Notes, summaries, assignments, exams, and problems for Latin

Spanish Modernism

Modernism began in the late nineteenth century, originating in Latin America. Key figures who created and spread this movement include José Martí and Rubén Darío.

The most important characteristics of Modernism include:

• An aesthetic focus, always seeking beauty above all else.
• A desire to escape reality, often setting works in remote locations, both spatially and temporally.
• Frequent expression of feelings like boredom, apathy, and melancholy.
• Common use of symbolic elements.

The Generation of '98

The Generation of '98 refers to a group of authors born in the late nineteenth century whose texts addressed two main themes: the decline of Spain and existential angst. The texts of the Generation of '98 show a strong influence from... Continue reading "Authors and Themes of Spanish Modernism & Gen '98" »

Political and Social Aspects in The House of the Spirits

In The House of the Spirits, Isabel Allende portrays the political and social history of Chile from 1900 to 1973, culminating in the coup d'état. The novel depicts the social and economic transformation experienced by a poor family as they gradually acquire wealth and influence. A clear example of this is Esteban Trueba, who, despite facing ruin, becomes a wealthy mine owner and eventually a senator.

Regarding the female characters, Allende portrays educated, middle-class women who are often dreamy yet deeply tied to household chores, such as Clara, Blanca, and Alba. In contrast, men like Esteban are depicted as more macho and authoritarian, even resorting to physical abuse to impose their... Continue reading "Isabel Allende's The House of the Spirits: Themes and Literary Style" »

Isabel II of Spain: Reign and Personal Life (1830–1904)

During the early years of her reign, while Isabel was a girl, the regency was assumed by her mother, María Cristina, until Isabel was declared of age in 1843. In 1846, when she was 16 years old, the government arranged a marriage with her cousin, the Infante Don Francisco de Borbón, Duke of Cádiz.

Isabel II reportedly disliked her husband. She was associated with various relationships, which some authors attribute to her bisexuality. In the course of their marriage, the Queen gave birth to several children, including:

• Fernando de Borbón y Borbón
• Isabel de Borbón y Borbón (La Chata)
• María Cristina
• Alfonso (later Alfonso XII)
• María Pilar
• María de la Paz
• Francisco
• María Eulalia

Isabel II... Continue reading "Isabel II's Court: Key Figures of 19th Century Spain" »

Modernism in Spanish Literature: Characteristics and Innovations

Modernism was an ephemeral literary manifestation, a formal aesthetic and escapist trend that spanned the years 1885 to 1915. Its most representative poet is Rubén Darío (author of Azul). Other notable names include Antonio Machado, Manuel Machado, and J.R. Jiménez, who were Modernist during certain stages of their production.

Key Features of Modernism

• Aesthetic Principles

  Modernist poets showed a deep dissatisfaction with the bourgeois lifestyle, synonymous with banality. They rebelled against apathy, conformity, and mental laziness.

• Themes

  Modernist themes explored two main areas: sensible reality and the intimacy of the poet.

  • Sensible Reality

    Typical elements of Art Nouveau include

The Circumstantial Complement (CC)

The Circumstantial Complement (CC) modifies the verb, providing data on the circumstances in which the verbal process unfolds.

Characteristics of the Circumstantial Complement

• Unstressed pronouns are replaceable by tonic pronouns.
• They have more freedom in sentence position than other complements.
• The same verb can support various kinds of circumstantial complements.
• They may be adverbial or non-adverbial.

Adverbial Circumstantial Complements

These complements support replacement by an adverb. They express circumstances of place, time, manner, and quantity. They can be constructed with a preposition + noun phrase or by adverbs.

Non-Adverbial Circumstantial Complements

These complements cannot be replaced by adverbs... Continue reading "Spanish Syntax: Attributes and Circumstantial Complements" »

First Stage

His operas are characterized by a search for his own poetic language and the conservative influence of Ramón Sijé. Perito en Lunas and El Rayo que no Cesa. The first work is 40 stanzas of influence and vanguard. The Gongorine author has to poetry as an equal to the mystical experience in which the hermetic is essential. Incorporated in the genre of poetry riddles and proposes riddles. In El Rayo que no Cesa, a previous text to poems, the underlying theme is a love that cannot be complete because moral standards prevent access to his beloved. Erotic passion, the lightning symbol conveys the passionate fire in which the lover is consumed, while the wound suggests that this conception of love causes him torture. It arouses ideas of... Continue reading "Miguel Hernández: A Journey Through His Poetic Stages" »

Spanish Poets: Lorca, Alberti, and Hernández

This document examines the lives, works, and styles of three significant Spanish poets: Federico Garcia Lorca, Rafael Alberti, and Miguel Hernández.

Federico Garcia Lorca (1898-1936)

Lorca's work can be divided into three stages:

1. Early Stage: Characterized by intimate realism, difficult metaphors, and symbolism. Themes include passion, land, love's destruction, and shadows of paradise.
2. Post-Civil War: His writing becomes more humanistic and accessible.
3. Later Stage: A return to introspection and surrealist style, considered his most significant contribution to Spanish surrealism.

Lorca was born in Granada and tragically killed during the Spanish Civil War. His trip to New York exposed him to surrealism.... Continue reading "Spanish Poets: Lorca, Alberti, and Hernández - Life, Works, and Styles" »

San Juan de la Cruz: Mystic Poet of Spain

Biography and Spiritual Journey

San Juan de la Cruz, born in Ávila in 1542, stands alongside Santa Teresa de Jesús as a paramount figure in Spanish mystical literature. Juan, later canonized as San Juan de la Cruz, joined the Carmelite order and studied in Salamanca. He then pursued his studies with great activity and determination, becoming a reformer. For this, he was imprisoned in Toledo in 1577, where he suffered beatings and fell into a state of weakness, almost illness, due to fasting and penances. He escaped from jail and took refuge in a monastery. The rest of his life was spent in Andalusia, dedicated to social life.

Literary Output and Themes

His writing is totally detached from the real world.... Continue reading "San Juan de la Cruz: Spanish Mysticism and Poetic Legacy" »

Roman Social Structure and Citizenship

Excluding slaves (who were often citizens of conquered towns captured during uprisings), Roman society was broadly divided into two main classes:

• Honestiores: Comprising large landowners, wealthy businessmen, and members of urban oligarchies.
• Humiliores: Including modest peasants and city artisans.

Until the first century AD, only a minority of Roman and Italic settlers possessed full political and property rights.

Between the status of slaves and free men were the freedmen (liberti), who were slaves granted freedom but often remained dependent on their former master (patronus).

Architectural Legacy: Roman Public Works

One of Rome's primary legacies was the extensive construction of public works. These urban... Continue reading "Roman Society, Public Works, and the Romanization of Murcia" »

Quattrocento Painting Characteristics

The Quattrocento painting style is characterized by:

• Naturalism and realism with a great interest in the study of human anatomy.
• Greater freedom regarding rigid Gothic schemas.
• Use of the laws of perspective with the creation of a vanishing point toward which most lines of composition converge.
• Emphasis on drawing.
• Importance of using light planes to define and unify the environment.
• Panel paintings were still used as a support with tempera as the primary technique, but in the second half of the 15th century, oil on canvas began to be used.
• Religious themes remained prevalent in churches.
• Portraiture emerged as a consequence of the bourgeoisie's desire to be immortalized by leading painters.

Leading Quattrocento