Spanish Literary Eras and Poetic Techniques

Classified in Music

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Spanish Literary Periods and Key Authors

Golden Age (Siglo de Oro)

  • Garcilaso de la Vega
  • Santa Teresa de Jesús
  • Fray Luis de León
  • San Juan de la Cruz
  • Luis de Góngora
  • Lope de Vega
  • Francisco de Quevedo

Romanticism

  • José de Espronceda
  • Gustavo Adolfo Bécquer
  • Rosalía de Castro

Modernism

  • Rubén Darío
  • Antonio Machado
  • Juan Ramón Jiménez

Generation of '27

The Generation of '27 was a group of Spanish poets who gathered in that year to commemorate the death of the Baroque poet Luis de Góngora.

  • Vicente Aleixandre
  • Jorge Guillén
  • Luis Cernuda
  • Gerardo Diego
  • Rafael Alberti
  • Federico García Lorca
  • Miguel Hernández

Contemporary Poetry

  • Blas de Otero
  • Gabriel Celaya
  • Pablo Neruda

Essential Poetic and Rhetorical Devices

Phonic Resources

  • Alliteration: Repetition of one or more sounds to imitate a sound reality. Example: 'Moltes s' (many 's' sounds)
  • Onomatopoeia: Words or expressions that imitate a sound.
  • Paronomasia: Placing two phonetically similar words next to each other. Example: 'boyfriend steer' (original example, likely a mistranslation)

Morphosyntactic Resources

  • Anaphora: Repetition of a word or group of words at the beginning of a verse or clause.
  • Parallelism: Repetition of the same syntactic structure.
  • Polysyndeton: Repetition of unnecessary conjunctions.
  • Asyndeton: Absence of conjunctions.
  • Ellipsis: Deletion of one or more words that may be implied by the reader.
  • Pun: A play with the syllables of a word or two contiguous words that leads to a different word or meaning. Example: 'Lopico, the peak' (original example, likely a mistranslation)
  • Polyptoton: Repeating the same word in different grammatical forms.

Semantic Resources

  • Antithesis: Opposition of words or statements with contrary meaning. Example: 'that which is short and that which is long'
  • Paradox: A seemingly contradictory expression that, however, makes sense.
  • Hyperbole: Excessive and improbable exaggeration.
  • Personification: Allocation of animate qualities to inanimate beings.
  • Irony: Affirmation of an idea by expressing the opposite idea.
  • Simile: A comparison between two realities that bear a relationship of resemblance.
  • Metonymy: Designation of an object with the name of another with which it bears a relationship of contiguity or proximity.

Notes on Specific Authors and Movements

Garcilaso de la Vega

  • Sonnet: An Italian stanza formed by 2 quatrains and 2 tercets.
  • Galatea symbolizes Elisa Isabel Freire. Salicio and Nemoroso (pastores) symbolize the author.

Fray Luis de León

  • Lira: A specific stanza form.
  • Key Topics: Exaltation of virtue, mastery of the passions, and the concentration of universal harmony created by God through a musician.
  • Literary Topoi:
    • Locus Amoenus: A perfect, pleasant place.
    • Beatus Ille: 'Happy is he' (a theme praising rural life).
    • Tempus Fugit: 'Time flies' (a theme on the fleeting nature of time).
    • Carpe Diem: 'Seize the day' (a theme encouraging living in the present moment).

Romantic Mentality

  • Individualism: Art and literature become a manifestation of the self.
  • Key Characteristics: Defense of freedom, idealism, nationalism, exoticism, and a rebellious spirit of youth.

Bécquer's Rimas

  • Themes: Poetry and poetic inspiration, hopeful love, failure and disappointment in love, loneliness, and death.
  • Style: Simple style; poetry should deal with intimate issues.

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