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Psychological, Social, and Linguistic Factors in Poetry

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Psychological and Social Causes in Poetry

These include emotional factors, expressive, social, and cultural constraints, and political and ideological reasons.

Social Euphemisms

Euphemisms are words or expressions that supersede taboos. Imbalances by equalities, Blind, blindness... Restriction of general meanings; they acquire specialized meanings. Mouse, menu, or network (computer). Extension of social, cultural, or certain professional terms that go into general use: Ghetto (quarter of a minority), Virus (computing).

Language Grounds

Change is influenced by the context in which the word is used: cut (coffee cut), compact (compact disc).

Types of Poems

The triplets, lira, encadenados, la la, the eighth Real, soneto, estancia, and the Sapphic Stanza.... Continue reading "Psychological, Social, and Linguistic Factors in Poetry" »

Spanish Theater Icons: Valle-Inclán's Esperpento and Lorca's Poetic Drama

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Ramón del Valle-Inclán: Theatrical Evolution and Esperpento

Stages and Thematic Development

  • Modernist Theater (Early Period: up to 1907)

    Characterized by decadent themes, brilliant style, and an aesthetic attitude. Notable works include Cenizas (1899) and El Marqués de Bradomín (1906).

  • Transition: Mythic Cycles and Farce (1907-1920)

    Features characters of every kind and condition, exploring basic instincts and passions. This period includes the violent Comedias Bárbaras (1907-1922) and Divinas Palabras (1920). His farces present grotesque and cartoonish characters as ridiculous puppets and marionettes, exemplified by La Marquesa Rosalinda (1912) and Farsa y licencia de la Reina Castiza (1920).

  • Esperpentismo (From 1920 onwards)

    The culmination

... Continue reading "Spanish Theater Icons: Valle-Inclán's Esperpento and Lorca's Poetic Drama" »

Catalan Language: A Historical Journey

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A Historical Overview of the Catalan Language

Origins and Early Texts

Catalan, a Romance language, traces its roots back to the ninth century in the Hispania region. The earliest documented Catalan text dates to the first half of the twelfth century. This fragment is from a translation of the Forum Iudicum, also known as the Book of Judges.

The Influence of Troubadour Poetry

Flourishing from the Atlantic to the Mediterranean, and from central France to the Pyrenees, troubadour poetry, primarily composed in Occitan (or Provençal), significantly impacted Catalan literature. The dominant genre was the canso (song). Other notable genres included the planh (lament for the deceased), the sirventes (satirical composition targeting rivals), and the canso

... Continue reading "Catalan Language: A Historical Journey" »

Spanish Language and Literature: A Historical Journey

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Predicative Sentences

Transitive

The action the subject performs falls on the direct object.

Intransitive

The action is not performed by the subject, and there is no direct object.

Reflexive

The action is performed on oneself.

Reciprocal

The action is performed one to another.

Origins of Our Language

The language has a lexical basis and is a Romance language.

Pre-Roman Substrate

The influence of languages present before the arrival of the Romans (Celts, Iberians, etc.).

Germanic and Arabic Superstrate

After the fall of the Roman Empire in the 5th century, invasions by Germanic and Arab peoples occurred.

Adstrate

The influence of neighboring languages.

Patrimonial Words

Words that have evolved within our language.

Indo-European Family

  • Romance Languages (Catalan,
... Continue reading "Spanish Language and Literature: A Historical Journey" »

Old Ballads, Jorge Manrique, and La Celestina: Spanish Literature

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Old Ballads and Their Significance

The Old Ballads represent a collection of ballads sung at the end of the Middle Ages. Popular interest in these ballads, which highlight the most important poets of the 16th and 17th centuries, continued. Cultic poets continued the tradition of written romances, and new romances emerged. Oral ballads, also known as modern romances, have been recognized from the late 19th century until today.

The origin of these romances can be traced to the late Middle Ages, stemming from the decomposition of *Songs of Gesta*. Most romances share common features, such as:

  • Repetitions
  • Didactic simplicity
  • Enumerations
  • Objective and impersonal narrator
  • Lack of didacticism
  • Abundance of Q&As

Romances are classified into several categories:... Continue reading "Old Ballads, Jorge Manrique, and La Celestina: Spanish Literature" »

Spanish Literary Voices: From Baroja to Jiménez

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Key Figures in Spanish Literature

This document explores the contributions of prominent Spanish authors and literary movements that shaped the early 20th century.

