Notes, summaries, assignments, exams, and problems for Latin

Cultural Work of Galician Exiles

• Creation of cultural magazines (e.g., Rio de Janeiro, São Paulo immigrant communities).
• Establishment of channels for the distribution of Portuguese literature (collections, editorials).
• Consolidation of Galician Theater: emergence of new Galician theater companies.
• Extensive work disseminating Portuguese culture in immigrant communities.

Luis Seoane: Art, Exile, and Return

Son of immigrants, Luis Seoane was born in Buenos Aires. During the Civil War, he emigrated to Buenos Aires where he founded publishing houses and published books. He published poems such as Fardel eisiliado in Bretema de Santiago, and Las Cicatrices. After 27 years, he returned to Santa Catarina and deepened his work at Sargadelos with Díaz... Continue reading "Galician Literature and Culture: Post-Civil War Voices" »

Grammar Fundamentals: Pronouns and Prepositions

Understanding Pronouns

Pronouns are words that can replace a nominal phrase and can therefore have the same functions. They can be tonic (or strong) and unstressed (or weak).

Types of Pronouns

• Singular / Plural:
  • 1st Person: I, me / we, us
  • 2nd Person: you / you
  • 3rd Person: him, her / they, them
• Reflexive Pronoun: se

Prepositions and Prepositional Phrases

Classes of Prepositions

Prepositions are words that link nouns, pronouns, or phrases to other words in a sentence. They can be categorized as:

• Weak: a, with, of, in, for, by
• Strong: toward, against, below, from, among, up to, without, on, under, beyond, through

Common Prepositional Phrases

Prepositional phrases are groups of words that begin with a preposition... Continue reading "Essential Grammar, Narrative Structure, and Ausias March's Poetry" »

Noucentisme: A Cultural and Political Overview

Noucentisme was a cultural and political movement that began with the creation of Catalan Solidarity (1906) and ended with the coup d'état of 1923.

Key Figures of Noucentisme

Eugeni d'Ors

Eugeni d'Ors was a key ideologue of the movement. Born in Barcelona in 1881, he studied philosophy and letters. He wrote under the pseudonym 'Xenius'. After the death of Prat de la Riba, he resigned from his government positions. He then began to write in Spanish. He died in Vilanova i la Geltrú in 1954. One of his best-known genres was the 'glosa,' a short, daily article published in an intellectual voice, aiming to bring a certain gleam to the world. His most prestigious works include La ben plantada, which presents... Continue reading "Noucentisme: Catalan Cultural and Political Movement" »

Catullus: The Learned Poet of the Poetae Novi

A group of poets known as the Poetae Novi (New Poets) initiated a trend towards more refined poetic subjectivity, prosodic and metrical perfection, and more sensitive themes such as life, death, and love. Catullus (Gaius Valerius Catullus) is considered the foremost lyric poet of this movement.

Born into a wealthy family from Verona, Catullus possessed great intellect and was called doctus poeta (learned poet) for writing with singular mastery. He delved deeply into the Alexandrian Greek tradition. His surviving work comprises 116 poems, which are typically divided into three groups based on their meter and style:

1. Nugae (Trifles - Poems 1-60): These are shorter poems, primarily in hendecasyllables

Late Emergence of Castilian Prose

Prose creations appeared very late in Castilian literature. Early writings were brief annotations in the margins and romances interspersed within Latin texts. At that time, Latin was not understood by all and was translated. It was the language of the church, monasteries, schools, and universities, which for centuries were ecclesiastical centers radiating culture. This Latin culture, of religious inspiration, held itself apart from the Romance languages, contemptuously referring to them as 'romances'.

13th-Century Prose and Scientific Learning

The powerful influence of Arabic and Hebrew cultures, which had assimilated and retained much Greco-Latin knowledge, was significant. Royal support for cultural activities... Continue reading "Evolution of Castilian Prose: From Annotations to Literary Works" »

Realism and Naturalism in 19th-Century Literature

Realism

Realism, emerging in the mid-19th century, emphasized portraying everyday reality and social issues. Rooted in empiricism and positivism, this movement sought to objectively depict the world through observation and experimentation, often exploring social inequalities as highlighted by Marxism.

Naturalism, a related movement, delved into the darker aspects of society, applying a scientific lens to analyze social problems.

Characteristics of Realist Novels

• Focus on everyday reality and contemporary environments.
• Exploration of specific social and political conflicts of the time.
• Objective and critical portrayal of society.
• Presence of the author's opinions.
• Use of an omniscient narrator, revealing

Generation of '27:

The poets of the Generation of '27, who contributed to publications like La Gaceta Literaria and Revista de Occidente, employed elaborate language in their pursuit of "pure" intellectual poetry, devoid of sentimentality. They emphasized beauty, poetic play, metaphors, and other literary devices, making abundant use of imagery and visionary elements.

Key Figures:

• Luis Cernuda: Eclogue, Elegy and Ode, The Forbidden Pleasures, Where Oblivion Dwells, Desolation of the Imagination, Reality and Desire, Profile of the Air (first book of poetry).
• Pedro Salinas: Secure Chance, The Voice You Love, Due and Reasonable, All Things Clear, The Defender (essay).
• Jorge Guillén: Cántico (as a whole: chant, cry, and tribute).
• Vicente Aleixandre:

Renaissance Theater

Renaissance Theater is divided into public and popular audiences.

Renaissance Public Audience

Predominantly featured didactic, moral, or religious intentions. This category included:

• Court Theater: For persons dealing with Court themes, preferably secular. Notable figures include Juan del Encina and Torres Naharro.
• Humanistic Comedy: Translations of classical works were read in small groups. These reading groups developed in universities and colleges.
• Religious Theater: Religious representations were performed. They coincided with festivities in courts and churches.

Renaissance Popular Audience

The popular theater emerged in the sixteenth century under the influence of Italian companies that influenced Spain and introduced the so-... Continue reading "Spanish Renaissance and Baroque Theater" »

Spanish Renaissance Literary Figures

Fray Luis de León: Christian Humanism and Poetry

Fray Luis de León was a prominent figure whose life reflected the complex and often confusing times of the Spanish Renaissance. A highly cultured man and a humanist who taught theology, he is renowned for his extraordinary work as a Latin translator. He also authored significant books on religious and moral issues.

His poetry consists of odes and songs of praise, primarily written in 'liras,' following the model of Garcilaso de la Vega. These works possess a strong moral tone, reflecting the profound influence of classical authors such as Plato and Virgil. In his writings, Fray Luis de León masterfully fused Platonism with Christian thought, often presenting... Continue reading "Spanish Renaissance Literature: Authors, Styles, and Genres" »

Spanish Drama Before 1939

Spanish drama up to 1939 saw very strong trading conditions with a local predominance of private, public taste that came to their rooms (the bourgeoisie). There were few possibilities to reach the capacity for self-criticism of the Spanish theater audience. The first third of the century is divided into two fronts: the triumphant-follower stage, which triumphed in the late nineteenth century.

Key Movements and Playwrights

A] Bourgeois Comedy with Benavente

B] Verse Drama, with Contributions of Modernism

C] Comic Theater, with a Predominant Traditional Style

Jacinto Benavente (1866-1954)

Jacinto Benavente is the most representative figure of the possibilities and limitations of the bold moment. He had a beginning with "The... Continue reading "Spanish Drama Before 1939: Key Playwrights and Movements" »