Goya's Tapestry Cartoons: Unveiling Spanish Neoclassical Art

Goya's Tapestry Cartoons: A Glimpse into Spanish Life

Vendimia (The Grape Harvest)

This piece, created during the last third of the 18th century, showcases Goya's work for the Royal Tapestry Factory. It depicts a bourgeois family, likely landowners, observing their employees during the grape harvest (vendimia). The graceful brushstrokes capture the customs of the time, with the figures elegantly dressed.

The Parasol

Also from the late 18th century, this cartoon captures a scene in the Madrid countryside. Goya's graceful brushwork is evident, creating a sense of movement, perhaps even wind.

Children in the Field

This piece, dating to the last third of the 18th century, belongs to the tapestry factory stage of Goya's career. It showcases the grace and customs of the neoclassical era, rendered with delicate brushstrokes.

The Burial of the Sardine

This work signifies the end of Carnival before the start of Lent. The image is full of revelry and excess. Carnival, a pagan festival, was even prohibited during the Franco dictatorship in Cádiz. This cartoon was created for the Royal Tapestry Factory.

The Pilgrimage of San Isidro (or The Meadow of San Isidro)

Created in the last third of the 18th century for the tapestry factory, this cartoon depicts the pilgrimage of San Isidro. In the background, we see the Royal Palace, the Habsburg neighborhood, and the Manzanares River. The people are dressed in the goyesca style. Had Charles III not died, this piece would have been significantly larger.

The Family of Charles IV

From the early 19th century, this painting depicts the royal family and nobles. Goya drew inspiration from Velázquez's Las Meninas, placing them in the background. Charles IV is portrayed as simple, while Maria Luisa of Parma exudes strength. Goya captures the soul in their eyes. The painting also includes the Prince of Austria, Ferdinand, and his brother Carlos.