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Federico Garcia Lorca's Theatrical Works: Themes, Career, and Style

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Federico Garcia Lorca: Theatrical Conception

Coexistence of Poetry and Reality in His Theater

Themes

The subject matter of Federico Garcia Lorca's plays is deeply unified and not different from what unifies his poetry. Critics have summed it up with different formulas: "the myth of impossible desire," the conflict between reality and desire, and "frustration." Lorca stages various tragic passions condemned to loneliness or death, with love often marked by infertility. This theme appears in several works embodied in women, but its scope is broader than that of a "feminist" theater. It is the tragedy of any person sentenced to a sterile life, a life of vital frustration. What frustrates Lorca's characters is situated on two levels: metaphysical... Continue reading "Federico Garcia Lorca's Theatrical Works: Themes, Career, and Style" »

Spanish Baroque Literature: Góngora, Lope de Vega, Quevedo

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Luis de Góngora

Along with the popular tradition, classical or Petrarchan, Góngora created the most innovative poetic language of the time. His difficult and minority-focused production led to both rejection and fiery polemics, as well as admiration and followers among his readers.

Poetry

Minor art and poetry of Petrarchan poetry:

  • Minor Art: Letrillas, romances, and, above all, satirical and burlesque works.
  • Sonnets: Themes of love and encouragement to enjoy life in the Petrarchan line, although amended by the consciousness of time. Others are comical, and a third group deals with disappointment and the transience of life.
  • Major Poems: Fable of Polyphemus and Galatea, and Solitudes. Polyphemus is based on the version offered by Ovid. Its main
... Continue reading "Spanish Baroque Literature: Góngora, Lope de Vega, Quevedo" »

Modern Spanish Theatre: 1940 to Contemporary Times

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Spanish Theatre: 1940 to Present Day

Theatre in Exile

Key playwrights writing outside of Spain during this period include:

  • Max Aub
  • Alejandro Casona

The 1940s: Evasion and Humor

The theatre of humor during this decade was notably innovative. Miguel Mihura's Three Top Hats is a comedy satirizing the routine and mediocrity of the provincial bourgeoisie and the equally miserable vaudeville life.

The 1950s: Existential and Social Drama

Realistic theatre attempted to renew the Spanish stage and demonstrate opposition to the dictatorship. Works raised issues such as social injustice, exploitation, the lives of the middle and lower classes, and the human condition of the downtrodden and marginalized.

Prominent authors include:

  • Alfonso Sastre
  • Lauro Olmo
  • Antonio
... Continue reading "Modern Spanish Theatre: 1940 to Contemporary Times" »

The Historical Development of the Spanish Language

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Pre-Roman Iberia and Linguistic Substrates

The Iberian Peninsula, inhabited by various tribes during the 3rd and 4th centuries BC, featured diverse, limited dialects. These tribes included the Celts, Phoenicians, and Basques. We have inherited words from these pre-Roman languages (known as the substrate), such as perro (dog) and mantequilla (butter).

The Imposition of Latin (218 BC)

In 218 BC, the Romans arrived, and their language, Latin, was imposed throughout the territory. There were two main forms of Latin:

  • Cultured Latin (used for writing and formal contexts).
  • Vulgar Latin (the common, oral language spoken by soldiers and settlers).

Approximately 70% of the words we use today derive from Latin. This Latin was influenced by the linguistic substrate... Continue reading "The Historical Development of the Spanish Language" »

Traditional Lyric and Spanish Ballads: Forms and Transmission

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The Traditional Lyric

It is passed down orally among the people. These songs originated with villagers (inhabitants of the villages), who sang during breaks, holidays, and religious services. They were also associated with labor, such as farming or reaping, and with children's singing games. The earliest known examples are the Jarchas in Mozarabic, dating back to the 10th century.

Key Forms and Similarities

Similar forms include the Jarcha, the *Cantar* (Lay/Song), ballads, and carols. Some cultured authors later wrote refined versions of these popular forms.

Major Themes in Traditional Lyric

  • Theme of Love

    Often features a woman complaining to a female confidante about beauty, or being a girl in love. Another common issue is the married woman against

... Continue reading "Traditional Lyric and Spanish Ballads: Forms and Transmission" »

Exploring Medieval Spanish Literature

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Popular Lyric Poetry

Characteristics

  • Oral transmission
  • Use of verse
  • Theocentricism: The doctrine that God and religious life should be the center of all human concerns.
  • Anonymous authors
  • Didactic and moralizing purpose

Jarchas

These short poems have irregular syllabic measure and abundant parallelism. The protagonist is typically a young woman lamenting the absence or infidelity of her lover.

