Notes, summaries, assignments, exams, and problems for Latin

Azorín (1896)

Azorín, in 1896 Madrid, collaborated with newspapers and magazines. His life, though quiet, included political involvement. He traveled extensively in Spain, less abroad, and was a leading figure of the Generation of '98 alongside Maeztu and Baroja. His themes included the reality of Spain, its landscapes, and people. His literary work divides into two groups:

• Essays: Focusing on landscape (Landscape of Spain) and reinterpreting classical texts (Castilla, People).
• Novels: With four stages:
  • Predominance of biographical elements and impressions (Confessions of a Little Philosopher).
  • Reflection of his concerns through characters (Destiny).
  • Marked by avant-garde and personal drama (People).
  • Fiction (The Island Without Aurora).

Machado

Machado... Continue reading "Azorín and Machado: Literary Paths in Modern Spain" »

Lyric Poetry

Lyric poetry traditionally expresses intense feelings or profound reflections, both manifestations of the self's experience. Fray Luis de León wasn't just a poet but also a prose writer and political thinker. His work reveals a deep understanding of ancient texts, both biblical and classical Latin poetry, especially the works of Horace. He translated several of Horace's works, which significantly influenced his own poetry. A key example in Castilian is the Song of Songs, the commentary on the last of the Proverbs of Solomon.

Horace's Lyrical Poetry

Horace's Odes are his most celebrated lyrical work, consisting of four books, the last added near the end of his life. The themes vary:

• Love Odes: Dedicated to Lydia, Pyrrha, Chloe, and

1. The National Comedy

The term "National Comedy" is applied generically to Spanish dramatic production of the 17th century. This period witnessed a true theatrical renewal, largely thanks to the innovative ideas of Lope de Vega. Seeking popular appeal, Lope broke away from the rigid rules of earlier drama, transforming theatre into a spectacle for the masses. His vision is reflected in the new comedies of the time.

1.1. Themes

Comedies of this era present a diverse range of themes, drawing inspiration from contemporary literature, medieval and classical sources, and historical events. These sources include everyday life, theology, history, and folklore. A particularly significant theme is that of honor. Honor, lost through one's own actions... Continue reading "17th-Century Spanish Comedy: A Dramatic Renewal" »

Location Expressions

• Behind = Detrás de
• In front of = Al frente de
• Next to = Al lado de
• Between = Entre
• Inside = Dentro de
• Outside = Afuera de
• On the corner of = En la esquina de
• Across from / Opposite = Cruzando, lado de la calle del frente

Using "There is" and "There are"

Affirmative

• There is = "Hay" (Singular)
• There are = "Hay" (Plural)

Question

• Is there...? (Singular)
• Are there...? (Plural)

Examples:

Is there a supermarket near Inacap?

Yes, there are some in Zona Franca.

Are there any drugstores near here?

No, there aren't any, but there are some on España Ave.

There is one next to Unimarc supermarket, and there is one across from the supermarket.

Ordinal Numbers

1st first    3rd third      5th fifth    7th seventh    9th ninth

2nd second   ... Continue reading "Essential English Phrases and Grammar Points" »

Catalan Poetry: From the 1970s to the 1990s

9.A. At the beginning of the 1970s, Foix's work was recovered, and two books crucial to overcoming realism were published. These books tipped Catalan poetry: The Mirror by Peter Gimferrer and Trench Poetry by Joan Brossa. In Valencia, the new references were Joan Navarro and Salvador Jàfer. The anthology of Amadeus Fabregat (Fresh Meat) collected this change of direction that turned away from the preceding realism. Poetry is not realistic. In a few years, the following features became dominant:

• Practical rebellion: Connecting writing practices that had shaped the history of 20th-century poetry, poetry is regarded as freelance speech.
• The poetic word stops being used to narrate and becomes suggestive,

Federico García Lorca: Biography (1898-1936)

Born in Granada, Federico García Lorca studied Law, Philosophy, and Music. He moved to the Residencia de Estudiantes in Madrid and later traveled to New York. He returned to Spain and subsequently made a trip to Argentina.

Personality: Characterized by overwhelming vitality, overflowing sympathy, existential pain, and frustration.

Themes in his work: Key themes include love, death, and the marginalization of individuals (like gypsies or the oppressed). His work represents a synthesis of popular tradition and avant-garde aesthetics, masterfully employing imagery, metaphors, and symbols.

Lorca's Poetic Evolution

His poetry evolved from initial simplicity to the powerful expression found in "Gypsy Ballads"

Antonio Machado (1875-1939)

Machado belonged to a liberal family. At eight years old, he traveled to Madrid to study at the Institución Libre de Enseñanza. In 1899, he traveled to France where he met Rubén Darío. In 1907, he became a French professor in Soria. He married Leonor in 1910 and they traveled to France. Leonor died in 1912, making Machado's poetry more pessimistic. He spoke of Castile as a reflection of Leonor. His family advised him to return to Spain, but he soon returned to Segovia and later to Madrid. During the Civil War, he was persecuted and decided to take a boat to France, where he died in 1939. Some authors describe him as a modernist poet, while others place him in the Generation of '98 due to shared themes and attitudes.... Continue reading "Antonio Machado and Juan Ramón Jiménez: Spanish Literary Giants" »

Introduction

The post-Civil War era in Spain witnessed a significant shift. Under the dictatorship, the nation experienced hardship, and many intellectuals, including scientists, poets, and researchers, sought exile as freedom of expression became endangered. Those remaining faced restricted creative expression, aligning their work with the regime's ideology. This isolation further hindered Spain's intellectual growth and acceptance of new ideas.

The Forties: Repression and Censorship

The 1940s were marked by repression, poverty, and widespread censorship, both civil and ecclesiastical. Democracy was suppressed, and any expression contrary to the regime's political and religious views was stifled.

Poetry of the Seventies

In 1970, José M. Castellet'... Continue reading "Spanish Poetry Evolution: From Dictatorship to the 1970s" »

Spanish Literature in the 1950s and 1960s

Poetry

The Decade of the 50: Most Representative Authors

• Blas Otero (1916-1979): Existential poetry, social poetry, new forms of expression
• Gabriel Celaya (1911-1991): Surrealist, intense and aggressive language

The Decade of the 60: Most Representative Authors

• Jose Hierro (1922-2002): Early works: search for happiness; later works: collective suffering and existentialism
• Claudio Rodriguez (1934-1999): Simple style, singular
• Angel Gonzalez: Social poetry
• Jaime Gil de Biedma: Intimate issues
• Jose Angel Valente: Secrecy

Novel

The Decade of the 50: Representative Authors

• Rafael Sanchez Ferlosio: Realistic approach, concentration of action
• Ignacio Aldecoa: Passion as a storyteller
• Jesus Fernandez Santos: Existential themes

The

16th Century Spanish Narrative

The prose narrative of the 16th century cannot be defined as the modern novel. Originating in Italy, it encompassed short stories, novels, and imitations of Cervantes. New genres emerged, such as the pastoral narrative, akin to lyrical poetry. A notable example is The Seven Books of the Diana by Jorge de Montemayor.

A unique genre was the Moorish-themed narrative, featuring the figure of the Moor, sometimes in tolerant coexistence with Christians. The anonymous Abencerraje and the Beautiful Jarifa is a prime example. These were not realistic depictions of Moorish life but idealized portrayals, similar to pastoral narratives. Francisco Delicado, author of the rich Andalusian work akin to La Celestina, stands out.... Continue reading "16th Century Spanish Literature: Genres and Evolution" »