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The Baroque Era: Art, History, and Cultural Impact

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Understanding the Baroque Concept

To Eugenio d'Ors, the Baroque is a historical constant that occurs regularly in very different times. It is synonymous with the ornate and the artificial. A Baroque phase can be understood as one that includes many characters and elements, often seen as an opposite trend to classicism.

As an artistic period, the Baroque primarily spans the 17th century and the first half of the 18th century. The term 'Baroque' was coined in the 19th century, initially carrying a negative connotation. This style was often interpreted as ornate, decadent, and overly verbose by subsequent generations.

Its birthplace was Italy, particularly the city of Rome, from where it spread throughout Europe and eventually reached the Americas.... Continue reading "The Baroque Era: Art, History, and Cultural Impact" »

Romanticism and Symbolism: 18th and 19th Century Movements

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Romanticism

Romanticism began in the late 18th century and covered the entire first half of the 19th century.

Definition

We can define it as a school, movement, and flow. As a school, it had a manifesto in the preface of the book "Cromwell." It was important as a school in France. It was a literary and artistic movement, but there might be a flow because it razed everything and was in all the arts, philosophy, economics, politics, and even life itself.

Origins

The origins are Nordic; it began at once in Germany and England and immediately was in France, spreading from there to the rest of Europe.

Characteristics

  1. Lyricism: This comes from "lyrical," the lyre (a musical instrument that accompanied poetry in antiquity). Lyricism is a very subjective
... Continue reading "Romanticism and Symbolism: 18th and 19th Century Movements" »

Impressionism to Electronic Music: Evolution of 20th Century Music

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Impressionism

The Impressionists sought to create evocative atmospheres and impressions through the use of harmonies and new combinations of timbres. Claude Debussy composed pieces like The Sea and Clouds. Maurice Ravel, combining the magical sounds obtained from instruments, wrote Bolero for orchestra.

Atonal Music

Atonal is a form of composition based on the free choice of notes and chords. Arnold Schoenberg composed music getting away from the rules of tonality.

Twelve-tone Music

Twelve-tone composition uses a twelve-tone chromatic scale freely, but without repeating any note until all others have been heard.

Igor Stravinsky

Igor Stravinsky began composing music for Diaghilev's Ballets Russes. He composed The Rite of Spring, which premiered in... Continue reading "Impressionism to Electronic Music: Evolution of 20th Century Music" »

Understanding Lyric Poetry and Figures of Speech

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Lyric Poetry: Expressing Emotions and Feelings

Lyric is a literary genre in which the author conveys feelings, emotions, or sentiments about a person or object of inspiration.

Hyperbole: Definition and Usage

Hyperbole, from the Greek word ὑπερβολή (excess), is a figure of speech consisting of an exaggerated and intentional alteration of the reality being represented (a situation, characteristic, or attitude), either by excess (aúxesis) or by default (tapínosis). Hyperbole aims to achieve greater expressiveness.

Poetry: Definition and Historical Context

Poetry (from the Greek word ποίησις 'creation' < ποιέω = "create") is a kind of literary genre. It is also framed as a mode of textual expression (this is as a type of text)

... Continue reading "Understanding Lyric Poetry and Figures of Speech" »

Schubert's "The Miller's Beautiful Daughter": Analysis

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The Walker "Lied No. 1 Cycle" La Bella Molinera.

Rhythm

Rhythm is a binary rhythm, regular and constant in quadruple time, whose unit is a quarter note. Speed display does not figure in German and in Italian, reflecting the assertion that German Romanticism was doing one's own culture. The equivalent would be a mässig Geschwind Allegro moderato, is moderately fast. In his left hand, continuous eighth-note rhythm breaks whose function is to emphasize the rhythm, which, together with the incessant bustle of sixteenths on the right, suggests the purposeful stride of a person walking briskly. Although the pace is easy, worth noting the slight rhythmic counterpoint introducing the right hand section A, since the introduction, the two notes forming... Continue reading "Schubert's "The Miller's Beautiful Daughter": Analysis" »

French Classical Drama and Cervantes's Novel: Key Aspects

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French Classical Drama

The theater became one of the major genres in European literature in the 16th century. During the Middle Ages, the first theatrical performances sprang from religious and secular matters.

