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Romanticism and Transcendentalism: Key Concepts and Authors

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Romanticism: A school of thought that valued feeling and intuition over reason. It first emerged in Germany in the 18th century. Romantics believed that the imagination could apprehend truths, usually accompanied by powerful emotion and associated with natural, unspoiled beauty. To the Romantic sensibility, the imagination, spontaneity, individual feelings, and wild nature were of greater value than reason, logic, planning, and cultivation. To the Romantic mind, poetry was the highest and most sublime embodiment of the imagination. Romanticism emphasized feeling and intuition over reason, sought wisdom in natural beauty, and valued poetry above all other works of the imagination.

American Romanticism took two paths. One led to the exploration
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Understanding Romanticism: Key Features, Stages & Major Authors

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Romanticism: A Cultural and Artistic Movement

Romanticism was a significant cultural and artistic movement that emerged in Europe between the late 18th and early 19th centuries. It represents the onset of modernity.

Key Features of Romanticism

  • Freedom of the Individual: Social, moral, political, and artistic freedom were central tenets.
  • Subjectivism: Authors expressed their inner selves, passions, and feelings through literature. There was often a clash between aspirations for happiness and the emerging reality, leading to an interest in marginalized figures like the hacker, the executioner, and the pauper.
  • Irrationalism, Idealism, Nationalism, and Youthful Rebellious Spirit: These elements frequently appeared in Romantic works.

Stages of Romanticism

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20th Century Music: Impressionism, Nationalism, and Digital Era

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A Century of Change

The twentieth century broke with Romanticism, introducing different music. World War II found romantic music evolving with more modern forms of composition. In the nineteenth century, musical movements emerged with a new air of France and nationalism.

Impressionism and the Group of Six

The Impressionists sought to create atmospheres and suggestive impressions using new combinations of timbres and harmonies. Principal composer Claude Debussy, with works like The Sea, Clouds, Sirens, and Night. Maurice Ravel, another Impressionist, was a very skilled orchestrator, achieving a winning combination of magical sounds and instruments never before used. He composed the Bolero for orchestra.

In Paris, the Group of Six, admirers of Erik... Continue reading "20th Century Music: Impressionism, Nationalism, and Digital Era" »

Isaac Albéniz: Master of Spanish Piano and His Enduring Legacy

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Albéniz's Artistic Legacy and Influence

Isaac Albéniz wrote for all kinds of genres, but his piano output stands out as his most significant contribution. He is considered one of the most important composers of Spanish nationalism, as his work evokes the rhythms and melodies of popular Spanish music.

The titles of his works often relate to specific areas of Spain. His compositions emphasize the expressive power of his melodies, which always achieve striking contrasts.

Featured Work: Asturias (Leyenda)

Asturias (Leyenda) is a renowned piano piece that forms part of the Suite Española, Op. 47. It is structured in three parts. A suite is a musical work containing several individual pieces; in this case, each piece within the suite evokes different... Continue reading "Isaac Albéniz: Master of Spanish Piano and His Enduring Legacy" »

Baroque Art in Europe and Spain: Architecture, Sculpture, Painting

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Baroque Architecture

  • Bernini: Colonnade of St. Peter's Square; Canopy to the Basilica of St Peter's; Church of San Andrea del Quirinale.
  • Borromini: The Oratory of St. Philip Neri; Church San Ivo; Church Santa Ines in Piazza Navona; San Carlo alle Quattro Fontane.

