Baroque Secular Music in 17th-Century Spain and England
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Baroque Secular Music (17th Century)
Spain
Secular music in 17th-century Spain incorporated innovations from the new theatrical school of Lope de Vega and Gongora. New poetic genres emerged, such as the *romance*, which was much more varied than its 15th-century predecessor, featuring changes in metrics. The *letrilla* also appeared, with a greater measure than its predecessor. The *carol*, and most significantly, the *streak*, showcased diverse and constantly changing rhythms.
Musically, composers sought to reflect these rhythmic changes in their settings of the text. The traditional vocal quartet (soprano, alto, tenor, and bass) was often reduced by eliminating the tenor or bass. Composers emphasized the rhythmic syncopation characteristic... Continue reading "Baroque Secular Music in 17th-Century Spain and England" »