Notes, abstracts, papers, exams and problems of Latin

Song of Exile

El Cid is banished by King Alfonso VI because some envious individuals have accused him of keeping a portion of the taxes collected from Andalusia. He leaves his wife, Jimena, and daughters in the Monastery of Cárdena. Soon after, he begins his military campaigns against the Moors, operating from Teruel to Zaragoza. The conquest culminates with the liberation of the Count of Barcelona, whom El Cid had previously taken prisoner.

Song of the Wedding

El Cid continues his military activities, reaching the Mediterranean and conquering Valencia. He then begs the King to allow Jimena and his daughters to join him in the city. El Cid shows off his conquered lands, having become rich and powerful. Because of this, the Infantes of Carrión... Continue reading "El Cid: Exile, Battles, and Legacy in Medieval Spain" »

Spanish Poetry After the War

1. Poetry in Exile loses contact with the renewal of the years preceding the war. The themes are common to all of them (parental loss, memories, longing to return, etc.), and really care about the land where you live. The existential perspective of life predominates, and the style is more casual and conversational.

2. Spanish Poetry After the War: The process of rehumanization, pulled down in '27, will continue after the war. It is not entirely true for poetry that was cultivated in our country in the '40s and '50s. The poetry scene is divided into:

• Rooted Poetry: A group of authors with a bright, coherent, and orderly vision of the world. The so-called creative Youth (contrary to the negative approach of the rest

Generation of '27

In the 1920s, a group of outstanding poets emerged, renewing Spanish poetry of the twentieth century. This group, often associated with the tribute to Góngora's tercentenary, included Jorge Guillén, Salinas, Alberti, Lorca, Dámaso Alonso, Gerardo Diego, Cernuda, Aleixandre, Manuel Altolaguirre, and Emilio Prados. They aimed to renew poetic language, influenced by modern and avant-garde traditions. Characteristics adopted by the Generation of '27 included intellectual poetry, hermeticism, minority appeal, originality, and self-sufficiency of art. They used free verse and metaphors.

Stages:

1. Up to 1927: Influence of Juan Ramón and 'pure' poetry.
2. Until 1939: Stage of maturity, re-humanization of poetry.
3. Emerging poets and exile

17th-Century Spanish Theater

Religious Theater

Manifested through mystery plays, short allegorical pieces presented within religious ceremonies, often depicting abstract figures and themes like the Eucharist or communion.

Court Theater

Performed in palace gardens or halls, particularly during Philip IV's reign. Set design innovations allowed for spectacular special effects in mythological or fantastical comedies.

Structure of Plays

Plays began with a celebratory opening, followed by the first act. An interlude separated the first and second acts. Singing or a short greeting introduced the third act, concluding with a farce.

Lope de Vega

Poetry and Narrative

A skilled poet with a natural and accessible style. He wrote traditional lyric poetry, sonnets,... Continue reading "17th-Century Spanish Theater: Lope de Vega & Calderón de la Barca" »

Hispanic American Fiction: Magical Realism

The 1940s saw a focus on the unique American experience through an aesthetic blending realism and fantasy. This approach, known as magical realism, sought to capture the essence of the American world. It was a literary movement that renovated existing aesthetics tied to the European avant-garde, but with a distinct aim: to reflect American reality. In magical realism, the extraordinary is presented as ordinary, and the most fantastical events are grounded in everyday life.

This new reality is characterized by Hispanic stylistic innovation and a desire to unravel the American peculiarity through a synthesis of reality and fantasy. New themes emerged, including nature, the indigenous world, political issues,... Continue reading "Magical Realism in Hispanic American Fiction: Themes and Techniques" »

The Latin Alphabet: Origins

The Latin alphabet is a variant of the Etruscan Greek alphabet. It is used today by almost everyone. It has 23 letters: A, B, C, D, E, F, G, H, I, K, L, M, N, O, P, Q, R, S, T, U, X, Y, Z.

The Disappearance of Spoken Latin

For centuries, Latin was the language spoken in most parts of Europe. It became increasingly differentiated into a cultured form and a common form. The common form evolved to give rise to Romance languages.

During the Middle Ages, Vulgar Latin became the language of communication between people, while cultured Latin was restricted to the Church and the courts of the Carolingian Renaissance. During the 8th to 11th centuries, Charlemagne favored the preservation of the cultural legacy, used in all centers... Continue reading "Latin Alphabet and Romance Languages: Origins and History" »

Spanish Modernism

Modernism began in the late nineteenth century, originating in Latin America. Key figures who created and spread this movement include José Martí and Rubén Darío.

The most important characteristics of Modernism include:

• An aesthetic focus, always seeking beauty above all else.
• A desire to escape reality, often setting works in remote locations, both spatially and temporally.
• Frequent expression of feelings like boredom, apathy, and melancholy.
• Common use of symbolic elements.

The Generation of '98

The Generation of '98 refers to a group of authors born in the late nineteenth century whose texts addressed two main themes: the decline of Spain and existential angst. The texts of the Generation of '98 show a strong influence from... Continue reading "Authors and Themes of Spanish Modernism & Gen '98" »

First Stage

His operas are characterized by a search for his own poetic language and the conservative influence of Ramón Sijé. Perito en Lunas and El Rayo que no Cesa. The first work is 40 stanzas of influence and vanguard. The Gongorine author has to poetry as an equal to the mystical experience in which the hermetic is essential. Incorporated in the genre of poetry riddles and proposes riddles. In El Rayo que no Cesa, a previous text to poems, the underlying theme is a love that cannot be complete because moral standards prevent access to his beloved. Erotic passion, the lightning symbol conveys the passionate fire in which the lover is consumed, while the wound suggests that this conception of love causes him torture. It arouses ideas of... Continue reading "Miguel Hernández: A Journey Through His Poetic Stages" »

Spanish Poets: Lorca, Alberti, and Hernández

This document examines the lives, works, and styles of three significant Spanish poets: Federico Garcia Lorca, Rafael Alberti, and Miguel Hernández.

Federico Garcia Lorca (1898-1936)

Lorca's work can be divided into three stages:

1. Early Stage: Characterized by intimate realism, difficult metaphors, and symbolism. Themes include passion, land, love's destruction, and shadows of paradise.
2. Post-Civil War: His writing becomes more humanistic and accessible.
3. Later Stage: A return to introspection and surrealist style, considered his most significant contribution to Spanish surrealism.

Lorca was born in Granada and tragically killed during the Spanish Civil War. His trip to New York exposed him to surrealism.... Continue reading "Spanish Poets: Lorca, Alberti, and Hernández - Life, Works, and Styles" »