Spanish Theater: Realism, Absurdity, and Innovation
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Remember José Sanchis Sinisterra, author of realist theater; Lauro Olmo, José Rodríguez, and so on. The 1960s saw the overcoming of realism's vanguard due to European theater: theater of the absurd, theater of cruelty. Fernando Arrabal is characterized by elemental scenic design, personality, and naive language. He uses the form of the ceremony. Arrabal's panic theater is characterized by confusion, terror, humor, randomness, and euphoria; incorporating surrealist elements in language. His themes are religion, sexuality, politics, death, and love. It converges on the positive through surrealism, theater of the absurd, and the theater of cruelty. "The Graveyard of Cars" is based on a dying society with hidden characters, doomed to an uncomfortable... Continue reading "Spanish Theater: Realism, Absurdity, and Innovation" »