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14th-Century Spanish Literature: The Book of Good Love & Don Juan Manuel

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14th-Century Spanish Literature

The Book of Good Love and the Archpriest of Hita

Juan Ruiz, the Archpriest of Hita, wrote the brilliant and original Book of Good Love in the 14th century. While its structure could be categorized within the mester de clerecía (clerical verse tradition), its themes stray from the didacticism typical of that style.

We know very little about the author beyond his name. However, his work reveals a vital, humorous individual with sincere piety. This suggests a strong autobiographical element, allowing the reader to connect with an author deeply familiar with both popular and learned literature.

Book of Good Love

Theme:

Written in verse with a predominantly narrative style, the Book of Good Love shares characteristics... Continue reading "14th-Century Spanish Literature: The Book of Good Love & Don Juan Manuel" »

Masterpieces of Spanish Golden Age Literature: Cervantes, Lazarillo, Don Quijote

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Miguel de Cervantes: Literary Contributions

Poetry: Journey to Parnassus

Cervantes' poetic work includes Journey to Parnassus, a satirical allegorical poem.

Theater: Evolution and Innovation

Cervantes' theatrical career evolved through two distinct stages:

  • First Stage: Classical Influence

    Followed classical rules, emphasizing respect for dramatic conventions. An example is Numancia.

  • Second Stage: Lope de Vega's Influence

    Departed from strict classical rules, influenced by the popular theater of Lope de Vega. Cervantes wrote eight comedies during this period.

He also introduced Entremeses (interludes), short, popular comic plays performed between acts of a longer comedy, often featuring well-known comic characters.

Novels: A Master of Narrative Genres

Cervantes... Continue reading "Masterpieces of Spanish Golden Age Literature: Cervantes, Lazarillo, Don Quijote" »

Key Moments in Roman Military Campaigns and History

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Cesar's Clever Tactic

Caesar believed he had found a clever tactic. He had arrived hoping to finish the campaign without struggle and without injury. Having intercepted the enemies of the wheat supply from their homes, he questioned why he should lose some of his own men even in friendly matches. Why suffer being hurt?

Encouraging His People to Find Fresh Water

After delivering this speech among his people, Caesar agitated the minds of all. He gave an assignment to the centurions to interrupt their current works and devote their efforts to digging wells, not disturbing any part of the night time. Having undertaken this task and brought all the animals for work, one night a freshwater stream was found.

The Cavalry of the Germans and Numerical Superiority

The... Continue reading "Key Moments in Roman Military Campaigns and History" »

Praxiteles' Hermes and Infant Dionysus Sculpture

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Significance and Function

As Greek culture evolved, it increasingly sought the perfection of images. Since most sculptures were created for shrines or cities, maximum realism was sought as a representative token.

Historical Context

It is very possible that Hermes with Infant Dionysus was sculpted to commemorate the peace between Elis and Arcadia, as Dionysus was the first patron of Elis and Hermes the second patron of Arcadia.

Symbolism and Dualism

The group is dualistic: it perfectly contrasts maturity and balance (represented by Hermes) with the immaturity and imbalance of Dionysus. In fact, it can be seen as a symbol of the world, as Hermes and Dionysus play just like the gods play with human destiny.

Mythological Narrative

Dionysus, son of Zeus... Continue reading "Praxiteles' Hermes and Infant Dionysus Sculpture" »

Medieval Spanish Literature: Jarchas, El Cid, Mester

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The Jarcha: Oldest Romance Poetry

The Jarcha is a unique form of popular lyric poetry from Muslim Hispania, often attributed to anonymous authors. These short poems served as the final part of a longer poetic form called the muwashshah, with examples dating back to the 10th and 11th centuries.

Jarchas were composed in colloquial Hispano-Arabic dialects or in the Andalusian Romance language, sometimes inaccurately referred to as Mozarabic. They were crafted by educated Arab and Jewish poets who drew inspiration from traditional Romance poetry. Poets could either derive them from popular folklore, adapt them to fit the metrical requirements of the muwashshah, or create new compositions based on established patterns.

