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Góngora and Quevedo: Masters of Spanish Golden Age Verse

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Luis de Góngora: Culteranismo

Culteranismo, or Gongorism, was a poetic style that best captured the Renaissance heritage and idealized beauty. It transformed its subjects and exaggerated its rhetorical resources. Cultured poets used lyric poetry with strong formal contrasts, based on sensory perceptions and rhetorical devices. They endowed verse with beautiful and harmonic expression, offering a vision of the world and thus beautifying reality, escaping it, and trying to create perfect, artificial worlds.

Characteristics of Culteranismo

  • The use of perfect lines and stanzas achieves great musicality.
  • A masterful treatment of metaphor.
  • Cultisms (poetic transformation of rhythmic sound).
  • Heightening of mythological themes.
  • Significant syntactic complication
... Continue reading "Góngora and Quevedo: Masters of Spanish Golden Age Verse" »

Castilian Language: History, Dialects, and Modern Usage

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Castilian: A Romance Language

Castilian is a Romance language derived from Vulgar Latin and enriched with contributions from other dialects and languages. Since its inception, it tended to innovate, distinguishing it from other Iberian languages. Castilian emerged in the north of the peninsula and spread during the Reconquista. Alfonso X greatly contributed to Castilian through linguistic leveling, fixing spelling, and the development of Castilian prose. The invention of printing, the publication of Nebrija's Grammar of the Spanish Language, and the discovery of America expanded Castilian's reach.

Royal Spanish Academy

A growing interest in linguistics and language purity is reflected in the foundation of the Royal Spanish Academy (RAE) in 1714.... Continue reading "Castilian Language: History, Dialects, and Modern Usage" »

Unraveling the Trojan War: Causes, Heroes, and Mythology

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Mythological Origins of the Trojan War

The Trojan War, from a mythological viewpoint, began with the abduction of Helen, wife of Menelaus, King of Sparta. Her abductor, Paris, son of the King of Troy, was madly in love with Helen. She had been promised to the Trojan prince by Aphrodite, after he proclaimed her the most beautiful of the immortal goddesses.

Menelaus, the outraged husband, summoned his allies and attacked Troy. Other Greek leaders and Achaeans, who had been suitors of Helen, had pledged an oath to defend Menelaus's honor if it were ever offended.

Historical Context of the Trojan War

From a historical viewpoint, the conflict's primary source was commercial and economic. Greece (specifically Argolis) was located in a region characterized... Continue reading "Unraveling the Trojan War: Causes, Heroes, and Mythology" »

Antonio Machado: Life and Poetic Stages

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Antonio Machado: Biography

Born in Seville in 1875, Antonio Machado moved to Madrid. He attended the Institución Libre de Enseñanza starting in 1889. He first traveled to Paris, where he met Symbolist poets. In 1907, he published his first book, Soledades, Galerías y Otros Poemas. He moved to Soria, where he met Leonor Izquierdo; they married two years later. In 1912, he published his second major work, Campos de Castilla. That same year, his wife died, and he fell into a depression. Afterward, he went to Jaén, where he lived with his mother. His final poetic work was titled Nuevas Canciones. He died in France in 1939.

First Poetic Stage

Symbolist Poetry and Art Nouveau

Key Aspects:

  • Work: Soledades, Galerías y Otros Poemas
  • Themes and Purpose:
... Continue reading "Antonio Machado: Life and Poetic Stages" »

Spanish Modernism: Literary Movements and Influences

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Modernism

Modernism, a poetic movement, was introduced by Rubén Darío, heavily influenced by the French Symbolists, including Verlaine and Mallarmé.

Rubén Darío came to Spain as an American delegate during the Colombian centenary celebrations. By this time, he had achieved success with his poetry collection, Azul. After living in Paris, where he was influenced by symbolist writers, he adapted their styles to Castilian. He wrote Prosas Profanas. Upon his return to Spain in 1899, he was already considered a master by young Spanish writers, who were captivated by the magical sound of his verse.

Rubén Darío sparked a genuine renewal in Spanish literature, incorporating symbolic forms, contrasting with the realistic art of the Restoration writers,... Continue reading "Spanish Modernism: Literary Movements and Influences" »

Spanish Golden Age Novels: Types and Key Examples

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Spanish Golden Age Novels

The Idealistic Novel: The most abundant during the Renaissance, it tells the story of heroes in unrecognizable landscapes and among idealized people.

