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Spanish Theater in the Early 20th Century: Trends and Key Figures

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Spanish Theater in the Early Decades of the 20th Century

Spanish Theater During the First Third of the Century

Spanish theater during the first third of the century catered to a bourgeois public. Consequently, innovative theater was often stifled due to conflicts with commercial barriers and established tastes.

The most prominent dramatic currents of this period were:

  1. The theater that triumphed on stage continued the prevailing trends of the late 19th century.
  2. The theater that sought innovation, with new techniques and approaches, as seen in the works of Valle-Inclán.

The Triumphant Theater: Benaventina Comedy

  1. Jacinto Benavente is the most representative figure of the possibilities and limitations of the time. Notable work: The Vested Interests.
  2. Verse
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The Postclassic Transformation of Roman Law

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The Postclassic Period of Roman Law

The Postclassic Period was notably characterized by the popularization of law. This broad phenomenon involved a generalized impoverishment of legal culture, extending into various fields like linguistics, but particularly evident in the legal sphere, leading to what is known as vulgar Roman law.

While this decline was widespread in the Western Roman Empire, marked by Germanic invasions, the same cannot be said for the Eastern Roman Empire. In the East, major schools in cities like Constantinople and Alexandria saw jurists actively seeking to counter this decline by revisiting classical legal principles. This era in the East is often referred to as the Neo-East.

Factors Contributing to the Vulgarization of Roman

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Valle-Inclán and Antonio Machado: Modern Spanish Literature

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Valle-Inclán

Valle-Inclán's early works, published at the beginning of the century, such as the Sonatas, are modernist in genre and narrative style. The Sonatas feature the Marquis de Bradomín, whom Valle-Inclán defined as "an ugly Don Juan, Catholic and sentimental," representing the young, decadent, aristocratic modernist. His early plays also fall into this category.

In the 1920s, his playwriting culminates with the creation of a type of play called grotesques, which ridicules both Spanish society and human nature itself. The technique of the grotesque involves misrepresenting the truth to the point of absurdity, turning characters into puppets that represent human vices and weaknesses.

Notable works include: The Captain's Daughter, Don

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Rise and Fall of the Roman Republic: From Monarchy to Empire

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The Roman Republic

From Monarchy to Republic

After the expulsion of King Lucius, Rome entered its republican period, lasting until 27 BC. The monarchy was replaced by a more complex system:

  • Two Consuls: Elected annually, these two individuals shared equal power.
  • Magistrates: Officials responsible for various functions, including censors, quaestors, and councilors.
  • The Senate: Expanded to include commoners.

Expansion in Italy

Two major conflicts shaped Roman conquest in Italy:

  • Samnite Wars (343-290 BC): Rome fought against various allied Italic peoples, ultimately achieving victory in 283 BC.
  • Intervention of Pyrrhus (281 BC): The Greek colony of Tarentum sought aid from Pyrrhus, King of Epirus, against Rome. Rome's subsequent victory secured control
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Masterpieces of Romanesque and Gothic Architecture and Art

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Home of San Pedro de Moissac

This architectural work, known as the "Home of San Pedro de Moissac," is a Romanesque-style piece dating back to the 12th century. The author is unknown. The primary material used is stone, similar to that used in the Church of Saint-Pierre in Moissac, Languedoc. The tympanum depicts the Apocalypse, with a grand Christ in Majesty at its center, surrounded by the Tetramorph (symbols of the four Evangelists). The scene is completed with the 24 elders of the Apocalypse, separated by the waves of the sea of glass, which are also present on the jambs. On the left jamb, Isaiah appears, while Saint Peter is represented on the mullion. Apocalyptic beasts are depicted on the mullion. The rosettes carved on the lintel are... Continue reading "Masterpieces of Romanesque and Gothic Architecture and Art" »

Context of Valle-Inclán's Luces de Bohemia

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Publication and Initial Context

Luces de bohemia was first published in the journal España in 1920 and appeared in 1924 in book form with some modifications. Valle's intent is not to recreate specific historical facts; the work cannot be placed in a single given year, but rather captures the atmosphere of an era. The play presents a concrete historical and social picture within a specific time and space. The action takes place over a single, 'unreal' day, encompassing social unrest and repression.

