Notes, summaries, assignments, exams, and problems for Music

Sort by
Subject
Level

A Brief History of Music Genres and Cultural Expressions

Classified in Music

Written on in English with a size of 2.89 KB

A Brief History of Music Genres

Hard Rock: The power amplifiers, distortion of the guitars, the melodic content between screams, rhythm, and repetition are some traits of hard rock. (Deep Purple, Led Zeppelin, Iron Maiden).

Punk: Emerging from the economic crisis of the 70s, punk appeared as a reaction to social issues and disenchantment, characterized by the constant pursuit of controversy. (Sex Pistols, The Clash, Ramoncín).

Disco: Dance music that draws from soul, funk, and electronica. (Diana Ross, Donna Summer, Bee Gees).

Reggae: Originating from Jamaica, reggae marked a change for the subsequent evolution of music. In a non-industrialized country, a style appeared with Caribbean rhythms that influenced the entire planet. (Bob Marley)

New

... Continue reading "A Brief History of Music Genres and Cultural Expressions" »

Classical Music Essentials: Forms, Composers, and Concepts

Classified in Music

Written on in English with a size of 4.75 KB

Key Composers of the Classical Era

The most important composers of the Classical era were Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven. All three lived and worked in Vienna, a central hub for music during this period.

What is a Musical Movement?

When we speak of a movement in a musical work, we are referring to the distinct, self-contained sections or "breaks" that exist within the larger composition. Each movement typically has its own tempo, mood, and structure.

Distinguishing Musical Forms

Symphony

A symphony is a large-scale musical composition for orchestra, typically divided into four movements. Each movement usually has a different structure and tempo, and the overall form of the symphony has evolved significantly over time.... Continue reading "Classical Music Essentials: Forms, Composers, and Concepts" »

Defining Characteristics and Core Themes of Romanticism

Classified in Music

Written on in English with a size of 4.14 KB

Core Themes of the Romantic Movement

The Anguish of Romantic Consciousness

This feeling is a central feature of the romantic unhappy consciousness, characterized by:

  • Anxiety about the incompleteness of life (human anguish).
  • The perception that life is a problem: fleeting and inconsistent.
  • The common theme of ruins, symbolizing decay and expiration.

There is an obsession with death, seen as the ultimate release from melancholy ("the blues").

The intensity of this despair depends on belief:

  • If the author finds mystical religious consolation, the anguish is tempered.
  • If the author is atheist, the despair ("the blues") will be desperate.

Disillusionment and Evasion

The Romantic figure is eternally discontented because their ideals (such as freedom and happiness)... Continue reading "Defining Characteristics and Core Themes of Romanticism" »

Romantic Era Music: Program Music, Lied, Opera, Wagner & Nationalism

Classified in Music

Written on in English with a size of 2.35 KB

Romantic Era Music

Program Music

Program music sought a more free and open expression, moving beyond structural criteria to embrace extramusical elements.

The Program Symphony

A symphony developed around a program, description, or literary argument. Creator: Hector Berlioz (1803-1869), with Symphonie Fantastique (1830).

The Symphonic Poem

An orchestral composition based on a single movement or descriptive poetic element. Creator: Franz Liszt, with The Preludes (1849).

The Lied

The German word for "song," a short piece for voice and piano set to a poetic text. These pieces feature a simple melody, with the piano expressing the mood and meaning. Simple forms are used, including:

  • Strophic Lied
  • Bipartite Lied
  • Tripartite Lied

Italian Opera

Major schools emerged,

... Continue reading "Romantic Era Music: Program Music, Lied, Opera, Wagner & Nationalism" »

Medieval and Renaissance Music: Periods and Styles

Classified in Music

Written on in English with a size of 5.29 KB

Music in the Middle Ages

Polyphony

Polyphony is a musical texture involving two or more simultaneous lines of independent melody. It emerged significantly from the mid-9th century onwards.

Ars Antiqua (c. Mid-9th - 13th Century)

The main musical style of the 13th century. Principal musicians associated with this era include Albertus Parisiensis, Leoninus, and Perotinus.

