Notes, summaries, assignments, exams, and problems for Arts and Humanities

Features and Reflection of Esperpento in Bohemian Lights

The birth of absurdity occurs in 1920 with the publication of Bohemian Lights, which is the culmination of Valle-Inclán's art, encompassing themes, characters, settings, and style. The author defines his aesthetic through three texts derived from Bohemian Lights and an interview. The essence of this art lies in the point of view; the basis of the 'esperpentizador' process is distance, the strangeness of vision that is scornful, merciless, and inhuman. Absurdity does not try to reproduce the real world but rather presents a grotesque distortion of reality that cannot be reflected rationally. In Valle-Inclán's case, the goal is to present a distorted reality to characterize the distortion,... Continue reading "Esperpento in Bohemian Lights: Features and Reflection" »

Goya's Notable Works: Darkness and Social Commentary

The Third of May 1808

The Third of May 1808 (1814), oil on canvas, is in the Prado Museum. It is a history painting. The composition is organized based on illumination, with a clear dramatic function. It symbolically separates the illuminated area, where convicts wait to be shot, and the penumbra area, where soldiers are aligned. In the illuminated area, one of the condemned seems to absorb all the light, with strong expressive and symbolic meaning. The military platoon forms a closed diagonal.

Goya put all the elements in the service of expression. He reduced the color gamut, enhancing the drama, and intensified the climax, glimpsing through the language of the hands. Made in 1814, it was painted... Continue reading "Goya's Masterpieces: Darkness and Social Commentary" »

1. Historical Context

This exempt group sculpture, known as the Sarcophagus of the Spouses, was carved in 520 BC (sixth century BC). The artist is anonymous and belongs to the Etruscan style. The Etruscan civilization developed in mainland Italy, specifically the region of Tuscany, between the 10th and 1st centuries BC. It had an oriental origin and brought together the cultural and artistic traditions of the civilizations of the Mediterranean and the Middle East. Etruscan art was deeply marked by religious beliefs, seeking to obey the will of their gods in order not to fall into disgrace. As in Egyptian and Mesopotamian civilizations, the Etruscan people gave great importance to life after death. For this reason, it was usual to perpetuate... Continue reading "Etruscan Art: The Sarcophagus of the Spouses" »

Realism in Spanish Literature: The Narrative Genre

The narrative genre, a cornerstone of literary realism, was the most cultivated form for meticulously describing the reality examined by writers of the era. It is characterized by its profound credibility, presenting stories with authentic facts, characters, and settings that feel significant and genuine.

Key Characteristics of Realist Narrative

• Authentic Characters: Portrays real, everyday individuals, with in-depth analysis of their personalities and behaviors to understand their actions.
• Social Commentary: Addresses rampant collective character (e.g., the feminine), social issues, and conflicts within society, framed by specific time and space.
• Narrative Techniques: Frequently employs in medias

The Impressionism Art Movement

Context of Impressionism

• Mid-19th Century: A transition from Realism to Impressionism.
• It was a time of significant change:
  • Economically: The Industrial Revolution and Imperialism (notably in London).
  • Politically: France (Paris) became a central hub.
• France emerged as the epicenter of this new artistic movement.
• The bourgeoisie remained a significant social and economic force, influencing art patronage and consumption.

Introduction to Impressionism

• The movement began around 1863. The Industrial Revolution brought new technologies, including photography, which challenged traditional painting and prompted artists to explore new approaches.
• Painters produced works that were often not commissioned by traditional patrons, fostering

Problems of Literary Translation

1. Concepts

Solipsism Linguistico:

The position that, even within the same language, all true communication is impossible.

Connotation:

Plurality of representations.

Multiple Meanings:

The word carries multiple dimensions of character semantics, both diachronic and synchronic. In the first, multiple meanings result from the history of words, reflecting the richness of meaning that oral and written traditions have accumulated. In the second, the literary word possesses plurivalent dimensions, particularly due to its conceptual relationships, imaginative qualities, and rhythmic connections with other elements of the context in which the writer operates.

2. Concept of Literary Work

A work of art where the expressive... Continue reading "Understanding Challenges in Literary Translation" »

Understanding Communication and Language Fundamentals

• Communication: The process by which an issuer transmits a message to a receiver.
• Sign: A symbol that suggests the idea of something else.
• Language: The faculty that allows humans to communicate with one another through the use of oral signs.
• Concrete Language: A specific language shared by a community of speakers.
• Signifier: A set of sounds or written form that expresses a concept.
• Meaning: The associated idea or concept that a signifier represents.

Elements of Word Structure

• Root: The basic meaning of a word.
• Desinence: An ending added to the end of a word to build a different form of that word.
• Affix: A morpheme connected to the root to form a different word.
  • Suffix: Placed after the root.
  • Prefix:

Structural Arrangement of Madame Bovary

This piece is divided into ___ lines. The first corresponds to ___, the second to ____, and the last corresponds to the end ___.

Book Structure: Three Parts

The book is divided into three parts:

The First Part

This part consists of nine chapters. It begins with Charles's early life, including his childhood and studies, and how he married his first wife. Also in this first part, Emma, the daughter of one of Charles's patients, meets him. Charles falls in love with Emma, and after his first wife dies, he marries her. The first part concludes with their marriage and move to Tostes.

The Second Part

This part consists of 15 chapters and begins when they move, detailing Emma's frustration with her marriage. She yearns... Continue reading "Literary Analysis: Madame Bovary & Hamlet Structure" »

Pedro Calderón de la Barca: Dramatic Genius

The dramatic production of Pedro Calderón de la Barca includes more than a hundred works. To this number must be added his autos sacramentales (morality plays) and mythological or religious dramas.

Key Themes and Works in Calderón's Drama

Calderón's extensive repertoire can be categorized by theme:

• Spanish History and Legend: The Mayor of Zalamea (El alcalde de Zalamea).
• Swashbuckling Plots (Comedies of Intrigue): House with Two Doors Is Difficult to Guard (Casa con dos puertas, mala es de guardar); The Phantom Lady (La dama duende).
• Philosophical Dramas: Where the idea matters more than the action: Life Is a Dream (La vida es sueño).
• Honor and Jealousy: A Secret Grievance, Secret Revenge (A secreto

Narrative and Theatrical Dialogue: Forms and Techniques

1) Narrative Dialogue in the Novel

The narrative dialogue: In narrative prose, especially the novel, narrative dialogue appears when the author introduces the characters' words into the relato, combining dialogue or monologue with the narrative. Dialogue or monologue is inserted into the narrative in the form of direct speech, which reproduces the exact words the characters say.

The narrator can explain or indicate who is speaking and how they speak through language and thought verbs (for example: answer, reply, accept, etc.). The usual typographical resources to introduce a character's words are quotation marks or dashes.

In the form of indirect speech, the narrator summarizes the characters'... Continue reading "Narrative and Theatrical Dialogue: Types and Techniques" »