Notes, summaries, assignments, exams, and problems for Latin

The Theater of the 17th Century

The 17th century is the great period of Spanish drama due to the importance of the authors, the quality of their work, and their social impact. This is thanks to the impetus given by Lope de Vega with the principles of his New Comedy.

Lope de Vega's Theatrical Innovations

In his theatrical production, Lope de Vega introduced innovations that he later detailed in his New Art of Making Comedies:

• He did not respect the three unities of time, place, and action.
• The work is structured in three acts and workshops.
• While the classical precept separated comedy and tragedy, they can now be mixed in the same work (tragicomedy).
• All the works are written in verse. He resorted to polymetry, using different stanzas and meters.
• He

Modernism and the Generation of '98: Key Differences

The late nineteenth century saw a profound renewal in art and thought across Europe and America. This period fostered two major literary movements in the Spanish-speaking world: Modernism and the Generation of '98. While both movements sought to break with previous aesthetics (like Realism and Naturalism), they differed significantly in style, focus, and approach to Spanish reality.

Understanding Modernism

Modernism was a literary movement that began in the late nineteenth century, breaking away from the prevailing aesthetics of Realism and Naturalism. It synthesized elements from French literary schools:

• Parnassianism: Focus on mythological themes and formal perfection.
• Symbolism: Use of subjective

A comprehensive glossary covering key concepts in literature, drama, rhetoric, and general vocabulary.

Persuade

To induce, move, or provide compelling reasons for someone to believe or do something.

Convince

1. To incite or move someone with reasons to change their opinion or behavior.
2. To prove something so conclusively that it cannot be rationally denied.

Anaphora

1. (Liturgical) In Greek and Eastern liturgies, the part of the mass corresponding to the preface and the canon in the Roman liturgy, whose essential part is the consecration.
2. (Rhetorical/Linguistic) A type of deixis where certain words refer back to the meaning of a previously stated part of speech (e.g., "what had been said, but I did not believe").

Flashback

A retrospective passage that interrupts... Continue reading "Essential Literary and Rhetorical Terms Defined" »

Spanish Postwar Poetry: Eras of Isolation and Renewal (1939-1964)

The Spanish Civil War, the onset of the Franco dictatorship, and the subsequent exile of many Spaniards, including numerous intellectuals, severely interrupted the evolution of Spanish culture and literature. This period led to profound isolation, guarded by strict political and ideological censorship. In a postwar environment marked by a lack of freedom, widespread poverty, and hunger, literature and poetry embarked on a challenging path between 1939 and 1950. During this time, two main poetic stances emerged: either approving the new political situation or reflecting the deep hopelessness regarding the present and future.

Established Poetry: Adherence to the Regime

Cultivated... Continue reading "Spanish Postwar Poetry: Movements and Literary Currents (1939-1964)" »

Gabriel García Márquez's Masterpiece

This text offers commentary on Chronicle of a Death Foretold, written by Gabriel García Márquez. It is one of the most popular of all his works. Gabriel García Márquez won the Nobel Prize in Literature in 1982 and is one of the leading representatives of the so-called "boom" in Latin American Literature. Chronicle of a Death Foretold was published in 1981 and has many of the features that characterize this movement, such as magical realism.

Narrative Structure

In analyzing the structure, one must determine if the narrator is acting as a narrator-witness (first person) or is merely a chronicler collecting the testimonies of others (direct, indirect, free indirect).

Narrative Attitude and Style

The attitude... Continue reading "Chronicle of a Death Foretold: Narrative and Style" »

The Genesis of Latin Literature

The birth of Latin literature is usually placed at 240 BC. During the Roman games that year, the judges ordered Livio Andronico (the first author of Latin literature, who translated the Odyssey into Latin Saturnian verse) to translate or adapt a Greek comedy and tragedy to present them to the public as part of the games. Thus, the works of Roman literature and drama were initially translations or adaptations of Greek plays.

Early Latin Literary Works

The first known literary works include those of Nevio, who wrote Punic War in Saturnian verse. This work is closely related to the period of nationalist fervor in Rome during that century.

Development of Latin Epic Poetry

The discovery of Greek literature and mythology... Continue reading "Origins of Latin Literature: Key Authors and Works" »

Josep Carner and the Noucentisme Movement

The work of Josep Carner (1884-1970) is one of the most important contributions to the Noucentisme movement. The contribution of poetry to the possible realization of an ideal Catalonia is central to his work. While the poet is not an ideologue or a politician, he plays an important role in promoting a certain mood and imaginative truths that help build a country that believes in its potential as a collective.

Language and the Construction of a National Identity

His poetic activity involved hard work surrounding the dignity of the Catalan language. Josep Carner created a noble, refined language that increasingly sought ironic precision and accuracy, moving far away from Modernist literature.

Key Works and

Poetry as a Literary Genre

Lyric Poetry: An Introduction

Lyric poetry is any poetic composition in which the author expresses their feelings subjectively. Written in both verse and poetic prose, it aims to create a connotative, evocative, and polysemous world. The result is a well-developed piece, full of artifice and expressive density.

The Language of Lyric Poetry

Three lyrical attitudes exist between reality (matter) and the poet:

• Lyrical Emotion: The poet's external reality inspires the composition.
• Lyrical Apostrophe: The poet addresses a "you" that is the constant reference of the poem, engaging in lyrical dialogue.
• Language of the Song: The author, attentive only to their ego, presents their vision of reality or their inner world. This is the

Fate as a Result of Human Awkwardness

The narrative contains all the basic elements of fate: there is one death (an inescapable finality), that death has been announced, and there is an eyewitness account which simply tells what happened, but no capacity to intervene in the events.

The work, Chronicle of a Death Foretold, is presented as the author's incursion into the world of fatalism. Santiago Nasar is doomed, fatally. No compromise is possible, because fatalism is a structural element without which the work will not be what it is.

Destiny, Stupidity, and the Tragic Result

Destiny also dominates the story, making it a fatal tragedy of sense. But unlike classical tragedy, here it is not the gods who decide men's fate from above; rather, this... Continue reading "Fatalism and Human Stupidity in Chronicle of a Death Foretold Analysis" »

Twentieth-Century Hispanic American Poetry

The first major literary movement in Latin America was a native mode of Modernism. The influence of Modernism in Hispanic America was enormous, forming the basis for the continent's literary development. However, by 1920, modernist innovations were insufficient, and new poets sought fresh approaches. Generally, Latin American poetry of the twentieth century navigated between two ideological poles, similar to European aesthetics.

Ideological Currents in Latin American Poetry

• The tension between the cosmopolitan trend, linked with universal issues and themes, and the need to reflect American reality.
• The contrast between a concept of poetry as pure art, in line with European avant-garde principles, and the