Notes, summaries, assignments, exams, and problems for Latin

Writers and the Literary Market

Two literary movements were born: the group of Boedo and the group of Florida. The reading public had grown dramatically, a fact that influenced the perception of the writer. Previously, the man of letters had been viewed as an 'enlightened' figure, whose literary activity was removed from the hectic office. In principle, the writer was not seen as a 'professional,' nor was he, in fact, one.

Writers like Leopoldo Lugones had imposed their presence in national literature, but these were professionals who often came from more affluent classes. In contrast, emerging writers, whose social classes were much more modest, gained increasing participation in society. Roberto Arlt best represents this new figure of the writer.... Continue reading "Argentine Literary Movements: Boedo, Florida, and the Rise of Roberto Arlt" »

Rima XXIV: 'Two Tongues of Red Fire'

Subject and Core Theme

The central subject is joyful love, expressed through passionate poetry. Love is presented as the foundation of Bécquer's work. This poem specifically refers to the reciprocity between two souls, observed and mirrored by nature.

Fusion of the Poet and the Beloved

The poem speaks of the fusion between the loving poet and his beloved, comparing this union with the way elements in nature coalesce.

Structure of Rima XXIV

The poem can be divided into two main parts:

1. Part 1 (Verses 1–4): Focuses on elements of nature that coalesce:

   • Two tongues of fire
   • Two notes
   • Two waves

2. Part 2 (Stanza 5): Presents three images of the same type (ideas, kisses, echoes) in real terms, culminating in the declaration:

The Jarcha: Oldest Romance Poetry

The Jarcha is a unique form of popular lyric poetry from Muslim Hispania, often attributed to anonymous authors. These short poems served as the final part of a longer poetic form called the muwashshah, with examples dating back to the 10th and 11th centuries.

Jarchas were composed in colloquial Hispano-Arabic dialects or in the Andalusian Romance language, sometimes inaccurately referred to as Mozarabic. They were crafted by educated Arab and Jewish poets who drew inspiration from traditional Romance poetry. Poets could either derive them from popular folklore, adapt them to fit the metrical requirements of the muwashshah, or create new compositions based on established patterns.

Their immense importance lies... Continue reading "Medieval Spanish Literature: Jarchas, El Cid, Mester" »

Modernismo en la literatura en lengua española

In Spanish-language literature, the term modernism denotes a literary movement that developed between the years 1880 and 1910, primarily in the field of poetry. It is characterized by an ambiguous creative rebellion, narcissistic and aristocratic refinement, cosmopolitan culturalism, and a major renovation and aesthetics of language known as modernismo métrico. It is the Hispanic form of the universal crisis of letters and spirit and is manifested in art, science, religion and politics. In some ways, echoes are perceived in later movements and currents. At the root of Modernism there is a deep disagreement with bourgeois civilization.

Características del modernismo

• Renovación estética y preocupación

Medieval Spanish Literature Foundations

The Jarchas: Early Romance Lyric Poetry

The jarchas are short songs from the 11th and 12th centuries written in Mozarabic. They represent the earliest manifestation of Romance lyric poetry in Spain. They consist of a few verses placed at the end of Arabic and Hebrew poems called moaxajas. In these verses, a woman, often addressing an informant (like her mother or sister), expresses her feelings about love.

Galician-Portuguese Lyric Poetry

Galician-Portuguese lyric poetry was influenced by the learned and courtly poetry cultivated in Provence (France) and developed during the 13th and 14th centuries.

Types of Cantigas

• Cantigas de amigo: Love poems with an intimate tone. Similar to the jarchas, a young woman

20th Century Novel: Social and Experimental Forms

The Social Novel

Authors of the Social Novel contribute their works to change society, aiming to raise awareness among readers and transform the existing state of affairs. The genre experienced a significant moment during "the Roaring Twenties."

Key authors include Ernest Hemingway, known for works like A Farewell to Arms and For Whom the Bell Tolls.

A related group of Hispanic writers, often associated with Magical Realism, interpreted harsh reality by projecting fabulous elements onto a real background, integrating them into everyday life. Notable figures include Juan Rulfo (with Pedro Páramo), Gabriel García Márquez (One Hundred Years of Solitude), and Mario Vargas Llosa.

The Experimental Novel

The... Continue reading "Defining Literary Movements: Novel and Theatre in the 20th Century" »

Characteristics of the Lyric Genre

1. The disposition of the lyrical author is characterized by emotional expression. This emotional emphasis is a primary feature, and the works are generally short.
2. Unlike dramatic and epic works, the lyric genre does not tell a story. Any anecdotal elements or objects that appear serve to evoke excitement rather than form the knots of a plot.
3. In contrast to the explanatory nature of other texts, lyric poetry specializes in delving deeply into a single aspect or emotion.
4. The linguistic structure of lyric poetry typically empowers the text to be autonomous. It draws attention to itself through recurrences, all kinds of parallels, and semantic games.
5. Although versification is not an essential condition, it has become

The Augustus of Prima Porta Statue

Dating and Context of the Sculpture

The statue known as the Augustus of Prima Porta is a marble copy of an original bronze sculpture. It is believed that the original bronze was created around 20 BC, based on the iconography that appears on the breastplate. The marble copy, however, was likely completed around the year 14 AD, indicated by the fact that Augustus is depicted barefoot, signifying his deification after death.

Roman Portraiture: Realism to Idealism

Roman sculpture is primarily focused on portraiture. The practice of the death mask (imago) heavily influenced early sculpture, determining the sharp features of the nose, chin, cheek, and mouth often seen in portraits. In imitation of these wax images,... Continue reading "Augustus of Prima Porta: Imperial Idealization and Symbolism" »

Roman Theater

It is a literary genre of ancient Roman literature. It emerges from the adaptation of Roman schemes observed in Greek dramatic theaters. The Greek colonies in Italy, attracted by its beauty, copied schemes of tragedy and comedy.

Dramatic Manifestations:

• The Atellans: Improvised representations with humorous and burlesque themes. The characters were fixed, and characteristics were determined.
• Fescennine Verses: Representations of dialogue full of irony during games. The actors wore masks.
• Mime: Actors and actresses representing eroticism with comic situations.
• Pantomime: Dramatic pieces based on dance and mime, represented by a single actor embodying the various characters in the play.

Roman Comedy

Based on Greek New Comedy, it adapts... Continue reading "Roman Theater: Comedy, Tragedy, and Key Playwrights" »

Song of the Mio Cid

Model Values:

• Loyalty to the King: El Cid is faithful and loyal to the king. El Cid undertakes a war policy that leads him to conquer Valencia.
• Consideration and Honor: Rodrigo gets the royal pardon and his daughters marry into royal lineages, wedding the princes of Navarre and Aragon.
• Personal Effort and Faith in God: Based on personal effort, Rodrigo's virtue stems from Christian faith, loyalty to his king, justice towards his subjects, love for his family, and courage under fire.
• Measure: In all his actions, the Cid is wise and shows affection appropriately.

Authorship and Composition Date

The Song of the Cid is preserved in a manuscript that ends with a note stating that Per Abbat wrote it in May of the year XLV.

Structure of