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Renaissance Transformations: Celestina, Petrarch, and Spanish Poetry

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Renaissance Transformations in the Iberian Peninsula

During the fourteenth and fifteenth centuries, profound changes occurred in the Iberian Peninsula, transforming our understanding of the world. The fifteenth century marked the transition from the Middle Ages to the Early Modern period. These transformations were political, economic, social, and cultural. In this century, a desire for knowledge of the classical world of Greece and Rome awakened, resulting in the stream of thought called Humanism.

La Celestina, written in the late fifteenth century by Fernando de Rojas, tells the love story that takes place in an unnamed city. The plot unfolds as follows:

  1. Infatuation of Calisto: Calisto, a young knight, falls for the beautiful Melibea.
  2. Appeal
... Continue reading "Renaissance Transformations: Celestina, Petrarch, and Spanish Poetry" »

The Life and Work of Juan Ramón Jiménez: A Poetic Journey

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Juan Ramón Jiménez
The life and work of JRJ will form part of our Noucentisme Gde1914.
Your personality: he was egocentric and hypersensitive. He sought solitude, reflection, and a quiet life.
From a young age, he knew that his fate was indisputably linked to poetry, to the relentless pursuit of beauty and knowledge through words. JRJ always believed poetry was a minority genre due to the difficulty of language. His work is not as easy to read; its conceptual density grows and becomes inscrutable as it progresses.
Poetic Path
There are several Juan Ramón Jiménezs that correspond to different evolutionary phases of his writing.

1. The Sensitive Period (1986-1915)

Obsession with death inspired his best poetry; he tried to shoo it away with... Continue reading "The Life and Work of Juan Ramón Jiménez: A Poetic Journey" »

Spanish Literary Currents: Generation of '98 and Novecentismo

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The Generation of '98: Themes and Style

In the early 20th century, Spanish narrative production, particularly the novel, was dominated by the novelists of the Generation of '98. They protested against the decadent customs of Spanish society and proposed a total renovation. Furthermore, they defended subjectivism, contrasting with the faithful reproduction of reality favored by 19th-century realist authors.

Predominant themes include:

  • The 'Problem of Spain': focusing on the Castilian landscape, the history of the anonymous individual and daily life (what Unamuno called 'intra-history'), and literature itself. They admired medieval authors like Berceo and Manrique, and classics such as Góngora, Cervantes, and Larra.
  • The Existential Issue: concern
... Continue reading "Spanish Literary Currents: Generation of '98 and Novecentismo" »

Literary Influences and Topics of the 15th Century

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Literary Influences of the 15th Century

  • Influence of Provençal Literature
  • Themes of Courtly Love
  • Influence of French Literature: Chivalry Novels
  • Influence of Italian Humanism
  • Allegorical and Rich Poetry, Romances, and Drama
  • Influence of Classical Literature: Imitation of Authors and Numerous Translations
  • Pre-Renaissance Literature

Noble Courtesans

Participation and dedication in many aspects of life and art. Notable figures include M. Santillana and Jorge Manrique.

Individualism

A collective anxiety disappeared as the courtly gentleman took precedence.

Obsessive Focus on Death

Dances of Death (Macabre) where death appears indiscriminately.

Shift from Anonymity

Reaffirmation of authorship.

Evolution of Purpose

Didactic purpose gives way to literature presented... Continue reading "Literary Influences and Topics of the 15th Century" »

Reality vs. Poetry in The House of Bernarda Alba

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Reality and Poetry in The House of Bernarda Alba

Many features and notes are taken from reality. In the first act, a surprisingly vulgar and prosaic scene comes in a conversation where Poncia is eating bread and sausage. Other elements of a realistic character in this first act are the beggar who comes to beg, the tolling of the bells for the death of Bernarda's husband, the arrival of the notary to read the will, and the story of Adelaida's father. In the second act, the realistic details are reduced, but we can still see the image of women sewing, the declarations of love, the visit of the man selling lace, the songs of the reapers, the sultry color, the episode of the portrait, and the lynching of Librada's daughter. In the third act, realism... Continue reading "Reality vs. Poetry in The House of Bernarda Alba" »

