Notes, summaries, assignments, exams, and problems for Latin

Prepositions of Time: IN, ON, AT

• IN: *in the afternoon*, *in December*, *in summer*, *in 1998*
• ON: *on Friday*, *on the 12th of July*, *on my birthday*
• AT: *at 3 o'clock*, *at midday*, *at night*, *at New Year's*

Family Vocabulary & Possessive Nouns

• Family Members:
  • Cousins (primo/a)
  • Aunts (tía)
  • Uncles (tío)
  • Nieces (sobrina)
  • Nephews (sobrino)
• Saxon Genitive (Possessive 's):
  • *Charles's brother*
  • *The brothers' car*

Possessive Adjectives & Demonstratives

• Possessive Adjectives:
  • *His* (él)
  • *Her* (ella)
  • *It's* (it is) vs. *Its* (possessive)
• Demonstratives:
  • *This* (cerca, singular)
  • *That* (lejos, singular)
  • *These* (cerca, plural)
  • *Those* (lejos, plural)

Articles and Plural Noun Rules

• Articles:
  • *A* (singular, before consonant sounds)
  • *An* (singular, before vowel sounds:

Poetry of the 1940s

Rooted Poetry

Rooted poetry emerged in the 1940s, characterized by a focus on the perfection of verse and the expression of beauty, often setting aside the plight of the Civil War. These poets expressed religious beliefs or traditional themes, such as landscapes and love. Their style was calm, classic, aloof, and cold, intentionally avoiding painful feelings or cries of anguish. The metric was regular, and the sonnet was the preferred stanza. This poetry was mostly published in magazines like Garcilaso and Escorial, the latter founded by José García Nieto. Key authors include:

• Luis Rosales
• Leopoldo Panero
• Luis Felipe Vivanco
• Dionisio Ridruejo

Uprooted Poetry

In the same decade, uprooted poetry emerged as a skeptical reaction against... Continue reading "Spanish Literature: From Postwar Poetry to the Generation of 50" »

Miguel Hernández: A Poetic Journey

First Poetic Stage (1933-1936)

During this period (1933-1936), Miguel Hernández's lyrical production is characterized by the pursuit of poetic language itself and the significant influence of Ramón Sijé. This stage includes notable works such as Perito en lunas and El rayo que no cesa.

Perito en lunas (1933)

Perito en lunas is Miguel Hernández's first published book (1933). It comprises 42 poems, primarily in octavas reales. This collection belongs to Hernández's neogongorist phase, transforming everyday objects into art and incorporating the genre of the riddle.

El rayo que no cesa (1936)

Published in 1936, El rayo que no cesa explores the central theme of an unfulfilled love. Moral standards prevent the... Continue reading "Miguel Hernández: Poetic Evolution and Key Works" »

Spanish Literature in the 1950s and 1960s

Poetry

The Decade of the 50: Most Representative Authors

• Blas Otero (1916-1979): Existential poetry, social poetry, new forms of expression
• Gabriel Celaya (1911-1991): Surrealist, intense and aggressive language

The Decade of the 60: Most Representative Authors

• Jose Hierro (1922-2002): Early works: search for happiness; later works: collective suffering and existentialism
• Claudio Rodriguez (1934-1999): Simple style, singular
• Angel Gonzalez: Social poetry
• Jaime Gil de Biedma: Intimate issues
• Jose Angel Valente: Secrecy

Novel

The Decade of the 50: Representative Authors

• Rafael Sanchez Ferlosio: Realistic approach, concentration of action
• Ignacio Aldecoa: Passion as a storyteller
• Jesus Fernandez Santos: Existential themes

The

Origins of Spanish Golden Age Theater

Italian Influence and Early Developments

The origins of Spanish theater in the sixteenth century were significantly influenced by Italian techniques and resources. Lope de Vega was well acquainted with the work of Italian companies and founded his own "theater cave" (teatro cueva). Juan del Encina introduced Mexican themes into Spanish drama by the end of the sixteenth century.

