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Medieval Spanish Literature: Lyric, Narrative, Prose

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Traditional Lyric

Traditional lyrics were sung and danced to. They were anonymous and their main theme was parallelism. They were simple.

  • Alba: Songs at dawn, about the beloved woman.
  • Songs of Mowing: Songs sung by workers during their workday.
  • Serranillas: Lyrical and narrative compositions in verse, singing of the meeting with a loving *serrana* (mountain woman).
  • Villancicos: Songs with rhyme that began to be sung in churches and were associated with Christmas.

Cult Lyric

Elaborate poetry, they were borne by minstrels.

  • Jarcha: Written in Mozarabic. Loving theme, from a female perspective.
  • Cantigas: Written in the prestigious Galician language.

Alfonso X: Cantigas to the Virgin Mary

420 compositions that tell of the Virgin Mary's miracles. They are divided... Continue reading "Medieval Spanish Literature: Lyric, Narrative, Prose" »

Social Poetry: Celaya, Otero, and Spanish Transformation

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Social Poetry: A Stage of Transformation

2nd Stage (Social Poetry): Gabriel Celaya's "Songs of Iberia" marks the first book of this stage. The author delves into his troubles and metaphysical concerns, finding solidarity with the suffering rather than religion. In his own words, the task is "to demonstrate the tragedy of living brotherhood and then as soon as possible through it." Blas de Otero, influenced by Marxist ideology, conceives poetry as a tool for social change. He addresses the "vast majority," contrasting with Juan Ramón Jiménez's slogan. Like Jiménez, he seeks simplicity of language, though sometimes only apparent, with a desire for accessibility to help transform the world.

The work begins with a quote from Don Quixote, "will

... Continue reading "Social Poetry: Celaya, Otero, and Spanish Transformation" »

Spanish Baroque Literature: Key Authors and Aesthetics

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Spanish Baroque Literary Masters

Luis de Góngora: Poetic Innovation

Luis de Góngora, born in Córdoba in 1561, lived at court in Madrid. A priest, he dedicated himself exclusively to poetry, dying in Córdoba in 1626. He wrote letrillas (humorous popular poems, often octosyllabic). Among his various works were romances and fables, such as Pyramus and Thisbe (1618), a long composition of more than 15 verses. Key poetic characteristics of Góngora include:

  • A tendency towards popular burlesque vision of reality, alongside serious reflection.
  • Grave and serious mythological themes.

His Soledades (silvas) were written with a simple song theme, focusing on natural life, disdain for courtly ambitions, and rural pastoral scenes. Polyphemus and Galatea... Continue reading "Spanish Baroque Literature: Key Authors and Aesthetics" »

Anàlisi Geològica, Meteorològica i Hidrològica a Catalunya

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Secció A: Volcans, Meteorologia i Hidrologia

1.1 Composició Volcànica

  1. CO₂, vapor d’aigua, H₂S, ... (del volcà o en fumaroles)
  2. Les colades de lava estan formades d’una fracció líquida important.
  3. Cendres, bombes, lapil·li (gredes, pedra pòmez...), etc.

2.2 Condicions Meteorològiques i Pressió

Com que els vents vénen del Nord (nord – nord-est, si es vol ser més precís), les temperatures seran fresques o fredes, depenent de l’època de l’any. La pressió atmosfèrica a Catalunya, segons el mapa, és de 1000-1004 hPa (mb).

3.2 Càlcul del Cabal del Riu

Segons el tall de la gràfica, la casa es veu afectada quan l’aigua del riu arriba als 4 metres. Tenint en compte que la llera és de forma triangular, la secció que té el riu... Continue reading "Anàlisi Geològica, Meteorològica i Hidrològica a Catalunya" »

Spanish Generation of '27 Poets: Salinas, Guillén, Diego, Aleixandre

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Pedro Salinas

Pedro Salinas initiated a renovation of poetic language in his efforts to find the essence of things and life experiences. In this sense, he is the highest representative of what is known as "pure poetry." The three basic elements of his creation are: authenticity, beauty, and ingenuity. Salinas was a perfectionist, yet endowed with great sensitivity. He is considered the leading poet of love of his generation.

His work is typically divided into three stages:

  • First Stage (Until 1932)

    Pure poetry under the influence of Juan Ramón Jiménez. Key work: Presagios.

  • Second Stage (Until 1939)

    Poetry of love. His concept of love was anti-romantic, neither tormented nor suffered. Instead, love is presented as an enrichment of life and the individual.

