Major Art Movements and Influential Painters
Classified in Arts and Humanities
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School Painters of Caracas
Luis Alfredo López Méndez (1901 - 1996)
Works: Flowers
Marcos Castillo (1897 - 1966)
Work: Still Life with Whiskey Bottle
Pedro Ángel González (1901 - 1981)
Work: The Chair of Caracas
Rafael Ramón González (1894 - 1975)
Works: ??
Elisa Elvira Zuloaga (1900 - 1980)
Works: Caracas Landscape and Trees
Impressionism
Emerging in 19th-century Europe, primarily France, Impressionism is broadly characterized by its attempt to capture light and the fleeting moment, regardless of the identity of the subject.
Impressionist Painters:
Claude Monet (1840 - 1926)
Works: Impression, Sunrise and Regatta at Argenteuil
Edgar Degas (1834 - 1917)
Work: Dancers Waving
Camille Pissarro (1830 - 1903)
Work: The Shepherdess
Pierre-Auguste Renoir (1841 - 1919)
Works: The Swing
Pointillism
- Created by Georges Seurat.
- Based on decomposing images into small dots of pure color, which optically blend to create the desired visual effect.
Post-Impressionism
This term encompasses various personal styles, seen both as an extension of Impressionism and as a rejection of its limitations.
Paul Cézanne (1839 - 1906)
Works: Boy in a Red Waistcoat
Vincent Van Gogh (1853 - 1890)
Works: Self-Portrait and The Night Cafe
Paul Gauguin (1848 - 1903)
Works: Women of Tahiti
Expressionism
Expressionism is an artistic movement that emerged in Germany. It is seen as an intensification or distortion of reality to adequately express the values intended to be highlighted.
Fauvism
Fauvism sought the expressive power of color, applying hues that differed from those seen in reality.
Cubism
Cubist painting often consists of "little cubes," lacking a sense of depth, with details frequently omitted.
Pablo Picasso (1881 - 1973)
Works: Harlequin and Guernica
Surrealism
Surrealism uses images to express emotions, often without following logical reasoning.
Pop Art
Pop Art utilizes images taken from popular culture and media. It contrasts with the perspective of Fine Art by removing material from its original context, isolating the object or combining it with other elements for contemplation.