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Baroque Instrumental Music and Dance in Spain

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Instrumental Music of the Baroque

The luster of Baroque instrumental music stems from the evolution of instruments and the emergence of all orchestral families. These families include string, woodwind, brass, and percussion. Baroque works are often based on improvisation, variation, imitative counterpoint, and dance forms. Key forms include:

The Suite

A complex instrumental piece composed of a succession of dances with different characters and a variable number, all in the same key and in binary form.

The Sonata

Meaning "music to be sounded," the sonata is played by instruments and divided into four contrasting movements (fast and slow) with different textures and rhythms. It is similar to the more widely diffused sonatina. There are also smaller,... Continue reading "Baroque Instrumental Music and Dance in Spain" »

Understanding Religious Music: Characteristics and Elements

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Music Religiosa:

Gregorian Song: El repertori broad de música religiosa incluye el canto gregoriano y se ha convertido en la canción oficial de la Iglesia Católica. Características: monódico, ritmo libre, es modal (la música reconoce que cada voz tiene su propio carácter) y cultural, saludable, melismático, numático, silábico, homofónico, responsorial, antiphonal, y canto ambitus.

- Monódico: 1a voz. Polifónico: 2 o más voces.

- Numática: La notación que sirve para representar la música en la antigüedad consistía en signos gráficos que representaban una o más notas. Nota: La notación cuadrada se utiliza para el canto gregoriano (líneas de cuatro) con la primera línea como referencia (números-notas).

- Notación Mensural:

... Continue reading "Understanding Religious Music: Characteristics and Elements" »

Medieval Music & Core Musical Elements

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Key Historical Periods in Music

Medieval Era Overview

The Medieval period broadly spans from the 5th to the 14th centuries, encompassing significant developments in music and art.

Architectural & Artistic Periods

Romanesque Period

Primarily associated with the 11th century, characterized by robust, monumental structures.

Gothic Period

Flourished from the 11th to the 14th centuries, known for its soaring architecture and intricate details.

Characteristics of Gregorian Chant

  • Texture: Monophonic, sung in a single voice collectively.
  • Timbre: Vocal, a cappella (without instruments).
  • Text: Always in Latin.
  • Songwriters: Anonymous, often attributed to humility rather than individual composers.
  • Movement: Slow, unhurried, without a defined pulse.
  • Rhythm: Free,
... Continue reading "Medieval Music & Core Musical Elements" »

Medieval Music History: Origins to the Mystery of Elche

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  • Item 2

The Intangible Art of Music

Music is an intangible art that is transmitted through the air and does not remain as other arts do. Little is known of the writing of music in ancient civilizations, with information gleaned from archaeological remains.

The Origins of Musical Notation

Musical notation has its origins in the monasteries of the Middle Ages, where the Greek theory of music was collected. Alphabetic writing can be represented as ABC, and diastematic notation as Do, Re, Mi, Fa, Sol, La. A score is a graphical representation of a musical composition.

The Middle Ages

The Middle Ages is the historical period that begins with the fall of the Roman Empire and lasts until the fifteenth century.

Medieval Church Music

Church music consisted of... Continue reading "Medieval Music History: Origins to the Mystery of Elche" »

Musical Shifts: Impressionism, Expressionism & Early Avant-Garde

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Musical Evolution: Impressionism & Expressionism

Impressionism and Expressionism can be seen as two distinct manifestations stemming from a similar post-Romantic position. Musically, both movements mark a shift away from the traditional laws of tonality and functional harmony.

Impressionism

Occurring in the late 19th century, Impressionism was a reaction against prevailing realistic and naturalistic currents. Musically, it is a typically French movement related to these artistic trends.

Characteristics:

  • Blurred melody lines without clear cadences.
  • Free harmony, with chords valued for their sound rather than tonal function.
  • A new concept of timbre, using instruments individually.
  • Creation of a sound atmosphere based on auditory impressions.

(Composers:

... Continue reading "Musical Shifts: Impressionism, Expressionism & Early Avant-Garde" »

Baroque Music: Era, Forms, Composers, and Instruments

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The Baroque Era (1600-1750)

The Baroque era, spanning from 1600 to 1750, was characterized by a departure from the strict logic and balance of previous periods. It cultivated a taste for dissonance, elaborate decoration, and dynamic movement. This period saw a wealth of new musical forms and styles emerge in both vocal and instrumental music.

