Farmhouse Narratives: Landscape, Social Injustice, and Witness Accounts
Classified in Arts and Humanities
Written on in English with a size of 2.57 KB
Farmhouse Narratives: Landscape and Social Dynamics
The narrative centers on two distinct farmhouses: La Jara, introduced early on, and the older farmhouse on the Piton, which forms the primary setting for the unfolding story. The landscape elements are meticulously described and carefully selected. The main farmhouse is divided into two key areas: a vast rural zone and an integrated residential section. The natural area is extensive and protected by a group of guards. This land is a place of work and a critical stage for a grand game enjoyed by its guests. The gentlemen pay close attention to three landscape elements: flora, fauna, and geological formations.
The residential area is enclosed by a wall and a gate. It features a courtyard surrounded by the houses of shepherds, laborers, and guards. Within this area are three main buildings: the grand house where the owners reside, the manager's house (Casa de Arriba) occupied by Don Pedro and his wife, and the Chapel. The farm's landscape holds intrinsic value, serving as a cohesive element that links events and provides a grand stage for the characters. It reveals the hierarchical structure of large estates and expresses a dual human attitude toward nature.
Narrator: Witness and Observer
The narrator is presented as a direct observer of events, remaining outside the action but demonstrating a closeness to the world being narrated and a detailed knowledge of the settings. In addition to being omniscient, the narrator also acts as a witness, lending greater credibility and realism to the novel. The third-person narrative is employed, reflecting a desire for detachment, objectivity, and thoroughness in describing places. The narrator also shows sympathy towards humble and disadvantaged characters.
Key Themes: Social Injustice and Rebellion
Social Injustice
The primary theme is social injustice, made more apparent by the characters' acceptance of their submission. Examples include Paco's meek acceptance of everything, the little girl Nieves's inability to receive an education, Azarias's living conditions, and the meager pay after the chase. The character Quirce presents a nascent rebellion, fueled by youthful anger, culminating in a tragic revolt. The individual vengeance of Azarias, though a crime affecting only him, is presented to the reader as an act of natural justice, given his mental limitations.
Attitudes Toward Nature
The injustice is further perceived through the contempt the masters feel towards the poor, leading to abuses that reflect an unchanging ideology.