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Key Poets of Spain's Generation of '27

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Pedro Salinas

Poetry is a way to get to the essence of things and life experiences.

Topics

  • Love: finding the central facts of existence.
  • Desire for understanding and knowledge.

Style

  • Contrast.
  • Importance of the rhythm of dialogue and action.
  • Short verse.

Stages

  1. Influence of pure poetry, Creationism, and Futurism.
  2. Covers the trilogy of love: La voz a ti debida, Razón de amor, and Largo lamento, which form a song of love.
  3. Developed in exile.

Works

  • Presagios
  • Seguro azar
  • La voz a ti debida
  • Razón de amor
  • Largo lamento

Jorge Guillén

His work is a rigorous poetic selection process which suppresses the accessory to communicate the essential idea or feeling. He grouped his poetry until 1968 under the title Aire nuestro, including Cántico, Clamor, and Homenaje.

Topics

  • Joyous
... Continue reading "Key Poets of Spain's Generation of '27" »

Romanticism in Spanish Literature: Key Authors & Themes

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Poetry

The poetry of this era is characterized by:

  • Addressing issues of loneliness, failure, and the bittersweet nature of life. It expresses a hopeless and bitter rebellion.
  • Romantic narrative poetry that makes use of freedom in metrics.
  • An abundance of night images, cemeteries, and destructive and violent nature.

José de Espronceda (1808 - 1842)

  • Lived an idealistic life typical of a Romantic artist.
  • Was a radical liberal who met in exile in England and France.
  • His poetry is inspired by marginal characters and social outcasts.
  • Notable work: The Student of Salamanca, which tells the story of Felix de Montemar, a seductive devil who seduces Donna Elvira. She dies for love, and Felix's brother is killed. One night, Felix meets his own funeral taking
... Continue reading "Romanticism in Spanish Literature: Key Authors & Themes" »

Psychological, Social, and Linguistic Factors in Poetry

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Psychological and Social Causes in Poetry

These include emotional factors, expressive, social, and cultural constraints, and political and ideological reasons.

Social Euphemisms

Euphemisms are words or expressions that supersede taboos. Imbalances by equalities, Blind, blindness... Restriction of general meanings; they acquire specialized meanings. Mouse, menu, or network (computer). Extension of social, cultural, or certain professional terms that go into general use: Ghetto (quarter of a minority), Virus (computing).

Language Grounds

Change is influenced by the context in which the word is used: cut (coffee cut), compact (compact disc).

Types of Poems

The triplets, lira, encadenados, la la, the eighth Real, soneto, estancia, and the Sapphic Stanza.... Continue reading "Psychological, Social, and Linguistic Factors in Poetry" »

Masterpieces of 15th Century Spanish Literature

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Courtly Poetry and Songs

Composed to be read, recited, or sung at court, courtly poetry was a common feature of the 15th century. Its characteristics include:

  • Great variety of verses and themes:
    • Troubadour songs (love theme)
    • Political-philosophical or religious moral sayings
    • Scattered, brief, ingenious thoughts
    • Glosses
    • Dialogued poems (philosophical, scientific, and moral theology)
  • Language play: Contrived words and their meanings.
  • Metric: Castilian versos de arte mayor.
  • Notable song collections: Cancionero de Baena, Cancionero de Estúñiga, Cancionero General, Cancionero de Palacio.

Critical and Satirical Poetry

This genre includes the Castilian version of the Dance of Death (early 15th century), where Death calls various characters (including the Pope... Continue reading "Masterpieces of 15th Century Spanish Literature" »

Galician Literary History: From Medieval Cantigas to 1863

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Medieval Literature: Cantigas de Santa Maria

The Cantigas de Santa Maria are poems composed at the court of Alfonso X of Castile, under the direction of the monarch, who was also the author of a number of texts. These compositions can be classified into two groups: narrative songs and lyrical songs.

