Manipulating Perception: The Use of Flashbacks in 'Laura'

'Laura' (Otto Preminger, 1944) is a mystery film and a clear example of how the temporal structure of the plot can affect the construction of the characters. The main purpose of this essay is to analyze the use of flashbacks in 'Laura' as a way to manipulate the viewer's opinion of Waldo (Clifton Webb), making us think that he is innocent when he is not.

The Power of Flashbacks

Flashbacks are often used to recount past events, but in this case, they are used to manipulate the viewer's minds and make them think differently. The syuzhet will also play an important role in this film to achieve this purpose. From the very beginning of the story, Waldo is introduced as one of the main characters, along with Mark McPherson and Laura, making us identify with him. It is also vital that the film begins with Waldo narrating the story, which also contributes to making us think he is innocent since the first time we see him. Then, we get to know Shelby Carpenter, who is one of the murder suspects, and we distrust him as he says and does things that make the viewer think he has killed Laura.

The Revelation

After visiting some places, we arrive at a scene in a restaurant with Waldo and McPherson. It is here that a series of flashbacks are used to tell Waldo's alibi, with Waldo himself as the narrator. Although these flashbacks make the viewer think that Waldo is innocent, we also discover his true nature - narcissistic and manipulative, wanting Laura only for himself. Despite this, the viewer still suspects Carpenter as the murderer, mainly because of his suspicious behavior, lying to McPherson, and manipulating murder evidence.

A Twist in the Tale

But then, everything changes. We discover that Laura is not dead and that it was Diana who had been murdered. It is now when the spectator is confused - everything that we believed was wrong. Everyone is shocked when they see Laura alive, from the spectators to Waldo, who even passes out. Just after Waldo wakes up, we see him more aggressive than before, accusing Carpenter of having killed Diana and showing his true face.

The Power of Subjectivity

It is common to use flashbacks as a device to tell stories, but what is really interesting is how they can also be used to manipulate the spectator's mind. Flashbacks are subjective, and it is this that makes us identify with Waldo, so we would not suspect him. The syuzhet has an important role as it is arranged specifically for this purpose, as well as the use of Waldo as an unreliable narrator.