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Spanish Poetry Movements: 1950s to Present

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1950s: Social Poetry

Poets felt the need to provide critical testimony of the reality and adopt an attitude of commitment to the situation that existed in Spain. Cantos Iberians by Gabriel Celaya and I Ask for Peace and the Word by Blas de Otero, published in 1955, stand out.

As for the themes, we must highlight the issue of Spain, social injustice, and alienation. The language is clear, and the tone is colloquial.

1960s: Poetry of Knowledge

By the end of the 1950s, a group of poets emerged seeking further elaboration of poetic language and a shift from the collective to the personal. They defended the idea of the poem as an act of knowledge.

  • Barcelona Group: Jose Agustin Goytisolo, Jaime Gil de Viedma, among others.
  • Madrid Group: Claudio Rodriguez,
... Continue reading "Spanish Poetry Movements: 1950s to Present" »

Western Music History: From Organum to Madrigal

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Organum

Organum, a foundational form of early Western polyphony, reached its height in the Notre Dame School of Paris, the heart of the Ars Antiqua (primarily between the 11th and 12th centuries). It involves parallel repetition of a melody, typically at a perfect fifth interval. This sacred vocal music genre enhanced musical passages by adding a second voice.

Organum Types

  • Parallel Organum: An added voice (vox organalis) doubles the plainchant at a parallel fifth below. Fifths were considered perfect and beautiful, and each voice could be inflected to an octave.
  • Free Organum: Showcased greater melodic independence, giving rise to the term contrapunctum.
  • Discantus (11th Century): The vox organalis and main voice move in contrary motion.
  • Florid/Melismatic
... Continue reading "Western Music History: From Organum to Madrigal" »

Baroque Secular Music in 17th-Century Spain and England

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Baroque Secular Music (17th Century)

Spain

Secular music in 17th-century Spain incorporated innovations from the new theatrical school of Lope de Vega and Gongora. New poetic genres emerged, such as the *romance*, which was much more varied than its 15th-century predecessor, featuring changes in metrics. The *letrilla* also appeared, with a greater measure than its predecessor. The *carol*, and most significantly, the *streak*, showcased diverse and constantly changing rhythms.

Musically, composers sought to reflect these rhythmic changes in their settings of the text. The traditional vocal quartet (soprano, alto, tenor, and bass) was often reduced by eliminating the tenor or bass. Composers emphasized the rhythmic syncopation characteristic... Continue reading "Baroque Secular Music in 17th-Century Spain and England" »

Johann Sebastian Bach: Master of the Sacred Cantata

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Johann Sebastian Bach represents the culmination of the Baroque period, and his death marks a turning point in music history. He was the main proponent of the cantata, a musical form performed and sung in Lutheran worship before the sermon. Bach's innovation was to create characters, recitatives, and arias for liturgical music, as seen in his early cantatas, effectively adding a narrative to a drama. The late 17th-century reforms of the Lutheran church allowed for the use of madrigal poetry in liturgical music. Bach never called his works "cantatas," but rather "spiritual harmony," "motets," or "church music," intended to encourage the faithful.

Bach's Cantata Development Across Cities

There are several periods in Bach's life regarding the development... Continue reading "Johann Sebastian Bach: Master of the Sacred Cantata" »

Renaissance Literature and Philosophy: Key Concepts

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Machiavelli and *The Prince*

Niccolò Machiavelli was born in Florence. In his youth, he received training in the humanities and then carried out political functions. His most important work was *The Prince*. The book constitutes an exclusive relationship for the measures to hold the reins of government that the ruling must follow. Machiavelli reserves the right to use force and will if the state requires it.

