Notes, summaries, assignments, exams, and problems for Music

Sort by
Subject
Level

Savage Confidence: Needed Me and Sex With Me Lyrics

Classified in Music

Written on in English with a size of 3.6 KB

Needed Me

I was good on my own, that's the way it was, that's the way it was.
You were good on the low for a faded fuck, on some faded love.
Shit, what the fuck are you complaining for?
Feeling jaded, huh?

Verse 2

Used to trip off that shit I was kicking to you.
Had some fun on the run though, I give it to you.
But baby, don't get it twisted:
You were just another nigga on the hit list.
Trying to fix your inner issues with a bad bitch.
Didn't they tell you that I was a savage?
Fuck your white horse and carriage.
Bet you never could imagine.
Never told you you could have it.

Chorus

You needed me.
Ooh, you needed me.
To feel a little more, and give a little less.
Know you hate to confess.
But baby, ooh, you needed me.

Verse 3

You've been rolling around,... Continue reading "Savage Confidence: Needed Me and Sex With Me Lyrics" »

Romanticism in Literature: A Revolt of the Senses and Passions

Classified in Music

Written on in English with a size of 2.54 KB

Romanticism

A movement in philosophy but especially in literature, romanticism is the revolt of the senses or passions against the intellect and of the individual against the consensus. Its first stirrings may be seen in the work of William Blake (1757-1827), and in continental writers such as the Swiss philosopher Jean-Jacques Rousseau and the German playwrights Schiller and Goethe.

The publication, in 1798, by the poets William Wordsworth and Samuel Taylor Coleridge of a volume entitled was a significant event in English literary history. The elegant Latinisms of the Augustans are dropped in favour of a kind of English closer to that spoken by real people. Robert Burns (1759 1796) writes lyric verse in the dialect of lowland Scots.

Later Romanticism

The... Continue reading "Romanticism in Literature: A Revolt of the Senses and Passions" »

The Impact of Music on Our Lives: Cultural Significance, Emotional Influence, and Educational Benefits

Classified in Music

Written on in English with a size of 2.15 KB

Music in Our Lives: Cultural Significance, Emotional Influence, and Educational Benefits

Introduction

Music is an integral part of human existence, permeating every aspect of our lives. From the background melodies that accompany our daily routines to the powerful anthems that stir our emotions, music has a profound impact on our culture, our well-being, and our cognitive development.

Cultural Significance

Music has played a pivotal role in human history, serving as a marker of nationality, ethnicity, and spiritual identity. It has been an essential ingredient in public gatherings, religious ceremonies, and family celebrations. Our history is replete with iconic melodies that have become synonymous with specific events and traditions, such as the"... Continue reading "The Impact of Music on Our Lives: Cultural Significance, Emotional Influence, and Educational Benefits" »

Classical Music Period: Characteristics and Composers

Classified in Music

Written on in English with a size of 3.7 KB

Introduction to the Classical Period

The Classical period in Western music generally encompasses the years between 1750 and 1820. However, the term Classical music is often used colloquially to refer to Western art music, spanning various styles from the ninth century to the present, particularly from the sixteenth or seventeenth to the nineteenth centuries.

The Classical period falls between the Baroque and the Romantic periods.

Main Characteristics of Classical Music

Classical music features a lighter, clearer texture than Baroque music and is less complex. It is mainly homophonic, meaning a melody above chordal accompaniment (though counterpoint was still used, especially later in the period). The style galant was prominent during the Classical... Continue reading "Classical Music Period: Characteristics and Composers" »

20th Century American Music Fusion and Global Influence

Classified in Music

Written on in English with a size of 7.85 KB

20th Century Musical Fusion

By the turn of the 20th century, the United States had become one of the largest industrial powers in the world. The fusion of musical traditions from enslaved Black populations and European immigrants ignited the musical revolution of the 20th century.

1.1. Folk Music

A large part of the Black population worked on cotton plantations in the Mississippi Delta in the southern United States. British colonists who inhabited the Appalachian Mountain region in the eastern United States sang songs from their home countries. This music was called Appalachian folk music.