Francisco de Quevedo: Life, Themes, and Style

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His Work

Most of his work (1648) was published in The Spanish Parnassus. A nephew published other poetic texts in 1670, but also with various disorders.
The abundant poetry is often grouped according to themes: philosophical, moral, religious, loving, satirical-burlesque, and serious poems. His Baroque style typically addresses issues such as death, the brevity of life, the fleeting nature of time, censorship of various defects, or deception, usually from a perspective that merges Neostoicism. His Christianity and love poetry are impregnated with Petrarchan and Neo-Platonism, though often the ideal love is marred by death. The satirical-burlesque poems clearly demonstrate his capacity for wit and linguistic ingenuity. The objects of his satire
... Continue reading "Francisco de Quevedo: Life, Themes, and Style" »

Spanish Post-Romanticism: Castro & Bécquer's Legacy

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Spanish Post-Romanticism: A Literary Movement

In the second half of the nineteenth century, the influence of German poetry, with its rhythmic qualities and popular lyrical resources, arrived in Spain. This culminated in the movement known as Post-Romanticism, characterized by an intimate poetry that expressed deep emotions and feelings, often reflecting on nature.

Rosalía de Castro (1837-1885)

Born in 1837 in Santiago de Compostela, Rosalía de Castro possessed a melancholic personality and moved within prominent literary circles, where she met Gustavo Adolfo Bécquer. She died in 1885, having played a key role in the development of Galician literature.

Major Works by Rosalía de Castro:

  • Cantares Gallegos: Written in Galician, this collection uses
... Continue reading "Spanish Post-Romanticism: Castro & Bécquer's Legacy" »

Celestina: A 1499 Tragicomedy by Fernando de Rojas

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Celestina: A 1499 Tragicomedy

Publication History

Celestina was published anonymously in 1499 as the Comedy of Calisto and Melibea, consisting of 16 acts. It was reissued a year later with a preliminary text revealing the author's name, Fernando de Rojas. Rojas claimed to have found Act 1 written by an unknown author and continued the work. In 1502, it was printed with new developments and titled Tragicomedy of Calisto and Melibea. This is the definitive text, later renamed La Celestina.

Genre and Style

Celestina is a dialogue work of considerable length. Some consider it a play, while others believe it is a dialogue novel. Traits such as free treatment of space and time, dramatic scenes, and parallel character design suggest it is more of a novel... Continue reading "Celestina: A 1499 Tragicomedy by Fernando de Rojas" »

Renaissance Spanish Literature: An Overview

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Renaissance Spanish Literature

Didactic Prose

Works by authors like Hermanos Valdés explored educational themes common in Renaissance literature.

Miscellaneous

Varied subjects with didactic purposes are seen in works preceding the trial, including those by Juan Huerta de San Juan, Fray Antonio de Guevara, and Melchor de la Cruz.

Historiography

This involves the study of historical writings, their sources, and authors dealing with these matters. Mariana aimed to present...

Lazarillo de Tormes

This 1525 composition, with an unknown author, is an autobiographical novel in letter form. It features a foreword and seven treatises. The first three treatises, and the fourth, focus on Lázaro's personality and social climbing. By the seventh, he achieves... Continue reading "Renaissance Spanish Literature: An Overview" »

Joanot Martorell's Life and the Masterpiece Tirant lo Blanc

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Joanot Martorell: Life, Legacy, and the Birth of a Masterpiece

The Author's Troubled Life

While the exact circumstances surrounding the completion of Tirant lo Blanc remain debated, it is believed that the manuscript, perhaps unfinished at the time of Joanot Martorell's death in 1468, passed into the hands of Martí Joan de Galba, who seemingly completed its revision. Martí Joan de Galba, a friend of Joanot Martorell, may have received the manuscript from the author, perhaps due to Martorell's severe financial difficulties.

Joanot Martorell was born in Gandia, the son of a noble family. Educated as a courtly knight, he read extensively while learning to fight, aspiring to be a perfect gentleman even as the era of chivalry had long entered a crisis.... Continue reading "Joanot Martorell's Life and the Masterpiece Tirant lo Blanc" »