Notes, summaries, assignments, exams, and problems for Arts and Humanities

The following profiles detail the main characters and their roles in the drama:

Bernarda Alba: Tyrant and Despot

Everything negative is focused on her. She is tyrannical, hypocritical, and despotic, making her the target of most criticism in the work. Her language reflects her character: the repeated use of prescriptive words and her reliance on the staff (bastón), symbolizing absolute power.

Angustias: The Eldest Daughter

Angustias is the eldest child, born from Bernarda's first marriage. She is expected to marry Pepe el Romano because of his money. Although aware of this arrangement, she is indifferent, as her only desire is to leave the house and escape her mother's power. At over 40 years old, she is devoid of passion and joy.

Magdalena: Resignation

Calderón de la Barca: Master of Spanish Baroque Drama

Pedro Calderón de la Barca (1600-1681) was a pivotal playwright and poet of the Spanish Golden Age. His extensive body of work profoundly influenced Spanish theater, evolving Lope de Vega's dramatic formula with deeper philosophical and psychological dimensions.

Key Works and Genres

• Entanglement Dramas (Comedias de Capa y Espada)

  These plays often feature intricate plots, mistaken identities, and honor conflicts, typically set in urban environments.

  • The House with Two Doors is Hard to Guard (La casa de las dos puertas es difícil de guardar)
  • The Phantom Lady (La dama duende)

• Tragic Dramas

  Calderón's tragedies explore profound conflicts, often between individual freedom and destiny, or the complexities

Sculpture

In sculptural representations, there was a clear dominance of religious imagery. The Castilian school was distinguished, represented by the works of Gregorio Fernández, and the Andalusian school, with Martínez Montañés, Alonso Cano, and Pedro de Mena.

Sculpture Characteristics

Work and Author: La Piedad (1616), by Gregorio Fernández (1576-1636).
It was done in polychrome wood, as this allowed for greater realism, emphasizing the expressive ability and drama of the scene.
The figures were part of altarpieces or processions; this work was destined for the church of the Augustinians in Valladolid.
Theme: Religious. The Virgin holds the body of Christ in her arms.
Expressiveness: It tends to emphasize the expressive drama, as seen... Continue reading "Spanish Baroque Art: Sculpture & Painting" »

Foundations of Galician Contemporary Narrative

Vicente Risco and Ramón Otero Pedrayo are considered the architects of contemporary Galician narrative.

Vicente Risco: Criticism, Occultism, and Humor

Risco employed sharp criticism of the society of his time, often incorporating the presence of the occult, balanced with a dose of humor.

Ramón Otero Pedrayo: History and the Old Regime

Pedrayo, an intellectual scholar and historian, sought to reconstruct key moments in the country's history. His works depict the disappearance of the Old Regime, led by nobles, clergy, and peasants. A notable work is The Pilgrimage of Gelmírez.

Castelao's Art and Social Critique

Alfonso Daniel Rodríguez Castelao used hand-drawn narratives of great formal perfection to... Continue reading "The Nós Generation: Risco, Pedrayo, and Galician Literary Modernism" »

Realism Literary Movement

Realism was a literary movement that appeared in France in the second half of the nineteenth century, manifested in the narrative genre. Realists rejected the idealism of Romanticism and defended an art inspired by nature to represent in their work, adopting an attitude of thorough observation of the social environment.

Realism Characteristics

• Aims to reflect contemporary everyday life.
• Detailed description of location and time of action.
• Characters typically belong to the middle and lower classes; authors delve into psychological aspects explaining behavior.
• Narrative Techniques: third-person omniscient narrator, free indirect style, and interior monologue.

Naturalism Literary Movement

Naturalism was a literary movement that... Continue reading "Realism and Naturalism Literary Movements" »

The Cultural Movements of the Renaissance Era

Humanism: Focus on Intellectual Development

Humanism is a cultural movement that originated in the fourteenth century and extended into the fifteenth and sixteenth centuries in Europe. Its primary aim was to achieve the full development of the intellectual capacities of human beings, striving for the ideal that humanists believed existed in ancient Greece and Rome. Key figures included Erasmus of Rotterdam and Dante Alighieri.

The Protestant Reformation

The Protestant Reformation refers to a series of religious movements that arose in the sixteenth century in Western Christianity, leading to new forms of Christian practice. In the late fifteenth and early sixteenth centuries, the Catholic Church held... Continue reading "Humanism, Reformation, and Italian Renaissance Art History" »

Marketing and Research Techniques

1. Brainstorming

Characterized by bringing together a group of people to discuss a topic. It aims to generate ideas among all participants and select the best ones from the brainstorming session.

2. Delphi Method

The Delphi method presents the following characteristics:

• Anonymity: Participants are unknown to each other, and even personal data remains confidential. Anonymity allows individuals to express their opinions freely without fear of judgment.
• Moderator: A moderator guides the discussion and ensures the group stays focused on the topic.
• Free Response Interviews: Respondents answer interview questions openly. While there's a possibility of insincere answers, it's often balanced by the diverse perspectives of

Phidias and Classical Greek Sculpture

Phidias represents the peak of Greek classicism. His figures are ideal prototypes, full of serenity, balance, and beauty. His works are characterized by the serene expression on the faces and the flexibility and transparency of the garments. He is the artist who best represented the gods. Phidias cultivated both free-standing sculpture and relief, reaching a very high degree of perfection.

Decoration of the Parthenon

Phidias was entrusted with the sculptural decoration of the Parthenon, primarily situated in the pediments, friezes, and metopes. He devised and supervised the work. Some characteristics of Phidias' style are:

• The clothing, using the technique of "wet drapery," allows the anatomy to be appreciated,

General Characteristics of the Renaissance

A) Exaltation of the Classical World

Recovery of Greco-Roman culture (mythology, the classical canon of beauty, proportion, balance, naturalness, etc.).

B) Anthropocentrism and Individualism

1. Anthropocentrism and individualism. A sense of security and self-assertion.
2. Man considered the greatest achievement of creation; above nature in his dignity.

C) The Nature of Man

The nature of man: a critical and rational look toward nature.

D) Religious Spirit

1. Counter-Reformation and new approaches emerge that renew religious spirit and behavior.
2. Free interpretation of the Bible and challenges to papal authority.
3. Protestant Reformation. The Church responds with the Council of Trent; the Counter-Reformation emerges.
4. Erasmus

Theatrical Innovations of Generation Nós

The Generation Nós (Our Generation) did not primarily use theater as a political weapon or didactic tool. Instead, they provided an extraordinary impulse from a literary perspective, integrating Galician theater into European currents. With them came the first symbolist and surrealist elements, surpassing the previous realism. From then on, their works featured not only Galician peasants and landowners, but also knights and princesses, toads, kegs, cliffs, the saints of the Portico of Glory, ghosts, and more.

1. Vicente Risco: Symbolist Drama

Vicente Risco wrote a single play, The Jester of the King, a symbolist drama that explores physical and moral deformity.

2. Ramón Otero Pedrayo: Extensive Dramatic