Musical Forms of Ars Antiqua

  • Organum: A form where an additional invented melody is added to a pre-existing Gregorian chant melody.
  • Motet: A form built on a Gregorian melody (tenor), with new voices added above it, often with different texts (polytextual).
  • Conductus: A form where all melodies (voices) are newly composed (not based on chant) and sung in Latin, usually with the same text
... Continue reading "Medieval and Renaissance Music: Periods and Styles" »

History of English Drama: From Middle Ages to Victorian Era

Classified in Music

Written on in English with a size of 3.23 KB

The Medieval Roots of English Drama

Shakespeare's theatre has its roots in medieval times. Bishops wanted to bring the Bible to the people, which is why priests began to perform biblical passages to make them easier for the public to understand. Consequently, the origin of drama lies within the Church. Certain biblical episodes were represented only during Easter.

Morality Plays of the 15th and 16th Centuries

These plays focused on the fate of the individual human person and were performed by traveling companies. The most famous morality play is Everyman. Morality plays survive in Marlowe’s Dr. Faustus, featuring its soliloquizing protagonist, its Good and Bad Angels, and its final moral lesson.

Mystery and Miracle Plays

This kind of play consisted... Continue reading "History of English Drama: From Middle Ages to Victorian Era" »

Baroque Instrumental Music and Dance in Spain

Classified in Music

Written on in English with a size of 4.03 KB

Instrumental Music of the Baroque

The luster of Baroque instrumental music stems from the evolution of instruments and the emergence of all orchestral families. These families include string, woodwind, brass, and percussion. Baroque works are often based on improvisation, variation, imitative counterpoint, and dance forms. Key forms include:

The Suite

A complex instrumental piece composed of a succession of dances with different characters and a variable number, all in the same key and in binary form.

The Sonata

Meaning "music to be sounded," the sonata is played by instruments and divided into four contrasting movements (fast and slow) with different textures and rhythms. It is similar to the more widely diffused sonatina. There are also smaller,... Continue reading "Baroque Instrumental Music and Dance in Spain" »

Understanding Religious Music: Characteristics and Elements

Classified in Music

Written on in English with a size of 5.42 KB

Music Religiosa:

Gregorian Song: El repertori broad de música religiosa incluye el canto gregoriano y se ha convertido en la canción oficial de la Iglesia Católica. Características: monódico, ritmo libre, es modal (la música reconoce que cada voz tiene su propio carácter) y cultural, saludable, melismático, numático, silábico, homofónico, responsorial, antiphonal, y canto ambitus.

- Monódico: 1a voz. Polifónico: 2 o más voces.

- Numática: La notación que sirve para representar la música en la antigüedad consistía en signos gráficos que representaban una o más notas. Nota: La notación cuadrada se utiliza para el canto gregoriano (líneas de cuatro) con la primera línea como referencia (números-notas).

- Notación Mensural:

... Continue reading "Understanding Religious Music: Characteristics and Elements" »

Spanish Renaissance Drama: Key Figures and Theatrical Evolution (16th Century)

Classified in Music

Written on in English with a size of 3.42 KB

The Theater of the 16th Century

The First Half: Early Renaissance Drama

A generation of playwrights emerged, marking the beginning of Renaissance drama. Key figures include Juan del Encina, Bartolomé Torres Naharro, and Gil Vicente.

Juan del Encina

Encina represents the transition from the Middle Ages to the Renaissance. He began by writing religious drama and evolved toward secular theater, including mythological themes. His work is significant for the later evolution of the stage because of the inclusion of the bobo (fool) or rustic character. This funny character is a precursor to the characteristic figures of Baroque theater.

Bartolomé Torres Naharro

Torres Naharro incorporated new motifs and characters into comedies that dealt with themes... Continue reading "Spanish Renaissance Drama: Key Figures and Theatrical Evolution (16th Century)" »

Medieval Music & Core Musical Elements

Classified in Music

Written on in English with a size of 5.23 KB

Key Historical Periods in Music

Medieval Era Overview

The Medieval period broadly spans from the 5th to the 14th centuries, encompassing significant developments in music and art.

Architectural & Artistic Periods

Romanesque Period

Primarily associated with the 11th century, characterized by robust, monumental structures.

Gothic Period

Flourished from the 11th to the 14th centuries, known for its soaring architecture and intricate details.

Characteristics of Gregorian Chant

  • Texture: Monophonic, sung in a single voice collectively.
  • Timbre: Vocal, a cappella (without instruments).
  • Text: Always in Latin.
  • Songwriters: Anonymous, often attributed to humility rather than individual composers.
  • Movement: Slow, unhurried, without a defined pulse.
  • Rhythm: Free,
... Continue reading "Medieval Music & Core Musical Elements" »