Key Vocal Forms of the Baroque Period

  • Cantata: A composition with religious or secular texts, featuring instrumental accompaniment for one or more soloists or a choir. It is typically divided into several parts.
  • Opera: A dramatic work set to music, usually sung throughout, with orchestral accompaniment. Key components include:
    • Overture: An instrumental piece that begins the show.
    • Recitatives: Fragments that
... Continue reading "Baroque Music: Era, Forms, Composers, and Instruments" »

Spanish Poetry Movements: 1950s to Present

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1950s: Social Poetry

Poets felt the need to provide critical testimony of the reality and adopt an attitude of commitment to the situation that existed in Spain. Cantos Iberians by Gabriel Celaya and I Ask for Peace and the Word by Blas de Otero, published in 1955, stand out.

As for the themes, we must highlight the issue of Spain, social injustice, and alienation. The language is clear, and the tone is colloquial.

1960s: Poetry of Knowledge

By the end of the 1950s, a group of poets emerged seeking further elaboration of poetic language and a shift from the collective to the personal. They defended the idea of the poem as an act of knowledge.

  • Barcelona Group: Jose Agustin Goytisolo, Jaime Gil de Viedma, among others.
  • Madrid Group: Claudio Rodriguez,
... Continue reading "Spanish Poetry Movements: 1950s to Present" »

Jacinto Benavente: Spanish Theater's Social Commentary

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Jacinto Benavente: A New Voice in Spanish Theater

The emergence of Jacinto Benavente marked a significant shift in Spanish theater. His early works, characterized by naturalistic arguments and a critical tone towards Spanish society, stood in stark contrast to the passionate and rhetorically charged theater of his contemporaries, like Echegaray. Benavente soon adapted his style to appeal to the tastes of the bourgeois audience, who were often the protagonists of his plays. He employed a superficially satirical approach that avoided offending sensibilities, utilizing swift, effective language and well-crafted characters.

Key Thematic Guidelines

  • Upper Middle-Class Dramas: These plays focus on the urban upper classes, exploring themes of social convention,
... Continue reading "Jacinto Benavente: Spanish Theater's Social Commentary" »

Famous Opera Arias: Verdi, Rossini, Mozart & More

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Famous Opera Arias

La Traviata, G. Verdi

Aria: Features tenor, soprano, and choir. This romantic opera tells the tragic story of Violetta Valery, who sacrifices her love to save a family's reputation. The opera begins with a celebration where Violetta meets Alfredo, a fan who admires her beauty and love.

The Barber of Seville, G. Rossini

Aria: Largo al factotum. Features baritone Figaro. The barber dedicates his time not only to haircuts but also acts as a messenger and matchmaker, helping with love intrigues.

L'amico Fritz, Mascagni

Aria: Duo cerises. Features tenor and soprano. A wealthy landowner, after declaring himself a bachelor, accepts a bet that he will marry within a year. He realizes he has feelings for Suzel when she brings him flowers,... Continue reading "Famous Opera Arias: Verdi, Rossini, Mozart & More" »

Key Concepts in Media, Language, and Literature

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Audiovisual Elements

Elements of audiovisual media combine sound and image, playing a very important role with their particular ideology.

Features of Audiovisual Media

  • Convey information, opinions, etc.
  • Users (viewers, listeners, and readers) have possibilities to interact.

Main Audiovisual Media

  • Press
  • Radio
  • Television
  • Film
  • Thematic Xanxo (Note: 'Xanxo' is unclear in context)

Characteristics of Media Types

  • Radio: Uses sound, very accessible.
  • TV: Majority medium, image combined with sound.
  • Film: Art and entertainment, disseminated in projection rooms and DVD.
  • Internet: A global medium, offers everything.

Spelling Notes

Specific rules for open vowels and diphthongs (likely related to a specific language, e.g., Catalan):

Open Vowel 'e' Rules

Majority of esdrúixoles... Continue reading "Key Concepts in Media, Language, and Literature" »