Celestina: Authorship, Editions, Genre, Structure, and Themes

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Celestite

Authorship

Attributed primarily to Fernando de Rojas, with Act I possibly by Rodrigo de Cota. Initially 16 acts, later expanded to 21.

Editions

  • 1st Edition (1499-1500): Untitled, also known as Comedia de Melibea. Contains 16 acts and annotations, including an acrostic verse prologue.
  • 2nd Edition (1502): Tragicomedia de Calisto y Melibea, with 21 acts.
  • 3rd Edition: Mid-16th century, titled La Celestina.

Genre

Debated between:

  • a) Play: Division into acts, absence of a narrator, action driven by dialogue, specific time and place setting.
  • b) Dialogue Novel: Length and complexity make it difficult to stage.

Structure

  • Act I: Introduction to the action.
  • Acts II-XII: Development of conflict between characters.
  • Acts XIII-XX: Development of Calisto and Melibea's passionate love.
  • Act XXI: Pleberio's lament.

Style

  • a) Richness of Language: Alternation of cultured and popular language.
    • Calixto and Melibea's dialogues.
    • Dialogues of Celestina, servants, and pupils.
  • b) Discursive Varieties: Monologue, dialogue, asides.

Characters

  • a) The Gentry: Calisto, Melibea, Pleberio, and Alisa.
  • b) Celestina: Connects characters, facilitates their desires, known for intelligence and manipulation.
  • c) The Servants: Sempronio, Pármeno, Elicia, Areusa, Lucrecia, and Centurio.

Themes

  • Love: Begins as courtly love, transitions to carnal love, affecting all characters directly or indirectly.
  • Death: Linked to love, passion, and the unbridled greed of servants and Celestina, leading to murder.
  • Transience of Life: Numerous references to the fleeting nature of life and pleasure.

Popular Lyric Poetry

Jarchas

  • 1. Date of Composition: 10th-11th centuries.
  • 2. Language: Mozarabic.
  • 3. Speaker: Female, a woman in love.
  • 4. Receiver: Sisters, mother.
  • 5. Main Theme: Loving complaint: absence, abandonment.
  • 6. Figures: Rhetorical questions.

Songs of a Friend

  • 1. Date of Composition: 13th-14th centuries.
  • 2. Language: Galician-Portuguese.
  • 3 & 5. Repetition.
  • 4. Addressee: Mother, brothers, nature.
  • 6. Parallelism and leixaprén.

Carols

  • 1. Date of Composition: Medieval.
  • 2. Language: Castilian.
  • 3 & 5. Repetition.
  • 4. Addressee: Mother, brother, beloved.
  • 6. Symbolism.

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