The Death of General Wolfe and the Métis

The Death of General Wolfe

The Death of General Wolfe, a renowned 1770 painting by Anglo-American artist Benjamin West, depicts the death of British General James Wolfe during the 1759 Battle of Quebec in the Seven Years' War. This Neoclassical oil on canvas painting has a nearly identical replica, commissioned by King George III in 1771.

West portrays General Wolfe as a Christ-like figure. The painting's triangular composition, formed by the flag's apex and the men's positions, evokes Michelangelo's La Pietà, where the Virgin Mary embraces Christ.

In the foreground, Wolfe's musket, cartridge box, and bayonet lie on the ground. Wolfe, armed like his men, wears a simple red coat, waistcoat, breeches, and a white shirt—unusually modest attire for a commanding officer.

A runner approaches in the background, left of the men surrounding Wolfe. Waving his hat to gain attention, he carries a captured French flag with the Fleur-de-lis, symbolizing the news of the French defeat being relayed to the dying Wolfe.

The Métis and the Red River Cart

The Métis, an indigenous people of North America, emerged from unions between First Nations women and European men (primarily French or British). Over time, intermarriage within the group became more common. The image of the Red River cart highlights a key aspect of Métis culture. Constructed entirely of wood and bound with leather, this cart was initially used to transport buffalo meat and later for farm work.

Following the acquisition of Rupert's Land from the Hudson's Bay Company in the mid-19th century, the Canadian government asserted its authority over the region's inhabitants. The Métis and Anglo-Métis (Countryborn), children of First Nations women and European men, united to defend their rights.