Baroque Sculpture

  • Bernini: The Rape of Proserpina; Tomb of Urban VIII; The Ecstasy of Saint Teresa; Fountain of the Four Rivers; Tomb of Alexander VII; David; Apollo and Daphne.
  • Gregorio Fernández: Pietà; Made numerous altarpieces; Christ Recumbent.
  • Salzillo: Eight processional statues (The Fall, The Prayer in the Garden, San Juan, The Kiss of Judas, The Last Supper, The Painful, Jesus Bound to the Column, The Ordeal); The Belén Riquelme family; Holy Family; St. Jerome Penitent; Prayer
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Classical Music: Instruments, Orchestras, and Composers

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Classical Music

1. Construction of Classical Music

Classical music is built upon the principle of melody, emphasizing symmetrical structure. Melodies are typically divided into sections of 8 bars (periods and sub-periods of 2) or 6 bars (3+3). Harmony plays a crucial role, with a tonal hierarchy centered around the root (R), dominant (V), and subdominant (IV) chords. Harmonic tones emphasize scales and arpeggios. Alberti bass, a common accompaniment pattern, involves arpeggiating chords in a regular, repeated pattern.

2. New Instruments in the Orchestra

The harpsichord gradually disappeared from the orchestra. Two prominent instruments emerged: the horn and the clarinet. The piano also became a key instrument.

  • Wind: Clarinet, Horn
  • Keyboard: Piano

3.

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A Brief History of Music Genres and Cultural Expressions

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A Brief History of Music Genres

Hard Rock: The power amplifiers, distortion of the guitars, the melodic content between screams, rhythm, and repetition are some traits of hard rock. (Deep Purple, Led Zeppelin, Iron Maiden).

Punk: Emerging from the economic crisis of the 70s, punk appeared as a reaction to social issues and disenchantment, characterized by the constant pursuit of controversy. (Sex Pistols, The Clash, Ramoncín).

Disco: Dance music that draws from soul, funk, and electronica. (Diana Ross, Donna Summer, Bee Gees).

Reggae: Originating from Jamaica, reggae marked a change for the subsequent evolution of music. In a non-industrialized country, a style appeared with Caribbean rhythms that influenced the entire planet. (Bob Marley)

New

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Classical Music Essentials: Forms, Composers, and Concepts

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Key Composers of the Classical Era

The most important composers of the Classical era were Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven. All three lived and worked in Vienna, a central hub for music during this period.

What is a Musical Movement?

When we speak of a movement in a musical work, we are referring to the distinct, self-contained sections or "breaks" that exist within the larger composition. Each movement typically has its own tempo, mood, and structure.

Distinguishing Musical Forms

Symphony

A symphony is a large-scale musical composition for orchestra, typically divided into four movements. Each movement usually has a different structure and tempo, and the overall form of the symphony has evolved significantly over time.... Continue reading "Classical Music Essentials: Forms, Composers, and Concepts" »

Romantic Era Music: Program Music, Lied, Opera, Wagner & Nationalism

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Romantic Era Music

Program Music

Program music sought a more free and open expression, moving beyond structural criteria to embrace extramusical elements.

The Program Symphony

A symphony developed around a program, description, or literary argument. Creator: Hector Berlioz (1803-1869), with Symphonie Fantastique (1830).

The Symphonic Poem

An orchestral composition based on a single movement or descriptive poetic element. Creator: Franz Liszt, with The Preludes (1849).

The Lied

The German word for "song," a short piece for voice and piano set to a poetic text. These pieces feature a simple melody, with the piano expressing the mood and meaning. Simple forms are used, including:

  • Strophic Lied
  • Bipartite Lied
  • Tripartite Lied

Italian Opera

Major schools emerged,

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Medieval and Renaissance Music: Periods and Styles

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Music in the Middle Ages

Polyphony

Polyphony is a musical texture involving two or more simultaneous lines of independent melody. It emerged significantly from the mid-9th century onwards.

Ars Antiqua (c. Mid-9th - 13th Century)

The main musical style of the 13th century. Principal musicians associated with this era include Albertus Parisiensis, Leoninus, and Perotinus.

Musical Forms of Ars Antiqua

  • Organum: A form where an additional invented melody is added to a pre-existing Gregorian chant melody.
  • Motet: A form built on a Gregorian melody (tenor), with new voices added above it, often with different texts (polytextual).
  • Conductus: A form where all melodies (voices) are newly composed (not based on chant) and sung in Latin, usually with the same text
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