The Byzantine Novel: Also known as a novel of adventures. It recounts adventures that take place during a typical journey, often involving travel by boat to discover small islands and exotic landscapes. This novel represents a journey where a young protagonist must deal with multiple disabilities and handicaps. Key themes include pirates, storms, islands, and abduction.

The Pastoral Novel: Constitutes a journey where characters travel in search of happiness. Two types of actions are distinguished: one internal and slow, and another made up of stories of past shepherds. The... Continue reading "Spanish Golden Age Novels: Types and Key Examples" »

Garcilaso de la Vega: Life, Love, and Poetic Legacy

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Garcilaso de la Vega: A Renaissance Poet

Early Life and Influences

Garcilaso de la Vega, born in Toledo in 1501, was the quintessential Renaissance man, skilled in both arms and letters. He married Doña Elena de Zúñiga. However, his encounter with Isabel Freyre ignited a passionate and inspiring love that would deeply influence his poetry. This love was unrequited, as Isabel married another man and tragically died young in childbirth. Garcilaso's travels to Italy exposed him to the new poetic styles of the time, further shaping his work.

Poetic Evolution

Garcilaso's poetic journey can be divided into three stages:

  • Traditional Cancionero Poetry: Initially, Garcilaso cultivated a traditional style of poetry known as "cancionero".
  • Petrarchan Influences:
... Continue reading "Garcilaso de la Vega: Life, Love, and Poetic Legacy" »

Spanish Golden Age Poets: Themes, Styles, and Key Works

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Spanish Golden Age Poets: Themes and Styles

Garcilaso de la Vega

Poetic Themes and Evolution

  • Love, often expressed with melancholy and sadness due to frustration or unrequited feelings.
  • Connection between love and nature, relating to the locus amoenus theme, reflecting the inner world as a poetic refuge from pain.
  • Other themes include friendship, fate, fortune, and the mastery of passions.

Stylistic Development

  • Early Petrarchan poems show influence from cancionero lyric and the Valencian poet Ausiàs March, characterized by a more intense and dominant use of traditional lyric resources.
  • From 1532, increased contact with Petrarchan poetry led to the incorporation of classical genres like the ode, elegy, epistle, and eclogue into his work.

The Eclogues

Garcilaso'... Continue reading "Spanish Golden Age Poets: Themes, Styles, and Key Works" »

15th Century Castilian Lyric & Epic Poetry

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15th Century Castilian Lyric

Cultured 15th-century lyric themes:

  • Love: Often portrays a lady and gentleman maintaining a relationship of worship and servitude, mirroring feudal structures. At times, it departs from Provençal models and imitates traditional songs.
  • Society: Becomes a central focus during this time of crisis, serving as the subject of satire, mockery, and criticism of customs. The tradition of songs of derision or *maldizer* continues.
  • Death: Presented as the sole equalizing power in a world of crisis. Death comes to everyone, and no one escapes it.

Most used forms:

  • Song: The 15th-century song is characterized by a head or nickname that develops over 2 or 3 stanzas with a loving expression.
  • Saying: Related to the ballad of derision,
... Continue reading "15th Century Castilian Lyric & Epic Poetry" »

Classical Deities and Latin Vocabulary

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Classical Deities and Attributes

Zeus / Jupiter:
sovereignty over all the universe. Crown, Eagle, ray, scepter.
Poseidon / Neptune:
sovereignty over the waters. Crown, trident, chariot and hippocampus, newts, trident, dolphin.
Hera / Juno:
Queen of Olympus, protector of marriage and parties. Crown, scepter, peacock, pomegranate.
Hades / Pluto:
sovereignty over the subterranean world. Chariot + black horses, ivory throne, scepter, horn of abundance.
Demeter / Ceres:
protector of agriculture. Ear of wheat, sickle, torch.
Athena / Minerva:
protector of intelligence, some arts (philosophy, literature, and crafts) and war (for justice). Helmet, spear, Aegis, armor, owl, olive, winged victory.
Hestia / Vesta:
protector of the family, home, and State. Flame of
... Continue reading "Classical Deities and Latin Vocabulary" »