Notes, summaries, assignments, exams, and problems for Latin

Classification of Literary Expression

Prose and Verse

Literary expression is classified through prose and verse. Prose uses natural language to express concepts, while verse is the artistic expression of language that meets aesthetic needs. Its rhythm is marked by pauses, creating a measured flow.

Literary Genres

Literary genres are the fundamental models for structuring literary texts. Each genre can present diverse works, and realizations of the same genre can reflect the characteristics of a particular age.

Lyrical Genre

Lyrical texts present a subjective view from an intimate perspective. Experiences and feelings prevail, emphasizing the expressive and poetic functions of language. The most common vehicle of expression is the lyric verse.

Subgenres

History of Civil Engineering

One could argue that engineering began when humans started creating tools for everyday life. Early humans used basic engineering principles to obtain food, create clothing, and develop defensive weapons such as axes, spearheads, and hammers. The development of engineering significantly advanced with the agricultural revolution (8000 BC) when nomadic tribes transitioned to cultivating crops and raising livestock.

By 4000 BC, settlements along the Nile, Euphrates, and Indus rivers saw the rise of civilization and the development of writing.

Until relatively recently, the term "architect" encompassed individuals with expertise in architecture, structural engineering, geology, and hydraulics, primarily for military construction.... Continue reading "Civil Engineering: A Historical Perspective" »

Song of Exile

El Cid is banished by King Alfonso VI because some envious individuals have accused him of keeping a portion of the taxes collected from Andalusia. He leaves his wife, Jimena, and daughters in the Monastery of Cárdena. Soon after, he begins his military campaigns against the Moors, operating from Teruel to Zaragoza. The conquest culminates with the liberation of the Count of Barcelona, whom El Cid had previously taken prisoner.

Song of the Wedding

El Cid continues his military activities, reaching the Mediterranean and conquering Valencia. He then begs the King to allow Jimena and his daughters to join him in the city. El Cid shows off his conquered lands, having become rich and powerful. Because of this, the Infantes of Carrión... Continue reading "El Cid: Exile, Battles, and Legacy in Medieval Spain" »

Spanish Poetry After the War

1. Poetry in Exile loses contact with the renewal of the years preceding the war. The themes are common to all of them (parental loss, memories, longing to return, etc.), and really care about the land where you live. The existential perspective of life predominates, and the style is more casual and conversational.

2. Spanish Poetry After the War: The process of rehumanization, pulled down in '27, will continue after the war. It is not entirely true for poetry that was cultivated in our country in the '40s and '50s. The poetry scene is divided into:

• Rooted Poetry: A group of authors with a bright, coherent, and orderly vision of the world. The so-called creative Youth (contrary to the negative approach of the rest

The Spanish Civil War's Impact on Literature

The Spanish Civil War caused a radical break in the literary field. Some poets, such as Federico García Lorca, died in the war or as a result of it, like Miguel Hernández. Others, such as Luis Cernuda, went into exile, while others, like Vicente Aleixandre, continued their work in Spain. Moreover, new trends emerged that would shape generations of poetry in these decades.

Rooted Poetry: Themes of Victory and Tradition

In the early forties, poetry returned to classic themes such as love, religion, and homeland, and incorporated new themes like the meaning of the imperial state. This was poetry for and by the victors of the war, often termed 'rooted poetry'. Notable poets of this trend include Dionisio

Generation of '27

In the 1920s, a group of outstanding poets emerged, renewing Spanish poetry of the twentieth century. This group, often associated with the tribute to Góngora's tercentenary, included Jorge Guillén, Salinas, Alberti, Lorca, Dámaso Alonso, Gerardo Diego, Cernuda, Aleixandre, Manuel Altolaguirre, and Emilio Prados. They aimed to renew poetic language, influenced by modern and avant-garde traditions. Characteristics adopted by the Generation of '27 included intellectual poetry, hermeticism, minority appeal, originality, and self-sufficiency of art. They used free verse and metaphors.

Stages:

1. Up to 1927: Influence of Juan Ramón and 'pure' poetry.
2. Until 1939: Stage of maturity, re-humanization of poetry.
3. Emerging poets and exile

Federico García Lorca: Key Figure of the Generation of '27

Federico García Lorca was a key figure in the Generation of '27 due to his influential literary work and his crucial role in Spanish cultural life.

Central Themes in Lorca's Poetic World

Lorca's poetic world is often tragic and violent. His central themes include:

• Love: Love is presented as a true life force and source of energy and fullness, validating all erotic inclination. However, the love relationship is frequently condemned to frustration.
• Death: The failure of love often leads to death. Its mysterious presence permeates situations, characters, and history, exercising a powerful attraction.
• Children/Innocence: Childhood is seen as the age of innocence. Lorca's poetry often recreates

El Libro de Buen Amor: A 14th-Century Masterpiece

Mester de Clerecía continues into the 14th century. The great work written in this period is El Libro de Buen Amor by the Archpriest of Hita. This name has been used since the early 20th century for a work composed of 1728 verses, originally known as the Archpriest's work. Ramón Menéndez Pidal was the philologist who proposed the new title due to the frequent use of the phrase 'buen amor' (good love) within the text.

Authorship and Versions

Two surviving versions of the work exist: one from the year 1330 and another from 1343. The latter is considered the definitive version. The author provides limited data about himself; it is known that Juan Ruiz was his name, and he was an archpriest in the... Continue reading "14th-Century Spanish Literature: Juan Ruiz and Don Juan Manuel" »

Catalan Theater: From Post-War Silence to Resurgence

The Post-War Landscape (1939-1950s)

The triumph of the dictatorship forced Catalan theater into silence, as performances in Catalan were strictly prohibited. This ban was rigorously enforced across Catalonia and Valencia, with only a few exceptions allowed in Mallorca. The Catalan theater scene between 1939 and 1946 presented a bleak picture. However, from 1946 onwards, the possibility of working in Catalan began to emerge. It was Josep Segarra who, in that year, released The Prestige of the Dead. These years also saw important premieres by Carlos Soldevila and Lluís Elías.

In the 1950s, as Franco's regime entered a new phase, the situation gradually became more permissive, thus more favorable... Continue reading "Catalan Theater Under Franco: Repression and Resilience" »

General José Sanjurjo

General José Sanjurjo (Pamplona, 1872 – Portugal, 1936) was the commanding general of Melilla and the senior army commissar of Morocco. In 1932, he led a failed coup d'état, for which he was prosecuted and sentenced to death; however, the sentence was later commuted to life imprisonment. In 1934, he was pardoned on the condition of exile. In July 1936, he died in a plane crash in Portugal while traveling to Spain to take charge of the military uprising.

José Calvo Sotelo

José Calvo Sotelo (Pontevedra, 1893 – Madrid, 1936) was a professor of law who entered politics in 1919 under the tutelage of Antonio Maura. During the dictatorship of Primo de Rivera, he launched the provincial and municipal statutes and held the... Continue reading "Key Figures of the Spanish Civil War and Second Republic" »