Notes, summaries, assignments, exams, and problems for Music

The Renaissance Period

The Renaissance began in Italy and then spread throughout the rest of Europe. This period has the following characteristics:

• Exaltation of earthly life. The topic carpe diem is frequently reiterated as an invitation to enjoy beauty and youth.
• Knowledge began to be perceived as a way of improving the human being. Thus emerged Humanism.
• Renaissance values rooted primarily in the bourgeoisie and spread through the press.
• The Renaissance man sought a more direct, intimate communication with the divinity. The Protestant Reformation and Spanish mystical poetry are expressions of this.

Garcilaso de la Vega: Italianate Poetry

Garcilaso de la Vega is the author of a small body of poetry (thirty-eight sonnets and three Églogas) whose... Continue reading "Renaissance Influence on Spanish Golden Age Literature" »

The Madrigal

It was typically a composition for two voices (rarely three), with the upper voices using the same text. The lower voice, the tenor, was often a free invention, and its melodic line, like the upper voices (especially the highest), was highly melodic and often featured lengthy melismas.

Texts were typically idyllic, pastoral, or amatory poems, sometimes satirical. Stanzas usually contained three verses. All stanzas (usually 2 or 3) had the same music. At the end, there were a couple of extra verses called the ritornello, set to different music.

A feature that links the madrigal to the earlier Conductus is the ornamented melismatic passage, which often appears at the end and sometimes at the beginning of a stanza. This form is characteristic... Continue reading "Trecento Italian Musical Forms" »

Evolution of Western Music

A brief overview of key periods in Western music:

• The Middle Ages: V-XV Centuries
• The Renaissance: XV-XVI Centuries
• Baroque: 1600-1780
• Classicism: 1780-1800
• Romanticism: XIX Century
• Contemporary Music: XX Century

Gregorian Chant

Gregorian chant is not primarily intended as artistic expression. Instead, it serves the specific function of enhancing the spoken word. It is a cappella vocal music without instruments, monophonic (consisting of a single melody), and its rhythm depends on the length of words and phrases. The text is typically in Latin.

Polyphonic Music

Polyphonic music features two or more melodies sounding simultaneously, often referred to as Organum.

Madrigals

Madrigals are short polyphonic works of increasing complexity,... Continue reading "Evolution of Western Music: From Gregorian Chant to Romantic Opera" »

Early Medieval Music Notation

At the beginning of the Middle Ages, texts were not written down but transmitted orally. Eventually, the volume and complexity of these texts became so great that they began to be copied, with indications of how they were to be sung.

This led to the use of chants. However, it was a very imperfect system. First, Hucbald and, later, Guido d'Arezzo, used parallel lines to place musical symbols.

Centuries later, these chants were notated with clearer, square signs. This square notation, along the lines of the musical staff, served to indicate the pitch of sounds.

Troubadours and Minstrels

The troubadours were poets, musicians, and courtiers who held great importance during the Middle Ages, especially in France and Spain.... Continue reading "Medieval Music: Chants, Notation, and Performers" »

Understanding Dialogue in Theatre

Plays are primarily written in dialogue. However, both traditional and modern performances often incorporate non-verbal elements such as gestures, body language, dance, music, and stage deployment alongside or instead of spoken words.

Types of Dramatic Dialogue

• Colloquy: A dialogue involving multiple participants, often presenting conflicting viewpoints.
• Soliloquy: A speech where a character speaks their thoughts aloud, usually when alone on stage, revealing inner feelings or intentions.
• Monologue: A long speech by one character addressed to other characters or the audience, or simply thinking aloud. Unlike a soliloquy, the character is not necessarily alone.
• Aside: A brief remark by a character delivered directly

The Baroque era, a significant period in European culture and an influential artistic movement, flourished under the power of absolute monarchies. It is characterized by dramatic contrasts of light and shadow, dynamic movement, and rich, strong colors.

Defining the Baroque Period

Key artists include:

• Sculpture: Gian Lorenzo Bernini, Francesco Borromini.
• Painting: Michelangelo Merisi da Caravaggio, Peter Paul Rubens, Rembrandt van Rijn, Johannes Vermeer, Diego Velázquez, Bartolomé Esteban Murillo.

Baroque Music: An Era of Innovation

Baroque music developed between approximately 1600 and 1750, a period marked by the emergence of the first operas and concluding with the death of its most iconic representative, Johann Sebastian Bach. Originating in... Continue reading "The Baroque Era: Art, Music, and Cultural Impact" »

African Music and Its Cultural Divisions

The African continent is culturally divided into two large areas with distinct musical practices:

• The Maghreb: The northern side of the continent, including countries of Arabic culture.
• Sub-Saharan Africa: South of the Sahara Desert, further divided into:
  • West Africa: The coast of Guinea, where powerful kingdoms existed before European domination.
  • Central Africa: Occupied by countries such as Uganda, Tanzania, and Zaire, where languages share a common origin and a certain cultural identity.
  • Southern Africa: Whose music is most representatively found among the Khoisan peoples.

Common Features of African Music

Despite more than a thousand languages on the continent, common characteristics of African music include:... Continue reading "African Music Traditions: Diversity and Characteristics" »

The Baroque Era

The term Baroque initially referred to a style characterized by complicated and irregular shapes in its lines. It then spread to other realms of art, like painting, sculpture, music, and especially literature. In Spain, it would reach a particular development.

Features and Style

The Baroque was a significant cultural movement manifested in literature, architecture, music, and fine arts. The 17th century is characterized by exaggeration and pessimism. In the literary field, the Baroque style has the following features:

• It highlights a special interest in language, marked by an aesthetic desire for originality.
• It is characterized by hyperbole, exaggeration, and corrosive wit.
• The world is seen as a struggle of opposites: life and,

The Renaissance: A Transformative Cultural Movement

The Renaissance was a profound cultural movement encompassing all aspects of human activity. It marked a fundamental shift in mentality, a reassessment of the world, the individual, and existence itself. At its essence, it represented a revival of classical ideals. Chronologically, it began in the mid-fourteenth century in northern Italy and spread across Europe by the sixteenth century. This era saw the imitation of classical models and the application of humanist principles.

Key Characteristics of the Renaissance

• Social Transformation: The birth of modern states.
• Economic Shifts: Changes in the craft production system, indicating early signs of pre-capitalism.
• Global Expansion: Discovery and

Basso Continuo and Baroque Music Characteristics

A most important characteristic of the Baroque era is the emphasis on the accompaniment, often referred to as the Basso Continuo (or Figured Bass). In this practice, the melody has a new backing, where the accompaniment is constructed so that the bass-melody binomial is central. The most important element is often not the melody itself, but the accompaniment.

The bass line is performed with polyphonic instruments, such as the harpsichord, the organ, or the guitar, since these instruments can play several voices at once. The practice of Basso Continuo implied that the musician performing the accompaniment only had a series of numbers written below the bass line. This series of numbers, known as... Continue reading "Fundamentals of Music Theory: Scales, Notation, and Baroque Practice" »