Pío Baroja: Novelist of Action

Pío Baroja, a novelist of great importance, conceded significant weight to plot and action. His many works feature characters portrayed schematically and directly. Baroja notably renewed the genre of adventure literature with works such as the trilogy Zalacaín el aventurero and La lucha por la vida.

Antonio Machado: Poetic Essence and Symbolism

Antonio Machado's poetic essence defined his work as a profound search for the precise word. He expressed himself through symbols like 'late,' 'way,' and 'fountain,' imbuing them with different meanings and exploring... Continue reading "Spanish Literary Voices: From Baroja to Jiménez" »

19th Century Spanish Literature: Realism, Naturalism, Key Authors

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Historical Context: The Reign of Isabella II

The reign of Isabella II began in 1833 with the support of the liberals and lasted until 1868, ending with the first revolution against the monarchy. The last 30 years of the 19th century encompassed the Sexenio Democrático, the Bourbon Restoration, and the Disaster of '98.

Literature: Structuralism and Modernism

In the second half of the 19th century, two new literary currents emerged: Realism and Naturalism.

Realism

Realism originated in France in 1848. Its main characteristics are:

  • Objectivity: The artistic work aims to accurately reflect reality and its characters.
  • Lifelike Characters: Characters seem taken from real life, described with psychological complexity.
  • Recognizable Scenarios: Readers can
... Continue reading "19th Century Spanish Literature: Realism, Naturalism, Key Authors" »

Eugeni d'Ors i el Noucentisme: Conceptes Clau

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Eugeni d'Ors: Glossari i Context

Eugeni d'Ors és considerat un precursor clau del Noucentisme i un dels majors intel·lectuals i conservadors de l'època. Burgès, va exaltar el nacionalisme català i va pertànyer a la Lliga Regionalista. Va passar de l'IEC a Madrid, després de ser expulsat el 1920, i s'hi va establir el 1923, allunyant-se de la cultura catalana.

Des del gener de 1906 fins al gener de 1920, Ors va escriure una secció diària a La Veu de Catalunya anomenada Glossari, que va reprendre poc després, i fins al juliol de 1921, al diari El Poble Català. Així, les glosses d'Ors es van convertir en la base ideològica del Noucentisme.

Les glosses d'Ors no són un nou gènere, periodisme inèdit a Catalunya, destinat a informar i... Continue reading "Eugeni d'Ors i el Noucentisme: Conceptes Clau" »

Catalan Poetic Movements: Modernism to Noucentisme

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Modernist Poetry: Stylistic Trends and Influences

Modernism introduced various stylistic trends that especially affected the renewal of poetry, both in themes and in versification. These trends distanced themselves from the Romantic tradition, breaking away from its conventions. Key movements included Symbolism, Vitalism, and Espontaneisme. There was also a rapprochement with Mediterranean classicism, notably championed by Miquel Costa i Llobera and other members of the Mallorcan School.

Miquel Costa i Llobera's Lo pi de Formentor is a significant volume of poetry from this period. Around Joan Alcover's later work (1909), one finds sonnets often noted for their bleakness.

Symbolism in Modernist Poetry

The first translations of Verlaine and Maeterlinck... Continue reading "Catalan Poetic Movements: Modernism to Noucentisme" »

Miguel Hernández: Voice of the People and Social Justice

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Miguel Hernández: A Poet of Justice and Social Values

Miguel Hernández (MH), from a humble family background (poet-pastor), held a unified conception of life and emerged as a "romantic" figure who desperately struggled for justice and freedom, defending humanity and social values. Viento del pueblo (1937) and El hombre acecha (1939) are the two most representative works of the poet's social and political life. These works reveal the man-poet and his will to transform society, his consciousness of collective responsibility, and his use of poetry as both a testimony and a denunciation of social injustice. They also express a self marked by a grim view of reality, shaped by the horror of war and the death of his child.

The Social Poetic Movement

... Continue reading "Miguel Hernández: Voice of the People and Social Justice" »