Notes, summaries, assignments, exams, and problems for Music

Musical Piece Descriptions

1. Lied: Starts with aggressive piano playing. A man singing opera comes in later, then it goes back to only piano for a brief period.
2. Lied: Soft and slow piano to start. A man singing opera in German, with elongated singing. Super slow piano playing.
3. Lied: Starts with soft piano, a girl singing opera comes in soon.
4. Parlor Song: Piano starts slow. A girl singing "Beautiful Dreamer."
5. Character Piece: Soft, high piano playing to start. Slows down then speeds up again, repeated. The piano gets a little louder. No singing.
6. Nocturne: Loud piano playing, slow playing. Gets quick 45 seconds in. Still calm sounding, but fast. No singing.
7. Etude: Super fast piano playing. Super aggressive then pause, then super aggressive again. Slamming

Characteristics of Romantic Music

General Features

• Modern orchestra size and appearance.
• Development and prominence of brass instruments.
• Music independent of external function (absolute music).
• Use of non-classical forms.
• Prominence of the piano (often called the "century of the piano").
• Increased use of chromaticism.

Key Musical Forms

• Symphonic Poem: A descriptive piece for orchestra.
• Lied: Voice with piano accompaniment.

Lied: Vocal Music Form and Structure

• Definition: A consistent form involving setting a poem to music for singer and piano.
• Structure: ABA.
• Key Creator: Franz Schubert.
• Common Topics: Love, death, and nature.
• Example: La Trucha (The Trout) by Schubert.

19th Century Opera

Opera evolved significantly, occupying a prominent place in the nineteenth... Continue reading "Major Musical Forms and Movements of the Romantic Era" »

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Gustavo Adolfo Bécquer and His *Rimas*

We are confronted by Gustavo Adolfo Bécquer's *Rimas*, written during the second half of the nineteenth century. It was the era of Realism, but his rhymes belong to the Romanticism movement. They are a model of romance, and he is considered a late Romantic. The mid-century poetry is marked by the intimate melancholy of Bécquer and Rosalía de Castro. Lengthy narrative poems of the Romantics were abandoned for shorter compositions, following the style of German ballads. The legend versified prose replaces. In the *Legends* of Bécquer (*Maese Pérez, the Organist*, *The Miserere*, *El Monte de las Ánimas*, etc.), the narrator acts as a correspondent or columnist for prodigious and mysterious events,... Continue reading "Gustavo Adolfo Bécquer: Romanticism and the Rimas" »

Renaissance (15th and 16th Centuries)

Period characterized by the recovery of classical ideals (beauty, proportion, symmetry) in various art disciplines (architecture, sculpture). Works of art from ancient Greece and Rome were taken as models.

Renaissance Music

There were no ancient musical examples because we do not conserve any ancient Greek or Roman scores. The most characteristic feature is the improvement of polyphony. The music from this period adopts some of the ancient ideals:

1. Ideals of beauty, proportion, and symmetry.
2. Music must express and imitate the meaning of the lyrics.

Humanism

A new way of thinking that promotes the complete development of the human being through the studies of art and sciences. Leonardo Da Vinci is a key figure.

Printing

Romanticism: A school of thought that valued feeling and intuition over reason. It first emerged in Germany in the 18th century. Romantics believed that the imagination could apprehend truths, usually accompanied by powerful emotion and associated with natural, unspoiled beauty. To the Romantic sensibility, the imagination, spontaneity, individual feelings, and wild nature were of greater value than reason, logic, planning, and cultivation. To the Romantic mind, poetry was the highest and most sublime embodiment of the imagination. Romanticism emphasized feeling and intuition over reason, sought wisdom in natural beauty, and valued poetry above all other works of the imagination.

Essential Literary Terms and Historical Genres

Elegies: Expressing Personal Emotions

Elegies express personal emotions, often characterized by mourning or reflection. Poetic devices frequently found include alliteration and caesura.

The most important elegies are preserved in the Exeter Book of the Exeter Cathedral, notably:

• “The Wanderer”
• “The Seafarer”

These works were composed around the 9th century.

The Wanderer: Theme of Exile

“The Wanderer” specifically deals with the theme of exile. It portrays an Anglo-Saxon warrior demonstrating his loyalty to his lord or his country.

Metaphysical Poets

Key figures in the Metaphysical poetry movement include:

• John Donne
• Ben Jonson

The Epistolary Novel

The epistolary novel is a narrative form presented... Continue reading "Essential Literary Terms and Historical Genres Defined" »

Romanticism: A Cultural and Artistic Movement

Romanticism was a significant cultural and artistic movement that emerged in Europe between the late 18th and early 19th centuries. It represents the onset of modernity.

Key Features of Romanticism

• Freedom of the Individual: Social, moral, political, and artistic freedom were central tenets.
• Subjectivism: Authors expressed their inner selves, passions, and feelings through literature. There was often a clash between aspirations for happiness and the emerging reality, leading to an interest in marginalized figures like the hacker, the executioner, and the pauper.
• Irrationalism, Idealism, Nationalism, and Youthful Rebellious Spirit: These elements frequently appeared in Romantic works.

Stages of Romanticism

A Century of Change

The twentieth century broke with Romanticism, introducing different music. World War II found romantic music evolving with more modern forms of composition. In the nineteenth century, musical movements emerged with a new air of France and nationalism.

Impressionism and the Group of Six

The Impressionists sought to create atmospheres and suggestive impressions using new combinations of timbres and harmonies. Principal composer Claude Debussy, with works like The Sea, Clouds, Sirens, and Night. Maurice Ravel, another Impressionist, was a very skilled orchestrator, achieving a winning combination of magical sounds and instruments never before used. He composed the Bolero for orchestra.

In Paris, the Group of Six, admirers of Erik... Continue reading "20th Century Music: Impressionism, Nationalism, and Digital Era" »