*Arcadia*: Renaissance Pastoral Novel

*Arcadia*, a Renaissance pastoral novel, was published in Valencia. It accounts for the life of young Sincere who, after a disappointment in love, left Naples and moved to the nation's Arcadia, where peace is called Peloponnese. However, a terrible dream leads him back to Naples, where he learns of the... Continue reading "Renaissance Literature and Philosophy: Key Concepts" »

Renaissance and Baroque Music, Art, and History

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Renaissance (15th-16th Centuries)

History

Civil society flourishes during the Renaissance, with a focus on nature, humans, and discovery. Power resides with influential bourgeois families. The Catholic and Protestant churches separate.

Art

Inspired by ancient Greece and Rome, Renaissance art emphasizes balance, beauty, and proportion. Painting, sculpture, and architecture thrive. Advanced mathematics contributes to sophisticated architecture. Owning instruments and employing skilled musicians becomes a status symbol among the ruling class.

Music

Polyphony and expressive music triumph. Vocal and instrumental music flourish. Songbooks compile songs and dances. Musicians hold esteemed positions in church chapels and courts, traveling and exchanging... Continue reading "Renaissance and Baroque Music, Art, and History" »

Music History: From Ancient Greece to the Baroque Era

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Music in Ancient Greece

In Greece, music became an art form, integral to various aspects of life such as poetry, dramatic performances, sporting events, and the Olympic Games. The first figures of musical notation emerged, and dedicated performers showcased their works.

Music in the Roman Empire

As the Roman Empire expanded its reign from the 2nd century BC to the 5th century AD, it inherited Greek culture, including music. Many Greek musicians became enslaved after battles. Music played a significant role in large public events like gladiatorial games and circus performances.

Gregorian Chant

To foster unity within Christianity, Pope Gregory I compiled early Christian songs. This musical form, collected over two centuries, became the sole music... Continue reading "Music History: From Ancient Greece to the Baroque Era" »

Baroque Composers and Musical Forms: 17th-18th Centuries

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Johann Sebastian Bach

Johann Sebastian Bach (1685-1750) was a German composer and organist, and an important member of a family of musicians. He began his musical training with the help of his father and his brother. At 18, he began his professional life. At 38, he was appointed music director of a Leipzig church and remained there until his death.

Secular Vocal Music

The secular vocal music component still includes madrigals. Opera was born, which has sung parts in theatrical productions. At the end of the Baroque period, operas buffa appeared, with comic arguments, and were very popular in France. The opéra-ballet also appeared.

Claudio Monteverdi

Claudio Monteverdi (1567-1643) was a composer from Cremona, Italy, chronologically located in the... Continue reading "Baroque Composers and Musical Forms: 17th-18th Centuries" »

Understanding Human Responses to Music and Its Uses

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The Power of Music

There's a song that seems made expressly for us.

Human Responses to Music

People cannot stay indifferent while listening to music. Before the sound stimulus, we always react in one way or another.

Types of Responses:

  • Emotional Response: An emotion is an intense mental state that arises spontaneously in the nervous system, causing a positive or negative reaction. It is involuntary.
  • The Body's Response: Often, while listening to music, we make small movements without being conscious of them, and we follow the beats. But what makes us dance is the rhythm, which also marks the style of dancing.
  • Intellectual Response: Many times when we hear a song, we look at any aspect that draws our attention: the timbre of a singer's voice, the
... Continue reading "Understanding Human Responses to Music and Its Uses" »

Sound Art Fundamentals: Rhythm, Melody, Harmony

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Fundamentals of Sound Art

Fundamentals of Music

The fundamentals of music are:

  • Rhythm: The combination of sounds and silences. It serves as the skeleton of a melody.
  • Melody: The most visible element of a musical piece, i.e., that of which we are most aware when listening. It is usually the starting point of a composition consisting of a free combination of musical notes.
  • Harmony: The musical part that regulates the relationship between melody and the instruments that accompany it.

Towards the end of the 19th century, composers became interested in the traditional music of their countries and cultures, which enriched their music through the use of new rhythms and instruments.

Musical Forms

The starting point of a composition is usually one or more melodies,... Continue reading "Sound Art Fundamentals: Rhythm, Melody, Harmony" »