Notes, summaries, assignments, exams, and problems for Latin

Great Poets of the 15th Century

Marqués de Santillana

Marqués de Santillana was the most powerful feudal lord of his era. He embodied the values and virtues that represent the courtly cult, engaging in war activities and reading classics. Of great interest is his light poetry. He excelled in grace and musicality with a refined spirit of the Renaissance. His works place him among the best poets of the 15th century.

Juan de Mena

Juan de Mena is the most important writer of high art. He is the author of Labyrinth of Fortune or The Three Hundred, a work of Dantean allegorical inspiration written in dodecasyllables.

Jorge Manrique

Jorge Manrique conjugated weapons and letters in his life. He belonged to a noble family, and his life was known only for... Continue reading "15th Century Spanish Literature: Poets and Novels" »

The Modernist Novel and the Generation of '98

The renewal of modernist aesthetics extends to the novel. Its themes are consistent with those of poetry. The idealization and stylization of reality are the basis of the Sonatas by Valle-Inclán and Platero and I by Juan Ramón Jiménez.

The Generation of '98 reacts against the "vulgar" style of realism and takes, in some cases, the thematic and ideological legacy of naturalism (Baroja) and, in others, the intellectual and enormous burden of German existentialist thought (Unamuno).

Miguel de Unamuno

His novels are existential in nature, picking up on his philosophical worldview and the author's concerns: the conflict between creator and character in Mist, the feeling of frustrated maternity in Aunt

Duran and the year 1905

Duran produced an early olead volume Carequerecionaria Orri Rusi or Tode, motivated by the legal case of Imente. In the absence of lock or land, and discontent by front attention Jap. Losses worker’s the principals fabricas of the country and the camp and signed or life star or continue to mind.

Bloody Sunday and its Repercussions

E January 9, considered as Bloody Sunday, was organized as a pacifist manifestation of workers, campesines, and neither are mujyeas. Encabezada by Pope (sacerdote) Japon, se i o al directs Palacio de I INTER. Esta manifestation gave note to the cuestion author abality of Tsar in the prot or que set laba by my serila and the lack of liberties.

To guard the tsar, formed soldiers Cossacks against... Continue reading "Russia's Transformation: From Autocracy to Constitutional Monarchy (1905)" »

Spanish Romanticism Highlights

Key characteristics and figures of the Romantic movement in Spain:

• New Topics: Predominance of sentiment, presentation of extreme situations, and pessimism.
• New Forms: Innovations in prose and verse, including the mixture of genres (e.g., Espronceda's El estudiante de Salamanca).
• Theater: Plays aimed to break classical rules (e.g., Duque de Rivas).
• Prose: Development of historicist prose (Leyendas) and articles depicting customs (cuadros de costumbres, e.g., Larra).

Mariano José de Larra (Fígaro)

Influenced by the French historical novel and tragedy. Known as a journalist signing as Fígaro. Famous articles include "Vuelva usted mañana" and "En este país".

José de Espronceda

A poet from Extremadura, highly admired... Continue reading "Spanish Romanticism & Realism: Key Authors & Works" »

NL games floral were part of the cultural tradition of the former world. Medieval portions of RNAi and their relation to topics in literature are discussed, as well as the emergence of restaurants and games based on the C VOCA. The text also explores rare occurrences in their natural habitat, such as gold and roller, and their relation to the three mistakes. Additionally, it touches upon the influence of floral motifs in various contexts, including standard cultural practices and public access.

The text then delves into the structure of editorial content, referencing an annual directory and topics in culture. It concludes with a discussion of the arts during the Renaissance, with a focus on popular theater.

Arts During the Renaissance: Popular

Spanish Theater Before 1939

Introduction: Theater in Spain before 1939 was largely aimed at commercial purposes, primarily guided by the tastes of entrepreneurs, the aristocracy, and the bourgeoisie. This mainstream theater often showed strong resistance to innovation. Two main trends can be distinguished during this period:

Mainstream Commercial Theater

This was the dominant theatrical form, often following conventions established in the second half of the 19th century. Key aspects included:

• Bourgeois Comedy: Its subject matter typically focused on the societal norms, customs, and vices of the middle and upper classes.
• Historical-Poetic Theater in Verse: This genre often praised noble ideas, patriotism, and significant figures or events from Spanish

Federico García Lorca and "La casa de Bernarda Alba"

This fragment delves into Federico García Lorca's play La casa de Bernarda Alba. Lorca, a renowned poet, playwright, and prose writer, was a prominent figure of the Generation of '27. The play was written in 1936, shortly before his tragic execution. While the specific act (I, II, or III) of the chosen fragment is not detailed here, the play itself offers a profound exploration of its themes.

Lorca's Theatrical Characteristics

Lorca's theater stands as one of the most significant contributions to 20th-century Spanish drama. It is characterized by:

• Poetic Drama: His plays often revolve around powerful symbols.
• Episodic Structure: The plot frequently unfolds through distinct scenes or "prints.

Federico García Lorca's Theatrical Legacy

Federico García Lorca, a prominent member of the Generation of '27, created plays that are considered as valuable as his poetry. He wrote his most famous works after 1930. Thematic coherence was maintained throughout his work, and loneliness, pain, and death were constant themes. His dramatic creation began in his youth, with certain modernist influences and the drama of Eduardo Marquina (The Hex). He created puppets for farces such as Tragicomedy of Don Cristobal and Password Roseta.

Surrealist Works

His more surreal, so-called "impossible theater" works, are: If Five Years Pass, The Public, and Play Without a Title. These works broke with traditional staging and some logical aspects, hence the difficulty... Continue reading "Federico García Lorca's Theatrical Legacy: A Deep Dive" »

Miguel Hernández: A Life in Poetry

Hernández was born in Orihuela (Alicante). He studied at a college of the Society of Jesus until the age of 14 when he left school to help his father in the family business. In his free time, he frequented the public library where he read classics and mystics.

Hernández's Poetic Journey

Hernández's poetry began with creative verses full of images of the Hispanic tradition. His work marks the transition between earlier authors and a new era. His poetry is characterized by its virile and heartfelt tone, its humanity, and technical perfection. He uses metaphors, sometimes primitive, sometimes surreal, but always full of strength. He highlights life, evocations of the natural and rural. The main theme of his... Continue reading "Miguel Hernández: Life, Poetry, and Legacy" »

Follas Novas: Rosalía's Psychological Depth

Follas Novas, written in Galician, reveals the full psychological complexity of Rosalía de Castro. Its most relevant poems showcase her subjectivity and conception of the world. In poems where she speaks of herself, we see a Rosalía characterized by:

• Pain
• Suffering
• Despair
• Loneliness

Death often appears as the only solution in these personal reflections. Poems with social themes primarily address emigration and the plight of migrant women, who are left alone and must perform traditional female tasks.

En las Orillas del Sar: Rosalía's Final Poetic Work

En las Orillas del Sar was Rosalía de Castro's last book. Its themes and tone align closely with those of Follas Novas. It is poetry marked by disappointment,... Continue reading "Rosalía de Castro: Pain, Love & Saudade in Her Poetry" »