Structure of Golden Age Drama

Divisions of a Play

Plays were typically divided into three acts, or "days":

• Exposure (Exposición): The first act, introducing the characters and conflict.
• Knot (Nudo): The remainder of the first act, the second act, and part of the third, where the plot develops.
• Outcome (Desenlace): The resolution of the

16th Century Spanish Narrative

The prose narrative of the 16th century cannot be defined as the modern novel. Originating in Italy, it encompassed short stories, novels, and imitations of Cervantes. New genres emerged, such as the pastoral narrative, akin to lyrical poetry. A notable example is The Seven Books of the Diana by Jorge de Montemayor.

A unique genre was the Moorish-themed narrative, featuring the figure of the Moor, sometimes in tolerant coexistence with Christians. The anonymous Abencerraje and the Beautiful Jarifa is a prime example. These were not realistic depictions of Moorish life but idealized portrayals, similar to pastoral narratives. Francisco Delicado, author of the rich Andalusian work akin to La Celestina, stands out.... Continue reading "16th Century Spanish Literature: Genres and Evolution" »

Spanish Poetry: From the Fin de Siècle to the Post-War Era

The transition between the nineteenth and twentieth centuries was marked by the crisis of bourgeois consciousness. In Spain, this led to a generation of authors, often termed the "Generation of the Century," who expressed their rejection of the bourgeois world in two distinct ways:

The Fin de Siècle Literary Movements

• Modernism

  Produced an aestheticism that cultivated poetic themes and environments posing an escape from the bourgeois world. Influenced by Rubén Darío, poets in this current include F. Villaespesa and E. Marquina.

• The Generation of '98

  Much more focused on narrative and lyrical essay, this group addressed the problem of the regeneration of Spain and human existence from

In 1936, the Spanish Civil War erupted, profoundly impacting poetic groups and dividing society. This division was starkly reflected in the poetry of the era, with poetic culture often serving as a propaganda weapon.

Poetry in Exile After the Spanish Civil War

Many poets were forced into exile. Key figures and groups include:

• Poets of the Generation of '14: Notably Juan Ramón Jiménez.
• Poets of the Generation of '27: Including figures like Federico García Lorca (though his fate was tragic within Spain, many others from this generation went into exile).
• Poets whose work had barely begun:
  • Juan Gil-Albert: He managed to reconcile an initial serene and reflective poetry with moral-civic engagement.
  • Arturo Serrano Plaja: His work cries out against human

The Novel in the 1960s

Foreign Influences

The Spanish novel of the 1960s was heavily influenced by international authors such as Joyce, Kafka, Proust, Beckett, and Faulkner. Furthermore, the movement was shaped by Latin American literature, specifically the works of Vargas Llosa and Gabriel García Márquez. The dissemination of these works was largely facilitated by the publisher Seix Barral.

Key Works and Authors

Notable works from this decade include:

• Tiempo de silencio (Time of Silence) by Luis Martín-Santos
• Señas de identidad (Signs of Identity) by Juan Goytisolo
• Cinco horas con Mario (Five Hours with Mario) by Miguel Delibes

Narrative Characteristics

This period is defined by several stylistic shifts:

• Loss of narrative relief: A shift in perspective

Two Objects: Active and Passive Voice Examples

I gave Pepito a huge and passionate kiss.

• A) Pepito was given a huge and passionate kiss.
• B) A huge and passionate kiss was given to Pepito.

Special Cases in Sentence Construction

People believe that Pepita is pregnant on a shoot of a gun.

• A) It's said/believed/thought that Pepita is pregnant on a shoot of a gun.

Causative Verb Structures

The mechanic will repair Pepito's car.

• A) Pepito will have his car repaired.

The teacher has painted her room.

• A) Someone has had the teacher's room painted.

Verb, Noun, Adjective, and Adverb Word Families