Liturgical Sequence: Origins and Formal Structure
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1. Sequences
a. Origin of the Term and Liturgical Evolution
The term sequence comes from the Latin sequor, meaning "to follow," due to its position following the Alleluia in the liturgy. A monk of St. Gall, Notker Balbulus, recounted how he invented the sequence when he began writing words beneath certain long melismas to aid in remembering the melody.
Early on, the sequence separated from the liturgical chants and began to flourish as an autonomous form of composition. Hundreds appeared throughout Europe between the X and XIII centuries. There was considerable influence between the sequences and contemporary types of secular music.
Some sequences are close to the form of the hymn; Dies Irae, for example, is one such instance.