Renaissance Characteristics, Lyric Poetry and Key Figures
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General Characteristics of the Renaissance
A) Exaltation of the Classical World
Recovery of Greco-Roman culture (mythology, the classical canon of beauty, proportion, balance, naturalness, etc.).
B) Anthropocentrism and Individualism
- Anthropocentrism and individualism. A sense of security and self-assertion.
- Man considered the greatest achievement of creation; above nature in his dignity.
C) The Nature of Man
The nature of man: a critical and rational look toward nature.
D) Religious Spirit
- Counter-Reformation and new approaches emerge that renew religious spirit and behavior.
- Free interpretation of the Bible and challenges to papal authority.
- Protestant Reformation. The Church responds with the Council of Trent; the Counter-Reformation emerges.
- Erasmus — calls for reform and moral renewal in the Church.
- Thomas More (Tomás Moro) — religious renewal and nonconformity in conscience.
- Juan Luis Vives (Luis Vives) — his work relates to reformist currents and humanist education.
E) Neoplatonism and Love
- Neoplatonism: a cosmic force that drives the union of beings so they can achieve perfection and approach a divinity.
- The mission of man is to discover the beauty hidden in nature (landscape, the human body, etc.).
- Dialogues of Love (León Hebreo).
F) Renaissance Man
- Man as curiosity: intellectual culture of the person and vitalism.
- He wants to know everything and to live intensely.
- Figure of the courtier: Baldassare Castiglione (the ideal courtier).
- His behavior is governed by ethics.
The Renaissance Lyric
Models: Petrarch and classical poets such as Virgil, Horace and Ovid.
Themes: Love, patriotism and religion.
This Renaissance poet looks again to the past. The soul is full of melancholy when remembering the beloved.
- Locus amoenus.
- Virgin, pastoral nature and the pastor-lovers motif.
- Bucolic landscapes: Eclogues of Virgil and the eclogue tradition.
- The Arcadian and other Arcadian references.
New Forms of Spanish Poetry
- Renewal of themes and the use of heroic verse forms and heptasyllables.
- Verse forms: silvas and estancias.
- Major stanza in cultured Renaissance lyric: the Renaissance sonnet.
- Romance as a popular verse form.
- Genres: eclogue, ode, epistle and song.
Garcilaso de la Vega
- Began his career with poetic eclogues and courtly love songs.
- From 1526, he was influenced by Petrarchan models.
- His body of work, quite short: 3 eclogues, 2 elegies, a letter, 5 songs and 38 sonnets.
- Love is the main theme of his work. His beloved: Isabel Freire.
- Carpe diem motif appears in his poetry.
- Musicality is a defining feature of his verse.
- Soft, metaphorical language, full of melancholy and feeling.
- Elegance and selectivity of diction; passion and melancholy lyricism characterize a musical and heartfelt poetry.
- Followers of Garcilaso: Hurtado de Mendoza, Hernando de Acuña and Gutierre de Cetina.