Renaissance Art in Italy: Key Concepts and Styles

Renaissance and the classical antiquity in Italy, fifteenth century. In Italy, medieval art did not carry over. Classicism was always present. The rebirth is an Italian art movement that stretches across Europe. It is difficult to locate the styles, as in Flanders in the fifteenth century arose a school different from the medieval. Van Eyck, linked to cultural Renaissance humanism, brought a new idea: anthropocentrism versus theocentrism. This movement recovers classical culture, which was replaced by the church's essence. From the economy, establishing the urges, which sponsors make us part of the political creation of new nation-states, divided into small regions. Florence, Italy, and Rome in the XV and XVI centuries saw the anonymity disappear as great geniuses of art arose. Considered socially educated men, they appreciated genius. Treatises were written in the arts during the cinquecento and quattrocento periods of the fifteenth and sixteenth centuries. The end of the Renaissance led to mannerism.

Sfumato: Painting with blurred and diffused edges is the great creation of pictorial techniques by Leonardo da Vinci. This technique consists of the line and enveloping all in a mist that softens the image. The Mona Lisa is a prime example of this technique.

Tondo: A circular recess for pictures, such as the Doni Tondo from the XVI century.

Mannerism: A style that characterizes the transition from Renaissance to Baroque painting, featuring serpentine lines and soft shoulders and hips. This style emerged from 1520 to the end of the century.

Perspective: The technique of representing objects on a surface so that they appear as they do in reality. Various types of perspective include linear, aerial, and foreshortening.

Pilaster: A pillar attached to bases and capitals, with a column behind it known as a retropilastra, as seen in the Pantheon.

Ground: A drawing of a play performed in horizontal section. Craft carriers appear vain, and with this, we know the type of building, such as Santiago XII.

Pillar: A right foot free of polygonal section, providing more strength than the spine, but is the square basic. This appears in the cruciform Romanesque and Gothic styles, but does not adapt to computers.

Grutesque: A decorative reason based on fantastic plant and animal beings intertwined. The Renaissance often features torsos or heads formed by animal and plant elements, as seen in the University of Salamanca from the XVI century.

Padding: A masonry treatment where the visible face of the stones is carved to create a cushioned appearance. The joints are recessed to give a feeling of relief, typical of the Renaissance style seen in the Palacio of Carlos V in Granada from the XV century.