Mio Cid

Song of Exile

King Alfonso VI banishes Rodrigo Diaz de Vivar, El Cid, who leaves with his friends and vassals. The Cid and his followers fight the Moors, winning the battle of Alcocer. The first song ends with the Count's release, ashamed of his defeat.

Wedding Song

El Cid conquers Valencia after a two-year siege. A new victory against the Emir of Morocco... Continue reading "Exploring Medieval Spanish Literature" »

Postwar Spanish Theater: Trends and Notable Playwrights

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Postwar Spanish Theater

Postwar Spanish theater aimed to entertain and escape. Bourgeois comedy, with themes of love and fidelity, critiqued societal customs without bitterness. Notable authors included Jose Maria Peman, Joaquin Calvo Sotelo (The Wall), Juan Ignacio Luca de Tena (Don Jose, Pepe and Pepito), Jose Lopez Rubio, and Victor Ruiz Iriarte (Child's Play).

Teatro del Humor

Characterized by witty language and improbable scenarios, this genre caricatured society. Enrique Jardiel Poncela, with works like Angelina or the Honor of a Brigadier and Eloisa is Beneath an Almond Tree, and Miguel Mihura, a precursor to the theater of the absurd with plays such as Three Hats, Ninette and a Lord of Murcia, were masters of comic language, irony, wordplay,

... Continue reading "Postwar Spanish Theater: Trends and Notable Playwrights" »

Medieval Spanish Literature: Clergy, Lyrics, and Prose

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The Mester de Clerecía

A new poetic trend emerged in the thirteenth century, aiming to educate about Christian life and culture. This movement is known as the Mester de Clerecía (Ministry of Clergymen).

Leading representatives of this trend were Gonzalo de Berceo and Juan Ruiz, Archpriest of Hita.

Gonzalo de Berceo

Gonzalo de Berceo was the first writer in the Spanish language whose name we know. His most important work is The Miracles of Our Lady (Milagros de Nuestra Señora), which contains 25 short narrative poems (miracles).

Juan Ruiz, Archpriest of Hita

Juan Ruiz, Archpriest of Hita's most important work is The Book of Good Love (Libro de buen amor). It belongs to a time of transition between the Middle Ages and the Renaissance.

Features of

... Continue reading "Medieval Spanish Literature: Clergy, Lyrics, and Prose" »

The Carolingian Empire and Early Medieval Art

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The Carolingian Empire

The Frankish Kingdom

The Franks settled in Gaul after the fall of the Western Roman Empire. The region was initially governed by warlords until Clovis unified the Gallo-Roman peoples and the Franks. He famously defeated the Visigoths at the Battle of Vouillé.

Mayors of the Palace

The successors of Clovis largely left the government in the hands of the Mayors of the Palace. Notably, Charles Martel stopped the Muslim advance into Europe at the decisive Battle of Poitiers.

The Carolingian Dynasty

Pepin the Short founded the Carolingian dynasty. He allied with Pope Stephen in the fight against the Lombards, who had invaded Italy. In return for the Pope's support, Pepin the Short granted him the Papal Domains, laying the foundation... Continue reading "The Carolingian Empire and Early Medieval Art" »

Latin American Experimental Fiction: 1960-1980

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The Experimental Novel: 1960-1980

Between 1960 and 1980, a set of innovative novels emerged in Latin American literature. These works often incorporated magical realism but delved deeply into experimentation with new narrative forms. Key novelists who pioneered this movement include:

  • Ernesto Sabato

    Sabato wrote an intellectualized narrative, often resembling an essay, which crystallized in works such as The Tunnel (a short novel exploring love and madness), On Heroes and Tombs, and Abaddon the Destroyer. His work offers a critical reflection on contemporary society.

  • Julio Cortázar

    Cortázar stands out for his short stories, often resembling fairy tales in the vein of Kafka and Borges (e.g., Bestiary, Secret Weapons, All Fires the Fire). In his

... Continue reading "Latin American Experimental Fiction: 1960-1980" »