Notes, summaries, assignments, exams, and problems for Latin

Poetry of the 40s

This era saw a return to traditional metrics, moving away from the Spanish reality. Notable works include those of Garcilaso and Leopoldo Panero, with the latter's "Poetry Uprooted." Other key figures include Damaso Alonso and Fiery Angel Otero, who viewed poetry as a creation. Pablo Garcia Baena also contributed to this period.

Poetry of the 50s

This period was characterized by social themes. Blas de Otero's work emphasized simplicity and a denouncement of the lack of liberty. Other writers include Gonzalez, whose work explored solidarity and freedom, and Gabriel Celaya, who addressed injustice.

Poetry of the 60s

Jaime Gil de Viedma blended conversational language and humor, critiquing the situation in Spain. José Agustín Goytisolo... Continue reading "Spanish Poetry and Theater: Eras, Styles, and Authors" »

The Renaixença in Mallorca: Context and Impact

The lack of a dynamic bourgeoisie in Mallorca (it was primarily rural) meant that writers were more conservative. Consequently, the rebirth was a purely literary and cultural phenomenon without significant social impact.

Key Personalities

Among the personalities of this period, Maria Aguilar should be stressed. She was a poet whose themes focused on popular recreation, and she also worked as a lexicographer and folklorist. Josep Lluís Pons was the first to discuss the Majorcan School. His poetry focuses on the landscape, characterized by formal elegance and controlled passion.

Two Models of Language

There were two prevailing models of language:

1. The Collective Conversational Model: Referred to as "Catalan

Spanish Literature: T-5 Movements

1. Neoclassicism (18th Century)

Characteristics: Literature focused on utility and delight, emphasizing reason and classical forms.

1.1 Didactic Poetry: The Fables

Written in verse with simple metrics, featuring humorous short narration.

• Authors: Félix María Samaniego / Tomás de Iriarte (e.g., The Flutist Donkey).

1.2 The Pictorial Essay

Purpose: Didactic; writes to propose ideas and communicate what should critically be reformed.

• Author: Gaspar Melchor de Jovellanos (e.g., Report on the Agrarian Law, Report on Shows and Public Entertainment).

1.3 Neoclassical Theater

Adherence to the Rule of Three Units (action, time, and place). Focuses on critical perspective and verisimilitude.

• Author: Leandro Fernández de Moratín

Detailed Phonetic Notes and Correspondences

These notes detail specific sound correspondences and realizations, often involving voicing, devoicing, and affrication:

• /P/ to /b/ (e.g., bata); /d/ to /f/ or /v/ (e.g., v garlic); /t/ to /d/ (e.g., temps, dit).
• Sibilants and Affricates: /s/ to /z/; /ts/ (e.g., tserpo); /dz/ (e.g., tretz).
• Liquids: /l/ (e.g., licor); /r/ (e.g., pare); /rr/ (e.g., parr).
• Palatalization and Nasals: Egix, lloc, c units, gola, ola Farig, quan, min, nan and FLAR.
• Vowel and Nasal Variations: Neu, nap, sang, c and r, Ningú, mel, llargada, llarg, forç (if not sounded).

Key Phonological Processes

• Elision (Emmudiment)

  Reduction or deletion of final consonants.

  • Stops: Camp, botó.
  • Clicks/Rhotics: Saber governat, vinsant.

• Pronunciation

Pedro Salinas

Poetry is a way to get to the essence of things and life experiences.

Topics

• Love: finding the central facts of existence.
• Desire for understanding and knowledge.

Style

• Contrast.
• Importance of the rhythm of dialogue and action.
• Short verse.

Stages

1. Influence of pure poetry, Creationism, and Futurism.
2. Covers the trilogy of love: La voz a ti debida, Razón de amor, and Largo lamento, which form a song of love.
3. Developed in exile.

Works

• Presagios
• Seguro azar
• La voz a ti debida
• Razón de amor
• Largo lamento

Jorge Guillén

His work is a rigorous poetic selection process which suppresses the accessory to communicate the essential idea or feeling. He grouped his poetry until 1968 under the title Aire nuestro, including Cántico, Clamor, and Homenaje.

Topics

• Joyous

Psychological and Social Causes in Poetry

These include emotional factors, expressive, social, and cultural constraints, and political and ideological reasons.

Social Euphemisms

Euphemisms are words or expressions that supersede taboos. Imbalances by equalities, Blind, blindness... Restriction of general meanings; they acquire specialized meanings. Mouse, menu, or network (computer). Extension of social, cultural, or certain professional terms that go into general use: Ghetto (quarter of a minority), Virus (computing).

Language Grounds

Change is influenced by the context in which the word is used: cut (coffee cut), compact (compact disc).

Types of Poems

The triplets, lira, encadenados, la la, the eighth Real, soneto, estancia, and the Sapphic Stanza.... Continue reading "Psychological, Social, and Linguistic Factors in Poetry" »

Courtly Poetry and Songs

Composed to be read, recited, or sung at court, courtly poetry was a common feature of the 15th century. Its characteristics include:

• Great variety of verses and themes:
  • Troubadour songs (love theme)
  • Political-philosophical or religious moral sayings
  • Scattered, brief, ingenious thoughts
  • Glosses
  • Dialogued poems (philosophical, scientific, and moral theology)
• Language play: Contrived words and their meanings.
• Metric: Castilian versos de arte mayor.
• Notable song collections: Cancionero de Baena, Cancionero de Estúñiga, Cancionero General, Cancionero de Palacio.

Critical and Satirical Poetry

This genre includes the Castilian version of the Dance of Death (early 15th century), where Death calls various characters (including the Pope... Continue reading "Masterpieces of 15th Century Spanish Literature" »

Don Quixote, by Miguel de Cervantes, stands as the most important work of Spanish literature. It is characterized as a realistic novel and a foundational work of prose fiction.

Publication and Narrative Structure

It was published in the early seventeenth century in two parts. The book tells the story of an old gentleman who loses his mind by reading many books of chivalry.

• Part One: Describes Don Quixote setting out in search of adventure, driven by a noble desire for justice.
• Part Two: Highlights adventures marked by the confusion of fact and fiction in Don Quixote's mind.

Key Themes

• Chivalric Parody: The author clearly intends to ridicule books of chivalry.
• Realism vs. Idealism: The novel discusses the struggle between idealism and realism.

Ramón del Valle-Inclán: Theatrical Evolution and Esperpento

Stages and Thematic Development

• Modernist Theater (Early Period: up to 1907)

  Characterized by decadent themes, brilliant style, and an aesthetic attitude. Notable works include Cenizas (1899) and El Marqués de Bradomín (1906).

• Transition: Mythic Cycles and Farce (1907-1920)

  Features characters of every kind and condition, exploring basic instincts and passions. This period includes the violent Comedias Bárbaras (1907-1922) and Divinas Palabras (1920). His farces present grotesque and cartoonish characters as ridiculous puppets and marionettes, exemplified by La Marquesa Rosalinda (1912) and Farsa y licencia de la Reina Castiza (1920).

• Esperpentismo (From 1920 onwards)

  The culmination