Caravaggio's Roman Period: Masterpieces and Controversies
Classified in Arts and Humanities
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The scene in the foreground, with figures, depicts Judith beheading Holofernes. The body of Holofernes extends to the bottom of the canvas. The anatomy of the naked body is rendered with absolute perfection. He is depicted as a bearded man with strong muscles. The figure of the maid is waiting with her *mantilla* extended to receive the head and take it to the camp of the Jews. Ocher and white are used to highlight the main figure, and red in the curtains serves to emphasize the importance of the character below. The rest of the room is black, with a gloomy light illuminating the figures. Details such as the earrings that the *Madeleine* had thrown down are now being used by Judith. There is realism in the figures, while the setting is eerie... Continue reading "Caravaggio's Roman Period: Masterpieces and Controversies" »