Their immense importance lies... Continue reading "Medieval Spanish Literature: Jarchas, El Cid, Mester" »

Medieval Spanish Literature: Jarchas, Cantigas, and Mesters

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Medieval Spanish Literature Foundations

The Jarchas: Early Romance Lyric Poetry

The jarchas are short songs from the 11th and 12th centuries written in Mozarabic. They represent the earliest manifestation of Romance lyric poetry in Spain. They consist of a few verses placed at the end of Arabic and Hebrew poems called moaxajas. In these verses, a woman, often addressing an informant (like her mother or sister), expresses her feelings about love.

Galician-Portuguese Lyric Poetry

Galician-Portuguese lyric poetry was influenced by the learned and courtly poetry cultivated in Provence (France) and developed during the 13th and 14th centuries.

Types of Cantigas

  • Cantigas de amigo: Love poems with an intimate tone. Similar to the jarchas, a young woman
... Continue reading "Medieval Spanish Literature: Jarchas, Cantigas, and Mesters" »

Roman Theater: Comedy, Tragedy, and Key Playwrights

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Roman Theater

It is a literary genre of ancient Roman literature. It emerges from the adaptation of Roman schemes observed in Greek dramatic theaters. The Greek colonies in Italy, attracted by its beauty, copied schemes of tragedy and comedy.

Dramatic Manifestations:

  • The Atellans: Improvised representations with humorous and burlesque themes. The characters were fixed, and characteristics were determined.
  • Fescennine Verses: Representations of dialogue full of irony during games. The actors wore masks.
  • Mime: Actors and actresses representing eroticism with comic situations.
  • Pantomime: Dramatic pieces based on dance and mime, represented by a single actor embodying the various characters in the play.

Roman Comedy

Based on Greek New Comedy, it adapts... Continue reading "Roman Theater: Comedy, Tragedy, and Key Playwrights" »

El Cid: Loyalty, Honor, and Faith in the Epic Poem

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Song of the Mio Cid

Model Values:

  • Loyalty to the King: El Cid is faithful and loyal to the king. El Cid undertakes a war policy that leads him to conquer Valencia.
  • Consideration and Honor: Rodrigo gets the royal pardon and his daughters marry into royal lineages, wedding the princes of Navarre and Aragon.
  • Personal Effort and Faith in God: Based on personal effort, Rodrigo's virtue stems from Christian faith, loyalty to his king, justice towards his subjects, love for his family, and courage under fire.
  • Measure: In all his actions, the Cid is wise and shows affection appropriately.

Authorship and Composition Date

The Song of the Cid is preserved in a manuscript that ends with a note stating that Per Abbat wrote it in May of the year XLV.

Structure of

... Continue reading "El Cid: Loyalty, Honor, and Faith in the Epic Poem" »

Modernism and the Crisis of the 19th Century in Spain

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Modernism: Key Features

Key Features: Modernists embraced beauty in all forms, focusing on creating beautiful objects and spaces, and expressing intense feelings and emotions. They contrasted vulgarity with the aristocratic, often symbolized by the swan. Their rejection of the reality they inhabited led to a fascination with the past (classical world, myths, medieval, Renaissance, 18th century, and Hispanic past) and distant, exotic lands.

Issues at the End of the Century

Issues at the End of the Century: Spain faced a profound political and social crisis in the late 19th century, culminating in the Disaster of 1898 (Spain's military defeat by the U.S. after the Cuban insurrection), which resulted in the loss of its last colonial possessions (... Continue reading "Modernism and the Crisis of the 19th Century in Spain" »

Miguel Hernández: Life, Poetry, and Commitment

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Tradition and Vanguard

Miguel Hernández was not a man of learning; his life was a struggle against difficulties and shortcomings. In November 1931, hopeful, he traveled to Madrid with his teenage poems, which he brought back in 1932, disappointed by his failure to implement completely renovated literary ideas. His poetry writing became much more complex, with a *culterano* accent. This poetry is the fruit of his reading of the Baroque, Góngora, and the *gongorists* of the Generation of '27.

In 1934, he returned to Madrid to try again, and this time he accessed the literary world, thanks to influences from Sijé. It was a fertile time, open to everything and everyone; his assimilative capacity was absolute. His circle of friends expanded.

Miguel... Continue reading "Miguel Hernández: Life, Poetry, and Commitment" »