1.2. Primitive Blues

Primitive blues was a style characterized by a melancholy tone and simple compositions, typically accompanied by the guitar, allowing performers... Continue reading "20th Century American Music Fusion and Global Influence" »

Baroque Music: Forms, Dances, Composers and Key Works

Classified in Music

Written on in English with a size of 3.04 KB

Baroque Music: Characteristics and Forms

  • Contrast: tempo, dynamics, timbre
  • Ornamented melodic parts
  • Basso continuo
  • Textures: accompanied melodies and counterpoint
  • Composers tried to express the affections.
  • New musical forms: Concerto, suite, fugue
  • Music stars: Castrati

Opera Elements

  • Overture: instrumental introduction
  • Aria
  • Recitative
  • Interludes: instrumental sections between different parts of the opera

Opera Seria

  • Plots based on mythological and heroic topics, written in Italian language.
  • For the aristocracy.
  • It used castrati.
  • "Rinaldo" (1711) - Handel

Opera Buffa

  • Plots based on daily life.
  • The characters are closer to the audience.
  • Written in the main language of each country.
  • "La serva padrona" (1733) - Pergolesi

Religious Music Forms

Cantata

  • Vocal composition
  • Instrumental
... Continue reading "Baroque Music: Forms, Dances, Composers and Key Works" »

Masterworks and Forms of the Classical Music Era

Classified in Music

Written on in English with a size of 4.76 KB

The Classical Period (1750–1800)

The first state-run conservatory was established in Paris in 1795.

The period 1720–1790 aligns with the *Enlightenment*. The Classical era emphasized naturalness over artifice. This period also saw the rise of industrialization, such as engine cotton manufacturing.

Music and Language

Classical Movement Structure

The typical four-movement structure often includes:

  • First Movement: Fast tempo, typically in Sonata Form, characteristic of the Classical period.
  • Second Movement: Slower tempo.
  • Third Movement: Minuet (or Scherzo), usually in triple meter.
  • Fourth Movement (Finale): Lighter and fast, often combining Sonata and Rondo forms.

Key Terminology

Modulating: The process of moving from one key to another.

During 1750–1800,... Continue reading "Masterworks and Forms of the Classical Music Era" »

Baroque Art: Styles, Council of Trent, and Urbanism

Classified in Music

Written on in English with a size of 2.99 KB

Baroque Era Art

It is more accurate to discuss art from the Baroque era rather than Baroque Art itself.

The Baroque period encompasses artistic styles from approximately 1590 to 1750.

During this time, various styles coexisted and evolved over the decades.

Council of Trent (1545-1563)

The Council of Trent was a conference of ecclesiastical dignitaries and theologians convened to discuss and settle matters of church doctrine.

The organization of the council was a reaction to the Protestant Reformation led by Martin Luther.

Martin Luther and the Protestant Reformation

Martin Luther, a professor in Saxony, posted his 95 theses on the door of the Wittenberg church in 1517.

He called for changes in the church's practices, such as ending the sale of indulgences.... Continue reading "Baroque Art: Styles, Council of Trent, and Urbanism" »

Medieval Music History: Forms, Styles, and Evolution

Classified in Music

Written on in English with a size of 3.13 KB

The Middle Ages: Church Dominance and Music

The Middle Ages lasted from the 5th to the 15th centuries, a period dominated by the power of the Church and by a profound theocentrism that made room for the predominance of religious music.

Gregorian Chant: Liturgical and Monodic

Gregorian chant was the liturgical chant of the Christian church. Its text is in Latin and has a monodic texture. It uses modal scales and a free rhythm based on the accentuation and the phrasing of the text.

Secular Music in the Middle Ages

Troubadours: Poets, Musicians, and Performers

Secular music was represented by the songs of **troubadours**. They used monodic textures and the scales of the Gregorian chant. However, they were sung in vernacular languages, accompanied by... Continue reading "Medieval Music History: Forms, Styles, and Evolution" »

Baroque Period: Music, Art, and Society in the 17th-18th Centuries

Classified in Music

Written on in English with a size of 3.67 KB

Cultural Context

The Baroque is the name for the cultural period that developed in Europe in the 17th century and the first half of the 18th century. It was characterized by a pessimistic view of life and the importance of feelings.

Socioeconomic and Political Climate

The era was marked by social, economic, religious, and political depression. Social differences, continued wars, new outbreaks of bubonic plague, and slowed demographic growth were prevalent.

Artistic Movements

The artistic movements were dominated by a pessimistic vision of existence. Realism triumphed, with the main objective of presenting reality in a truthful and even crude way. Works of art were full of emotion. Artists made use of drama, contrast, movement, and ornamentation.... Continue reading "Baroque Period: Music, Art, and Society in the 17th-18th Centuries" »