Historical and Literary References

Characters, institutions, and events highlight the crisis of '98 and the dictatorship of Primo de Rivera. Despite the short timeframe of the work, there are many historical and literary references that do not strictly... Continue reading "Context of Valle-Inclán's Luces de Bohemia" »

Pío Baroja: Life, Works, and Influence on Spanish Literature

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Pío Baroja: Life and Personality

Born in San Sebastián in 1872, Pío Baroja studied medicine in Madrid but soon left his practice as a doctor. He published his first books in 1900.

  • Until 1911, he published 17 novels, constituting the most important part of his production.
  • His fame was consolidated: His life became increasingly sedentary. In 1935, he joined the Royal Academy. The Spanish Civil War surprised him in the Basque Country, from where he went to France. In 1940, he settled again in Madrid. He died in 1956.
  • He was a man of lonely and bitter mood.
  • He was pessimistic about man and the world. However, he could feel tenderness for deprived or marginalized beings.

This complete and utter sincerity is a fundamental feature of his temperament.... Continue reading "Pío Baroja: Life, Works, and Influence on Spanish Literature" »

Medieval Catalan Literature: Authors and Works

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Ramon Llull

In 1263, as described in his autobiography, Vita coaetanea, Ramon Llull had a series of visions of Jesus Christ crucified, which led him to dedicate his life to the following:

  • Writing works to disseminate Christian doctrine.
  • Founding schools to teach his philosophical system, as well as Arabic and other Oriental languages.
  • Undertaking apostolic trips to convert people.

Ramon Llull's Works

Llull developed a philosophical system known as the Art, which sought to establish a relationship between reason (philosophy) and faith (truth).

Religious, Educational, and Moral Works:

  • Book of Contemplation (an encyclopedic work preceding the Art)
  • Poetry that includes the mystical theme in poetic prose.
  • Novels intended for readers to understand and serve
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The Generation of '27 & Spanish Grammar: Literary Insights

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Understanding Subordinate and Coordinated Clauses

Subordinate Noun Clauses

  • Subject: Introduced by the conjunction "que" and requires agreement.
  • Direct Object (CD): Can be replaced by a noun phrase (NP) or pronouns like "lo, la, los, las."
  • Adverbial (CRV - Complemento de Régimen Verbal/Circunstancial): Introduced by "que" preceded by another preposition. May be substituted by "que," "quien," "cual," or "donde."
  • Noun Complement (CN): Introduced by "que" usually preceded by a preposition.
  • Adjective Complement (CAdj): Appears before the substantive as an adjective.

Coordinated Clauses

  • Copulative: Joined by conjunctions like "and," "nor."
  • Disjunctive: Joined by conjunctions like "or," "either...or."
  • Adversative: Joined by conjunctions like "but."

Adjectival

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El Cantar de Mio Cid: Intertextuality and Orality in Medieval Spanish Literature

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El Cantar de Mio Cid: Intertextuality and Orality

Type of Text

El Cantar de Mio Cid is an epic poem that recounts the great deeds of the Cid.

Intertextuality

Intertextuality is the phenomenon of connections between different texts. It can be between literary and non-literary works. It may appear in different ways: appointment, allusion, imitation, parody, comment, or processing. To recognize them, the reader should have some literary competence that allows them to relate the texts.

El Cantar de Mio Cid (12th Century)

Castilla (20th Century)

Signs of Orality in El Cantar de Mio Cid

  • Appeals to the public: The poem takes into account the audience.
  • Statement by the minstrel in the narrative: The minstrel includes commentary.
  • Direct speech: The story is updated
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