... Continue reading "Spanish Generation of '27 Poets: Salinas, Guillén, Diego, Aleixandre" »

Catalan Literary Evolution: Renaissance to Modernism

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The Renaissance and Baroque Periods

Peter Seraph (1505-1567)

Peter Seraph (1505/1510-1567) was influenced by Ausiàs March during the Renaissance. His Catalan works include two books and 170 poems.

John Smith (Died c. 1603)

John Smith (died c. 1603) fully embraced the traditionally conservative attitude of Ausiàs March. His work is a counter-accord with a movement that sought to restore the Church's moral authority, characteristic of the Baroque period.

Francesc Vicent Garcia (1579-1623)

Francesc Vicent Garcia (1579/1582-1623) is considered the greatest representative of his time, known as the Rector of Vallfogona. His work, influenced by Castilian literature, is humorous and eschatological (referring to excrement). He generated "vallfogonisme,"... Continue reading "Catalan Literary Evolution: Renaissance to Modernism" »

Miguel Hernández's Poetic Legacy: Themes of Life, Love, Death

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Miguel Hernández's poetry consistently explores three major themes: life, love, and death. His Cancionero y romancero de ausencias (Songbook and Ballads of Absences) encapsulates these profound subjects.

Nature in Hernández's Poetry

Hernández was a nature poet from childhood. His early work depicted nature as a living environment, covering landscapes and everyday elements of his modest existence. His poems, often described as modernist in their features, delve into the mystery of creation, attempting to reach the soul of things. He considered himself part of nature, exalting and dignifying even the most insignificant elements, making any element the subject of his verse.

"Perito en lunas": A Góngora-Inspired Work

At this stage, his most significant... Continue reading "Miguel Hernández's Poetic Legacy: Themes of Life, Love, Death" »

16th Century Spanish Literature: Petrarchism, Poetry, Novel

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Petrarchism and 16th Century Humanism

Italian poet **Petrarch** in the 14th century embodies like no other the characters and ideals of humanism. **Petrarchism** is a style or way of writing poetry.

Poetry in 16th Century Spain

There are two main trends in poetry: traditional Spanish and Italianate poetry.

Traditional Spanish Poetry

In the fifteenth century, there existed learned poetry and popular poetry. Popular poetry manifested itself, for example, in the romances. In the sixteenth century, both types of poetry continued, and poetry was widely cultivated. The popular lyric tradition continued throughout the century.

Italianate Poetry

Italianate poetry is another type of educated and innovative poetry that came to dominate in the sixteenth century.... Continue reading "16th Century Spanish Literature: Petrarchism, Poetry, Novel" »

Early 20th Century Spanish Novelists: Humor, Modernism, and Avant-Garde

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Key Early 20th Century Spanish Novelists

This period saw a flourishing of diverse styles, from humor to modernism and the avant-garde.

Writers Focused on Humor

Fernandez Flores: His main interest was the creation of the modern humorous novel in Spain. For him, humor was an attitude towards life, increasingly critical and intellectual (Volvoreta, The Living Forest...).

Ramón Gómez de la Serna: He wrote novels, short stories, and avant-garde theater. However, his most interesting works are the greguerías (humorous lyrical images establishing witty, unusual relationships between two objects or concepts), which he defined as: humor + metaphor.

Modernist Novelists

Gabriel Miró: He presents a special care in his prose. Formed in modernism (Cherries

... Continue reading "Early 20th Century Spanish Novelists: Humor, Modernism, and Avant-Garde" »

Pre-Columbian Art: Mesoamerican & Andean Civilizations

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Pre-Columbian Art in Latin America

Pre-Columbian, or Pre-Hispanic art, encompasses all artistic manifestations of cultures and civilizations that developed in the current Latin American territory before the arrival of European conquerors in the fifteenth century.

Mesoamerican Region

The Mesoamerican region, to the north, occupies what is now Mexico, Guatemala, Honduras, and part of Nicaragua. Here are located the Aztecs and the Mayans, who built pyramids and large patios with writing based on signs that appear in books called codices.

Andean Region

The Andean region, south along the Andes and Pacific Ocean coasts, includes Colombia, Peru, Ecuador, Bolivia, and part of Chile. They raised monumental stone edifices and excelled in ceramics and goldsmithing,... Continue reading "Pre-Columbian Art: Mesoamerican & Andean Civilizations" »