Structure of Narrative Cantigas

The narrative songs recount a miracle attributed to the Virgin and always follow this structure:

  • A threshold that indicates the specific miracle the song develops, followed by a refrain that is repeated at the end of each stanza.
  • The presentation of the protagonist and the conflict they are involved in, followed by the intervention of the Virgin, who resolves all problems.
  • A conclusion expressing praises toward Santa Maria.
... Continue reading "Galician Literary History: From Medieval Cantigas to 1863" »

Don Quixote: Cervantes' Enduring Spanish Literary Classic

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Don Quixote, by Miguel de Cervantes, stands as the most important work of Spanish literature. It is characterized as a realistic novel and a foundational work of prose fiction.

Publication and Narrative Structure

It was published in the early seventeenth century in two parts. The book tells the story of an old gentleman who loses his mind by reading many books of chivalry.

  • Part One: Describes Don Quixote setting out in search of adventure, driven by a noble desire for justice.
  • Part Two: Highlights adventures marked by the confusion of fact and fiction in Don Quixote's mind.

Key Themes

  • Chivalric Parody: The author clearly intends to ridicule books of chivalry.
  • Realism vs. Idealism: The novel discusses the struggle between idealism and realism.
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Spanish Theater Icons: Valle-Inclán's Esperpento and Lorca's Poetic Drama

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Ramón del Valle-Inclán: Theatrical Evolution and Esperpento

Stages and Thematic Development

  • Modernist Theater (Early Period: up to 1907)

    Characterized by decadent themes, brilliant style, and an aesthetic attitude. Notable works include Cenizas (1899) and El Marqués de Bradomín (1906).

  • Transition: Mythic Cycles and Farce (1907-1920)

    Features characters of every kind and condition, exploring basic instincts and passions. This period includes the violent Comedias Bárbaras (1907-1922) and Divinas Palabras (1920). His farces present grotesque and cartoonish characters as ridiculous puppets and marionettes, exemplified by La Marquesa Rosalinda (1912) and Farsa y licencia de la Reina Castiza (1920).

  • Esperpentismo (From 1920 onwards)

    The culmination

... Continue reading "Spanish Theater Icons: Valle-Inclán's Esperpento and Lorca's Poetic Drama" »

Catalan Language: A Historical Journey

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A Historical Overview of the Catalan Language

Origins and Early Texts

Catalan, a Romance language, traces its roots back to the ninth century in the Hispania region. The earliest documented Catalan text dates to the first half of the twelfth century. This fragment is from a translation of the Forum Iudicum, also known as the Book of Judges.

The Influence of Troubadour Poetry

Flourishing from the Atlantic to the Mediterranean, and from central France to the Pyrenees, troubadour poetry, primarily composed in Occitan (or Provençal), significantly impacted Catalan literature. The dominant genre was the canso (song). Other notable genres included the planh (lament for the deceased), the sirventes (satirical composition targeting rivals), and the canso

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Spanish Language and Literature: A Historical Journey

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Predicative Sentences

Transitive

The action the subject performs falls on the direct object.

Intransitive

The action is not performed by the subject, and there is no direct object.

Reflexive

The action is performed on oneself.

Reciprocal

The action is performed one to another.

Origins of Our Language

The language has a lexical basis and is a Romance language.

Pre-Roman Substrate

The influence of languages present before the arrival of the Romans (Celts, Iberians, etc.).

Germanic and Arabic Superstrate

After the fall of the Roman Empire in the 5th century, invasions by Germanic and Arab peoples occurred.

Adstrate

The influence of neighboring languages.

Patrimonial Words

Words that have evolved within our language.

Indo-European Family

  • Romance Languages (Catalan,
... Continue reading "Spanish Language and Literature: A Historical Journey" »

Spanish Theater Evolution: From Postwar to 1975

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Trends in Spanish Theater After 1936

The consequences of the war were felt deeply in the Spanish theater. Some authors died, such as Valle-Inclán and Lorca, while others were exiled, including Max Aub and Alejandro Casona. Furthermore, we must take into account the commercial and ideological constraints of the time; only works with guaranteed success were assembled, while adhering to the strict limits imposed by censorship. These circumstances explain why the atmosphere was not propitious for renewal.

Postwar Theater: Two Distinct Lines

During the early postwar decades, two lines of theater developed:

  • Commercial Theater: Dominates the stage, focusing on fun and inconsequential entertainment.
  • Underground Theater: Limited to experimental, minority
... Continue reading "Spanish Theater Evolution: From Postwar to 1975" »