Musical Analysis of Juan del Encina's Renaissance Works
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Rhythmic and Folk Characteristics
The piece consists of a ternary rhythm in a beat of 3/4. This rhythm gives it a distinct folk dance character. The score is a descriptive transcription. In the original, the composer probably employed just two figures: the semibreves and breves; however, the author of the transcription has used black and white notation. It is very characteristic of the time to use hemiola, which provides a strong rhythmic tension, producing the effect of alternating a ternary rhythm every two binaries.
Incorporating barline action is necessary to link the two crotchets (negras) in order to maintain this rhythmic scheme. Another procedure is the rhythm in bars that form the final cadence, where the different voices invert their... Continue reading "Musical Analysis of Juan del Encina's Renaissance Works" »