Painting

Dl historical-artistic introduction Quattrocento and Cinquecento: strong classical tradition in Italy linked to the low height ls q Gothic forms had favored the creation of the Renaissance d, q d responds to the appearance a new society, new thinking and new culture. Dl Development Renaissance in Italy is divided into two stages: the Quattrocento and Cinquecento, appearing Mannerism. The Renaissance was a culmination, the man was released d the link to religion and all the attention on himself in front of the theocentrism now dominated medieval humanism, man looks back to classical antiquity and to seek inspiration for the philosophy , literature and art. It's new high social esteem q dl artist abandons anonymity To become an intellectual and artistic personality. The artist has more freedom to perform their works. Romanesque and Gothic workshops are transformed into academies, where the future artist receives a formation not only technical, but humanistic. The clientele varies, do not disappear orders d the Church and religious orders, there are many requests d the nobility and gentry, emerging great patrons. This stage art and culture crystallized in the Italian cities had cn families q d q prestigious facilitated diffusion d art.

Painting: General Characteristics: Italian painters held a wide range d achievements in the field of painting, d according to the study the human figure, the perspective and light. Are used as walls and table supports the freq d compositions and tempera, is introduced, the use dl oil. The theme is religious, secular theme. D are given mythological paintings. The landscape, nudes d idealized beauty, the volume forms d complete d basics this painting. Dl landscape, cultivated passion cn, dl no minute detail, but serves to obtain depth and framing effects d figures. The composition is complicated, it is not uncommon to introduce several scenes in one picture, or several leading figures. The drawing is at the capital, predominantly d line or drawing over color. The light used to highlight the plans. Leading painters in Florence: Fra Angelico: Linked to the gothic world, abundance dl gold, bright colors and fragility d figures. "Annunciation" (tempera on panel technique d). Masaccio: light and perspective. Two major works: The Tribute d Trinidad and currency. Mural painting (fresco). Uccello: bold and violent foreshortening. "Battle of San Romano d (d technique tempera on wood). Piero della Francesca: Perspective, d Constantine's dream. Sandro Botticelli: d undulating profile figures, religious and secular (mythology): Spring, slander, birth d Venus. Umbria: Pietro Perugino, "Service d keys to St. Peter" (oil on canvas technique). Padua: Andrea Mantegna. Sculptural sense, foreshortening. "Christ died," Death d la Virgen. Venice: Bellini's sister.