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Prominent Spanish Poets of the 20th Century

Manuel Machado: A Modernist Voice

Perhaps overshadowed by the fame of his brother, Manuel Machado's verses also reach high poetic altitudes. His poetry is full of encouragement and modernist Andalusian inspiration. He writes and sings deeply from the soul. His favorite themes include:

• Gallant and sensual love (almost frivolous)
• History and evocative imagery of places
• Art and religious concerns

His poetry, characterized by great plasticity and a cheerful tone, is always full of suggestion.

Miguel de Unamuno: Philosophical Verse

Miguel de Unamuno cultivated the poetic genre across several books. Though his poetry was relegated for a time, it is now recognized for its great lyrical quality. In his verse, he... Continue reading "Literary Giants: Manuel, Miguel, and Antonio Machado's Poetic Legacy" »

The Generation of 98: A Movement of Renewal

The term Generation of 98 first appeared in 1913 in a study published by Azorín. It referred to a group of authors who, in the aftermath of Spain's loss of its last American colonies in 1898, emerged to advocate for change and regeneration of the country. This period brought about a profound crisis in all areas of Spanish society. The Generation of 98 was an exclusively Spanish movement, which coexisted with Modernism.

While some argue there is no significant difference between the two movements, following Ortega y Gasset's concept of a "generation," we can classify them as two distinct movements. The authors of the Generation of 98 were born within a 15-year span, were profoundly influenced by the... Continue reading "Spanish Literary Renewal: The Generation of 98" »

Celtic-Iberians and the Iberian Peninsula

Iberians

Iberians was the name the Greeks gave to the people of the Iberian Peninsula. Unlike its diverse origins, one of the main cultural developments is their language. Numerous excavated texts have been found, but mostly in Iberian languages. Not being related to another known language, it has not been able to be deciphered yet.

Iberian art highlights ceramics. Among all the Iberians who inhabited the Iberian Peninsula, historical sources mention the Tartessians, Turduli, and Turdetani as the most cultured among them.

Effectively, the Tartessos civilization was the first known civilization in Western Europe. This civilization was later known as Turdetania, named after the people who inhabited the region... Continue reading "Celtic-Iberians & Roman Influence in Ancient Spain" »

The Poetic Style of Miguel Hernández

Metaphors, Images, and Symbols

A) Metaphors and Images

Miguel Hernández emphasizes the use of rhetorical devices throughout his poetry. The main ones include:

• In The Ray That Does Not Stop, plant metaphors, country, and metal images are used. Bleeding, sharks, bulls, islands, plows, knives, and daggers express dissatisfaction and internal imbalance.
• Wind and town evoke monsters, beasts, hyenas, hares, and hounds, representing man in general. The land is an image of nature and labor.

B) Symbols

• 1st Stage: Beginnings. Moon: Language of Nature. Gardens, roses, fig trees, lilies, and oranges symbolize the erotic. Bare fields, hawthorn, olive, wheat, and almonds signify purity.
• 2nd Stage: The Ray That Does Not Stop:

Spanish Theater Evolution

In the late nineteenth century, the most prominent works were the so-called high comedy, while melodramas focused on the emotions of the viewer. Evolution of the drama: In the Restoration period, bourgeois comedy and farce evolved into tragedy, with a grotesque and modernist spirit, as well as symbolic poetic theater. The most serious attempts at renovation came from the Generation of '98 (Unamuno, Azorín, Valle-Inclán, initially) and the Generation of '27, including García Lorca.

A-Commercial Theater:
1. The comedy, also known as Bourgeois comedy, was highlighted by the author Benavente.
- Benavente broke with the style of Echegaray's tragedies, offering a theater with a greater focus on dialogue.
- The themes and... Continue reading "Spanish Theater Evolution: From High Comedy to Lorca's Vanguard" »

Julio Cortázar: Fantastic Conception of Reality

He began as a storyteller with works like Bestiary (1951), End of the Game (1956), and Secret Weapons (1959). Later, he wrote stories such as Stories of Cronopios and Famas (1962), All Fires the Fire (1966), Octahedron (1974), and A Certain Lucas (1977).

Cortázar's accounts show a special, fantastic conception of reality, composed of aspects that go far beyond the routine and accepted: the unexpected, the exceptional, the irrational, and the intuited. There is an existential search and reflections on creation and poetic language.

Hopscotch (Rayuela)

This book was written in 1963 and develops in Paris and Buenos Aires. Its main character is Horacio Oliveira, who in Part 1 lives in Paris with La Maga.... Continue reading "Literary Worlds: Cortázar's Hopscotch and Márquez's Macondo" »

Forms of Spanish Golden Age Theater

Corral Comedy

These performances took place in neighborhood courtyards (corrales). The plays were often long, running from Easter until the following Carnival. They were typically performed in the afternoon.

Palace Theatre (Teatro Cortesano)

This form of theater was represented in the palaces of the nobles or the king. It was often more complicated than one might think, utilizing professional actors, though sometimes the noble or monarch themselves intervened in the performance.

Mystery Plays (Autos Sacramentales)

These were one-act plays featuring religious themes and allegorical characters with a didactic intent. They were performed on the street during the celebration of Corpus Christi and financed by the city... Continue reading "The Spanish Golden Age: Lope de Vega and New Comedy" »

The Tradition of Knightly Stories

The stories about knights date back to the songs of geste, narrated by minstrels at a time when the nobility held a great historical role. These narratives were transformed during the fifteenth century as society changed profoundly.

Chivalric Romances vs. Chivalric Novels

Medieval literature developed two distinct forms of knightly fiction:

Chivalric Romances (Books of Chivalry)

• Recreate a past and remote time: The action is located in distant and exotic landscapes.
• Fantastic elements: There are dragons, giants, and other creatures in a mysterious and fantastic setting.
• Characters: The characters are often quite superhuman.

Chivalric Novels

• Reflection of the environment: They are a reflection of the environment in which

Traditional Lyric

Traditional lyrics were sung and danced to. They were anonymous and their main theme was parallelism. They were simple.

• Alba: Songs at dawn, about the beloved woman.
• Songs of Mowing: Songs sung by workers during their workday.
• Serranillas: Lyrical and narrative compositions in verse, singing of the meeting with a loving *serrana* (mountain woman).
• Villancicos: Songs with rhyme that began to be sung in churches and were associated with Christmas.

Cult Lyric

Elaborate poetry, they were borne by minstrels.

• Jarcha: Written in Mozarabic. Loving theme, from a female perspective.
• Cantigas: Written in the prestigious Galician language.

Alfonso X: Cantigas to the Virgin Mary

420 compositions that tell of the Virgin Mary's miracles. They are divided... Continue reading "Medieval Spanish Literature: Lyric, Narrative, Prose" »

Spanish Theater Before 1939

In the late nineteenth century, works known as "high comedy" by Echegaray and his followers were represented. Public taste, which was only slightly refined, and the disaffection of theater owners prevented any serious attempt at renovating the theater scene. Nevertheless, the following forms survived in the first third of the century:

1. The bourgeois comedy.
2. The farce of the Madrid or Andalusian environment, which evolved into other forms such as the grotesque tragedy or the Astracán.
3. The modernist spirit, which cultivated a poetic and symbolic theater.

Attempts at Renewal and the Generation of '98

The most serious attempts at renewal came from Unamuno, Valle Inclán, and Azorín, but few of their works were successfully... Continue reading "Spanish Theater History: Trends and Authors Before 1939" »