Notes, abstracts, papers, exams and problems of Music

Characteristics of the Classical Music Era

• The Realm of Melody: Emphasis on symmetry, with favorite models being 8 measures (divided into periods of 4 and sub-periods of 2) and 6 beats (3+3).
• Tonal Language: Tonal hierarchy featuring I, V, and IV chords.
• Harmonic Filling: Use of harmonic tones to emphasize scales, arpeggios, etc.
• Alberti Bass: Accompaniment featuring a broken chord or arpeggiated figure, where the notes of the chord are presented in a specific order, usually low, high, middle, high.

Key Composers of the Classical Period

Joseph Haydn (1732-1809)

A master of character and aristocratic taste, despite drawing inspiration from popular works. He composed oratorios, including The Creation and The Seven Last Words of Christ, and 104 symphonies.... Continue reading "Classical Music Era: Composers, Forms, and Masterpieces" »

Romanticism in Music

Romanticism feels a passion for everything that is distant, magical, and unreal. Romantic music, leaving the balance of classicism for a direct and passionate expression of feelings and emotions. Music occupies a place of honor in this period; it is more abstract than others.

Musical Forms

• Vocal Music: Opera, Mass, Oratorio, Lied.
• Instrumental Music: Symphony, Symphonic Poem, Sonata, Concerto, Trio, Quartet, Quintet.

Symphonic Poem

A symphonic poem is a work of a genre that develops from a fact of imagination.

The Orchestra

Instruments: Percussion, drums, trumpets, horns, trombones, tuba, harp, clarinet, bassoon, oboe, violins, and basses.

The Lied

A Lied is a song in a romantic style and with a very stylized German language, interpreted... Continue reading "Romanticism in Music: Characteristics and Evolution" »

Romanticism in Europe: First Half 19th Century

Key Features

• Individualism: Focus on the self.
• Rebellion: Spirit of freedom, breaking rules.
• Idealism: Emphasis on love, honor, friendship.
• Irrationalism: Focus on sentiments and passion.
• Evasion and Exoticism: Interest in distant lands (space) and the Middle Ages (time).
• Exalted Rhetoric: Grandiloquent language.
• Originality.

Romantic Poetry

Expresses love, melancholy, sadness, disappointment, dreams, and the exaltation of solitude.

Features:

• Grandiloquent language.
• Use of classical forms (silva, octave, quatrain) and some new ones.
• Polymetry (use of various meters).
• Common themes: love, freedom, death, nature, the past.

Narrative poetry was cultivated with compositions in verse, often historical, legendary, allegorical,... Continue reading "European Romanticism: Literature and Key Figures" »

Post-Romanticism: An Overview

The post-Romanticism movement emerged in the latter half of the nineteenth century as a reaction to Romanticism, flourishing particularly in France.

Writers and artists rebelled against bourgeois lifestyles, demanding freedom and individuality.

Post-Romantic Poetry

In poetry, unlike novels and drama which embraced realism, a romantic spirit persisted. However, the focus shifted from narrative to lyricism, becoming more personal and intimate. Rhetoric decreased while lyricism increased, with love and passion for the world as prominent themes. Metrics evolved, exploring new sounds and embracing a plurality of poetic ideas.

Post-Romantic poetry represents a transition, a conflict between Romanticism and Realism. Its proponents... Continue reading "Post-Romanticism: A Transition from Romanticism to Realism" »

Renaissance Motets and Masses

Evolution of Polyphony

Early Motets

Motet styles varied depending on the season. Isorhythmic motets, less common in later years, were prominent in the early period. In homophonic motets, all voices are equal. The imitative motet became the most important and innovative style.

Masses

Masses shared similarities with motets. Several masses, like the L'homme armé Mass and the L'homme armé Mass with isorhythm in the upper voice, were based on the popular tune "L'homme armé." Another example is the Missa Hercules dux Ferrariae, where the cantus firmus is derived from an acronym of the title.

