape is insanity.
• The servants live under Bernarda's stranglehold, ruled by fear, whispering only behind her back.

Other significant themes include:

Sensual Love: Almost all protagonists in Lorca's poetic and dramatic works are marked by impossible love and erotic frustration. In the play, Bernarda does everything in her power... Continue reading "Bernarda Alba's House: Themes of Repression and Desire" »