Rosalía de Castro's "En las orillas del Sar": Intimacy and Metric Innovation
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Features of "Sar By the Shores"
The main feature of this collection by Rosalía de Castro is its strictly intimate nature. In it, the author's gaze turns almost exclusively inward toward her own mind; the outside world almost disappears or is reduced merely to serve as a term of reference or comparison to the self. Thus, nature, the environment, and the world in general will serve to confirm her irremediable loneliness, decadence, populated only by memories, nostalgia, and pain—all that is characteristically romantic melancholy. This subjectivism and melancholy are completed by a gloomy vision of the world, seen from the perspective of a troubled and hopeless spirit. In vain, she attempts to reestablish contact with her youth by writing, retreating... Continue reading "Rosalía de Castro's "En las orillas del Sar": Intimacy and Metric Innovation" »