20th Century Spanish Literary Movements: Modernism & Generation of 98
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20th Century Literary Movements
The 20th century saw a departure from the realism of the previous century, with movements like:
- Parnassianism: Seeking perfection and escape from reality (Charles Baudelaire).
- Symbolism: Using symbols and images to represent reality through language (Arthur Rimbaud).
- Decadence: Exploring new forms with coarse and vulgar language.
Modernism
Modernism evolved from aesthetics to social and existential concerns, incorporating principles of Parnassianism and Symbolism.
Characteristics of Parnassianism:
- Unreal, exotic, and distant settings to escape reality.
- Metric forms and traditional lines like Alexandrine verses (14 syllables).
- Mixing senses and creating synesthesia.
- Use of alliteration, internal rhymes, and parallels for musicality.
Key Authors of Modernism:
- Poetry: Manuel Machado (Caprichos), Antonio Machado (Solitudes), Juan Ramon Jimenez (Ninfeas).
- Novel: Ramón María del Valle-Inclán (Sonata).
- Theater: Eduardo Marquina (In Flanders Has Been the Sun), Valle-Inclán (Bohemian Lights).
Rubén Darío
Félix Rubén García Sarmiento, known as Rubén Darío, is the pioneer of Modernism. He wrote both prose and poetry.
Notable Works of Rubén Darío:
- Blue: Considered the pioneer of Modernism, influenced by Parnassianism.
- Profane Prose: Enriched language with metric combinations, alliteration, and synesthesia. Explores love in harmony with art.
- Alliteration: Repetition of a sound for a specific effect.
- Synesthesia: Joining two elements from different senses.
- Songs of Life and Hope: Focuses on people, their problems, and the future.
Generation of 98
Named by José Martínez Ruiz (Azorín), this group of writers was concerned with Spain's situation.
Features:
- Subjectivism: Authors reflect their own feelings.
- Use of traditional words due to interest in Spain.
- Use of essays (philosophical texts).
- Idealization of nature and Castilian landscapes.
Themes:
- Landscapes
- History
- Spanish culture
Key Authors of Generation of 98
Miguel de Unamuno: Called his novels "nivolas," blending philosophy with literature and focusing on Spain (Mist, Saint Manuel Bueno, Martyr).
Pío Baroja: Involved in the action of his novels, adding comments and descriptions (The Way of Perfection, The Tree of Knowledge).
Ramón María del Valle-Inclán: His novels transitioned from Modernism to the "esperpento," mixing real and grotesque fictional characters. He invented a technique blending comedy, tragedy, and farce to criticize society, using parody, grotesque, and burlesque.
José Martínez Ruiz (Azorín): His novels lack plot, focusing on portraits of the Spanish land and its inhabitants (The Will).
Antonio Machado: His works range from romanticism to intimate philosophical reflections, through Modernism and objectivism (Fields of Castile, reflecting on the passage of time and the Castilian landscape).