Notes, summaries, assignments, exams, and problems for Arts and Humanities

Communication Elements

• Issuer: Produces or encodes the message.
• Receiver: Decodes the received message.
• Code: Signs and a set of combined rules.
• Message: Composed or encoded by the issuer, in compliance with the code.
• Channel: Medium through which the message is transmitted.
• Context: The situation surrounding message transmission.
• Redundancy: Repetition for clarity or emphasis.
• Information: The content of the message.

Functions of Language

• Referential (Representative) Function: Conveys objective information about reality.
• Expressive (Emotive) Function: Conveys the sender's feelings or attitudes.
• Conative (Appellative) Function: Aims to influence or persuade the receiver.
• Phatic Function: Establishes, maintains, or closes communication channels.
• Poetic Function:

• Reference

  The reality to which feelings, and so on, refer.

• Emotion

  The mood that arises from an impression of the senses.

• Meaning

  The concept associated with certain connotations, linked to significant results within a sign.

• Artistic Production

  A creation by an artist to express their feelings, emotions, etc.

• Poetic Function

  Focuses on aesthetic symbols within works of art.

• Quality

  A feature that something possesses.

• Style

  The distinctive character an artist imparts to their works.

• Form

  The mode or way of doing something.

• Affective State

  Sensitivity or emotional condition evoked by a particular situation, such as a work of art.

• Aesthetics

  The study of beauty and the philosophy of art.

• Beauty

  The quality that conveys a sense of pleasure, wonder, or harmony. This

Spanish Literary Movements: Generation of '98, '27, Realism, and Naturalism

The Generation of '98 traditionally grouped writers, essayists, and poets who were affected by the moral crisis and social policies following the defeat of Spain in the Hispanic-American War.

Inspired by the regenerationism advocated by Cánovas' critics, the Generation of '98 offered an artistic vision. Pedro Salinas critiqued this generation. The authors maintained a close friendship and opposed Restoration Spain.

They distinguished between a real, miserable Spain and an official, seemingly false Spain.

They had great interest in and love for Castile, including its miserable, dusty, and abandoned villages.

The Generation of '27

The Generation of '27 was a constellation... Continue reading "Understanding Spanish Literary Movements: '98, '27, Realism, and Naturalism" »

The Catalan Renaixença: Identity & Revival

The Renaixença (revival movement) is defined by the recovery of Catalan identity. It expressed a desire to reconstruct a time of great historical and cultural vitality. The Catalan language was used as a unifying element for the people. The idea was to rebuild from the history of literature, fostering a sentiment of political nationalism.

Spreading the Renaixença: Media & Impact

The Renaixença diffused through two main channels: the press and the book industry. The Jocs Florals (Floral Games) became very successful, helping to discover important writers such as Jacint Verdaguer, Narcís Oller, and Àngel Guimerà.

"La Pàtria" by Aribau: A Nation's Concerns

Bonaventura Carles Aribau's text,... Continue reading "The Catalan Renaixença: Shaping Identity Through Literature" »

Understanding Literary Realism

Literary Realism is a significant literary movement that emerged with the aim of depicting society and its environments as accurately as possible. Realist works often focus on settings and characters familiar to the writer, preferring to describe everyday life and portray ordinary, even vulgar, individuals and social currents. This approach is rooted in an aesthetic and ethical principle of objectivity and self-moderation, seeking to synthesize contradictions rather than highlight them.

Core Principles of Realism

The essential elements of Realism include:

• Faithful Reproduction of Reality: Realist works strive to present a truthful and precise representation of reality.
• Thorough Use of Description: Detailed descriptions

THEATRE OF THE 45

A. Theatre Bourgeois

Inherited from the high comedy of Benavente and intended for the wealthy, its themes revolve around loving, marital, or family relationships and defend traditional values. The following types are distinguished:

• Comedy: Always with happy endings and reassuring.
• Drama Ideological or Thesis: This type is associated with the historic heroism of the victors within the Spanish Empire.

B. Humorous Theatre

This theatre represents intellectual continuity close to the absurd, owing much to the formal daring and spirit of the pre-war avant-garde. Its most representative work, Three Hats by Mihura (1905-1977), was written in 1932 but not submitted until 1952. It depicts a young man who spends the eve of his wedding at a... Continue reading "The Evolution of Spanish Theatre: From Comedy to Absurdism" »

The Evolution of the Spanish Novel: 1950s to 1970s

The 1950s and 1960s: A Turning Point in the Novel

The 1970s marked a significant turning point for the Spanish novel. The social realism prevalent in the 1950s evolved into a novelistic structure focused on exploring the individual's personality. The novel of this era offers a critical reflection on Spanish society, addressing broad aspects such as myths deeply rooted in the Spanish psyche. Its formal presentation is innovative; the novel presents events in a fresh way, often including a glossary and demonstrating great expressiveness.

Key Narrative Techniques of the Era

• Dynamic Narrator: The narrator is a changing element, often employed with knowing irony.
• Shifting Perspectives: Changes in narrative

Sacrifice of Iphigenia

Author: Unknown. Chronology: Yes. Material: Tesserae of stone and marble. Technique: Mosaic. Support: Wall or floor. Dimensions: 55 cm x 60 cm. Top damaged. Original Location: Empuries (1848).

Mosaic Definition

A mosaic is a decorative element formed by the combination of tesserae (small square pieces of stone, glass, or ceramic) of colors that create different shapes and patterns.

Formal Description

This mosaic combines three techniques: opus tessellatum, opus vermiculatum, and opus sectile. It uses different shapes and sizes of tesserae made of marble and stone in various colors.

In the foreground, we see the altar of slaughter, surrounded by fields, and a torch. In the background, from left to right, are the main characters:... Continue reading "Iphigenia's Sacrifice: A Detailed Mosaic Analysis" »

Federico García Lorca's The House of Bernarda Alba is rich with profound themes that resonate throughout the play. This analysis delves into the core issues presented, from social critique to the intricate use of poetic language.

Hatred and Envy

The play vividly demonstrates instances of hatred and envy, manifesting in various forms: through insults, insinuations, and both veiled and direct expressions. Women in this wild and inhospitable environment yearn for love and freedom, but their inability to achieve it leads to bitter clashes among the daughters.

Social Injustice

Social injustice dominates the first act, where Lorca powerfully complains about societal inequality. The play exposes class consciousness, pride, and the cruelty inherent in... Continue reading "Dominant Themes in Lorca's The House of Bernarda Alba" »

Valle-Inclán's Innovative Theater

Ramón del Valle-Inclán is considered the great playwright of the Generation of '98. His extensive theatrical work, though initially not always successful with the public, can be grouped into five distinct cycles:

• The Primitive Cycle: Includes his first poetic dramas, adaptations of conventional stories, and modernist verse plays that anticipate features of the grotesque and burlesque.
• The Mythic or Galician Cycle: Presents a mythical, primitive, violent, and sordid Galicia.
• The Cycle of Farce: Composed of three pieces for puppet stages. It breaks from the modernist approach and demystifies reality, moving closer to the vision of the grotesque.
• The Grotesque Cycle (Esperpento): Provides a grotesque vision of the