The fifteenth century was an important step in the history of the theater. Dances of death became fashionable, and humanistic comedy also emerged with important Spanish works such as La Celestina by Fernando de Rojas. At the end of the sixteenth century, the fusion of popular and cultured theatrical trends led to the birth of national theaters in England, Spain, and France.

The theater in the sixteenth and seventeenth centuries became a mass spectacle, and plays reflected the life, feelings, and needs of the people.

Some theorists believed... Continue reading "French Classical Drama and Cervantes's Novel: Key Aspects" »

Schumann's Träumerei: Analysis of Rhythm, Melody, and Form

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Schumann's "Träumerei" Analysis

Rhythm

The rhythm is quaternary (binary double), marked "C", compasillo, equivalent to 4/4 time. There is no tempo indication, but instead, a marking corresponding to a slow metronome or Molto Adagio. Schumann commonly used German instead of Italian for score indications. The title, Träumerei (Dream), suggests a slow movement. The pace is regular and steady, yet deliberately ambiguous because the melodic emphasis and cadences fall on the second (weak) part of the measure. This mechanism enhances the piece's tension and expressiveness.

Melody

Melody is the predominant element, conveying the poetic sense and sensitivity of the composition. It is a melody of regular and symmetrical proportions, structured in eight... Continue reading "Schumann's Träumerei: Analysis of Rhythm, Melody, and Form" »

Romantic Music Era: Composers, Instruments, and Styles

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Key Features of Romantic Music

  • More expansive content in musical forms
  • Rich modulations, harmonies, chromaticism, and dissonance
  • Passionate and lyrical melodies remain important
  • Greatly expanded orchestra, especially the horn section, with a complex and dense texture
  • Unity of the work through new systems such as the leitmotif, the fixed idea, or ring systems (where a musical idea recurs)

Periods of Romanticism

From 1815 until the first decade of the twentieth century:

  • Early Romanticism (1815-1848): A rebellious period, eager for freedom and novelty. Notable composers include Beethoven, Schubert, Schumann, and Chopin.
  • High Romanticism (1848-1883): Characterized by symphonic poems and the music dramas of Wagner. Key figures include Liszt, Wagner, and
... Continue reading "Romantic Music Era: Composers, Instruments, and Styles" »

Romanticism: A Cultural and Historical Analysis

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Romanticism: A Cultural and Historical Framework

Romanticism is an aesthetic movement and ideology that emerged in the late 18th century in Germany and England, quickly spreading throughout Europe.

Key Features of Romanticism

  • Freedom: Romanticism championed individual freedom and a deep appreciation of the self.
  • Subjectivism: Romanticism emphasized the importance of the individual and their unique worldview. Literature became an outlet for the artist's inner feelings and passions.

The Romantic Ideal and Existential Conflict

The pursuit of ideal happiness often clashed with reality, leading writers to express their yearning and existential disappointment. The conflict between individual aspirations and societal norms led to the celebration of unconventional... Continue reading "Romanticism: A Cultural and Historical Analysis" »

Musical Elements, Instruments, and Forms: A Comprehensive Look

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Musical Elements and Their Definitions

The following are key elements in music:

  • Melody: A succession of sounds of a certain pitch and duration.
  • Scales: A series of notes sorted in ascending or descending order.
  • Intervals: The distances between notes.
  • Chords: Three or more notes sounding simultaneously.
  • Meter: The measurement of the pulse.
  • Rhythm: The regularity of accents, which can be:
    • Binary
    • Ternary
    • Quaternary

Aerophone Instruments: Classification and Examples

Aerophone instruments produce sound through the vibration of a column of air. They can be categorized as follows:

Bevel Obtuseness

The vibration is obtained when the column of air collides against the bevel and is divided in two:

  • Front: Recorder, Pan Flute
  • Lateral: Flute

Reed Mouthpiece

The sound is... Continue reading "Musical Elements, Instruments, and Forms: A Comprehensive Look" »