Evolution of Contemporary Narrative Since 1975

A Narrative of Our Days

The post-1975 narrative has experienced a progressive rise, manifested in the widespread production and editing of novels and short stories. This has led to an increase in collections devoted to fiction and the translation of Spanish texts into other languages. While these developments demonstrate the vitality of the genre, they also offer a confusing picture of the narrative phenomenon. Consequently, these characteristics serve only as reference points that must be qualified, as the defining trait of the new novel is the lack of universal criteria.

Main Features of Contemporary Narrative

• Redress to traditional resources: A shift away from constant experimentation toward the pleasure of storytelling.
• Lack of didacticism: A departure from social, political, or ideological intentions.
• Absence of singular masters: While specific influences are missing, a diverse range of styles coexists.
• Thematic diversity: A blend of humorous, playful, ironic, nostalgic, and lyrical tones, alongside refined cultural treatments and the free use of fantasy.
• Realism: The drive for realism at all costs is no longer common.
• Character development: Major, heroic characters have been replaced by beings who are often helpless and insecure.

Language and Structure

Regarding language, there is a remarkable formal concern that often results in a baroque style or a mannerism of prose. This reveals the sensitivity and literary development of the young narrator and their effort to achieve a personal, high-quality style. It is not unusual for novels by young authors to serve as exercises in linguistic virtuosity.

The narrative structure has become lighter, more diverse, and dynamic as a result of the experimentation seen in the sixties and seventies. However, there is also a tendency toward simpler forms that are not far from traditional structures; generally, complex provisions of the text are disregarded in favor of accessibility for the reader.