Secular Music

Secular music production flourished in France and Italy. In Italy, works were sometimes attributed to the pseudonym... Continue reading "Renaissance Motets and Masses: Evolution of Polyphony" »

Oceanian Music

Maori Music

Maori music is primarily vocal, featuring love stories and lullabies. Traditional instruments are made from wood, bone, stone, shells, and animal hides. Percussion instruments are common, including wind instruments. Modern instruments like the guitar and ukulele have also been adopted.

Australian Aboriginal Music

Aboriginal songs serve as a vital link to the spiritual realm. Instruments are few and rudimentary, with the didgeridoo being the most recognizable.

Indonesian and Malaysian Music

The gamelan is a prominent instrumental ensemble in these cultures, featuring up to 30 musicians playing xylophones, metallophones, drums, and gongs.

Classical Music (18th Century)

Features

Classical music is characterized by clarity, balance,... Continue reading "Oceanian, Classical, Romani, and Romantic Music" »

Romanticism: An Overview

Romanticism is a movement that emerged in Germany in the late eighteenth century and spread throughout Europe during the early nineteenth century. It prioritized imagination and sensibility over reason, emphasizing self-exaltation, restless excitement, and the flow of passions. Romanticism invites evasion through the fantastic, irrational, mysterious, or frightening, while also engaging with the political realities of its time.

General Characteristics

1. Individualism and Subjectivism: The importance of the self is emphasized, claiming originality as the concept of the modern artist. It often flees to the values of the Middle Ages, exploring themes of society, the night, and exotic elements.
2. Revaluation of the Middle Ages:

The Literature of the Baroque

The Baroque was the cultural movement of the seventeenth century, the second of the Spanish Golden Age. In contrast to the Renaissance's desire for naturalness and harmony, the Baroque is the triumph of exaggeration and contrast. Against the optimism of the Renaissance, the Baroque is characterized by pessimism and disappointment. Both attitudes have their origin in the sense of decadence in the country. Baroque artists constantly reflect on death and time. The most important authors are:

• Poetry: Góngora and Quevedo
• Theatre: Lope de Vega and Calderón de la Barca
• Prose: Quevedo and Baltasar Gracián

Baroque Poetry

Formally, Baroque poetry is expressed in a lively style, far from the artifice and naturalness of the previous... Continue reading "Spanish Baroque Literature: Authors, Styles, and Works" »

Renaissance Music in Italy

Secular Music

Italian secular music features:

• Homophonic writing
• Syllabism
• Simple, higher melody
• Various types of interpretation (a cappella, with voice substitution for an instrument, or just instrumental)
• Strophic structure
• Lively, animated rhythms
• Simple harmony

Forms:

• Frottola: A form of polyphonic singing that was developed especially in aristocratic and bourgeois circles. The theme is love, with 4 voices and a dance-like rhythm.
• Villanela: A Neapolitan folk song of origin, with a dance-like rhythm and 3 voices. Instruments were also used.
• Madrigal: A song of contrapuntal distillation derived from a troubadour song, making allusions to pastoral poetry with a sentimental or erotic theme, and is for 4 voices.

Religious Music

Venetian

Religious Music of the Middle Ages

Religious music of the Middle Ages began to take shape when Emperor Constantine granted freedom of worship for Christians in 313.

Pope Gregory the Great and Gregorian Chant

Pope Gregory the Great (590-604) was considered the creator of the Gregorian chant, but he was not really the creator. He leveraged his entire organization as a way to strengthen a sense of Christian unity.

Characteristics of Gregorian Chant

Gregorian chant is:

• Music destined to serve the liturgy.
• Uses Latin as a language.
• Monodic in texture.
• Free musical rhythm, according to the melody.
• Text notation differentiates between three styles of chant: syllabic, neumatic, and melismatic.

Troubadours and Minstrels

Troubadours: Poets and musicians, usually... Continue reading "Medieval Religious Music: From Gregorian Chant to Polyphony" »